Fernbedienung Audiomeca PIERRE LURNE original Original Audiomeca PIERRE LURNE Fernbedienung Fernbedienung für Audiomeca Talisman, Obsession und andere. Der Zustand ist wie neu. Volle Funktion. 2 Batterien. Ein gesetzliches Widerrufs- oder Rückgaberecht besteht nicht.

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below) and has been reading only about 50 LPs. Most of my recording were made with a Thorens 160 with a SME serie 2 tone arm and a cartridge Shure V15 IV resold decades ago. I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay, not the one with the SME tone arm) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Pierre LURNE AUDIOMECA Mephisto CD Transport. On Jul-27-23 at 23:52:01 PDT, seller added the following information: Working/ playing condition

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

Very nice TD 160 super turntable in very good condition. It is equipped with a Lurné unipivot arm (the little wire of the antiskating has been replaced by a brand new one). The Lurné 1 is a very high quality tonearm mounted on the best decks. I'm selling the TD 160 super with a new audiotechnica entry-level cartridge. The cover shows some slight signs of wear but is intact. The plinth is in very good condition we can notice very faint sign of use on the corners (see pictures). The belt has just been replaced. This turntable is considered one of the best ever made by Thorens. Description The turntable speeds of 33-1/3 or 45 rpm are selected by the single control knob, which also turns the motor on when it is moved in either direction from its center, off position. The speed is changed mechanically by shifting the belt to different pulley diameters. Since the speeds are fixed and are determined only by the power-line frequency, there is no need for any indicator such as a stroboscope (the rotation of the platter is prima-facie evidence that the turntable is on). The Thorens TD 160 Super is 17 inches wide, 14-1/4 inches deep, and 6-3/4 inches high with its cover closed. It weighs about 24 pounds. Laboratory Measurements The TD 160 Super was supplied to us for testing with an SME Series III arm and Shure V-15 Type IV cartridge. We found that the diameter of the turntable spindle was apparently at the high end of its tolerance, since every record we played was a slight force-fit on the spindle. This tends to minimize any possible eccentricity that might occur with an oversize record hole and a nominal or undersize spindle; it may well have been a part of the turntable’s design. The platter reached its correct speed within about 2 seconds after being turned on. Both speeds were exact, within our ±0.1 per cent measurement limits, and they did not shift in the slightest with line-voltage changes from 95 to 135 volts. The flutter, measured with a CBS BTR-150 test record, was 0.045 per cent weighted rms and ±0.07 per cent weighted peak (CC1R). The flutter spectrum showed no peaks or emphasized bands but decreased smoothly in amplitude with increasing frequency. The unweighted rumble was a relatively low —38 dB, with a slight peak visible on the spectrum analyzer at about 20 Hz and with the same falling energy distribution that we saw in the flutter measurement. The ARLL weighted rumble was — 57 dB, although the concentration of rumble around 20 Hz permits us to infer that the DIN-B weighting curve (which we did not use) would have resulted in a much better figure—probably even lower than Thorens' rating of —72 dB. Our previous experience with Thorens turntables has shown that they are consistently excellent in their isolation from vibration conducted through the mounting bases. However, because of the stiffness of its suspension, the TD 160 Super was barely up to the average of belt-driven turntables in this respect. All in all, we would rate its acoustic isolation as comparable to that of a good di-rect-drive turntable. Comment Convenient as it may be to have automatic operating features on a record player, the ultimate simplicity of a basic belt-driven turntable powered by a line-operated synchronous motor and used with a good tone arm outpoints any combination of automatic features in long-term satisfaction for the user. It is also more likely to appeal to those supercritical phonophiles who claim to be able to hear the differences between turntables and to whom any automatic record player is likely to be unacceptable. Certainly the possibility of using the tone arm of one’s choice is a powerful advantage for a basic turntable such as the Thorens TD 160 Super. Although some of its measurements (weighted rumble and base isolation) are merely good and do not therefore merit superlatives, we found the TD 160 Super to be a thoroughly satisfying record player. With it, one can enjoy recorded music without augmentation (or distraction) from assorted multicolored displays and elaborate controls that at best do only what any reasonably careful operator can do by hand.

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).

AUDIOMECA Pierre Lurne J1 Audiophile Turntable for PART or Repair, France. Sold as is no returns. Appears that someone modified the unit. I can see that is missing the suspension springs (3), other than that it looks to be mostly there. Motor works, both speeds, bearing looks good. Was a very highly sought after table in its day, great reviews! Power supply and belt are there.Would make someone a great project! Local pick up OK!

Turntable Linn Sondek LP12 kit Valhalla + Lurne arm 2 + Moving coil cartridge Supex 900 super + Supex SDT 1000 pre-preamplifier. This turntable (pictures1-5), his tone arm and Supex 900 super (picture 6) and Supex SDT 1000 step transformer (pictures 7 and 8) are in perfect working conditions and come with several accessories including a spare belt, the oil for the tone arm in a syringe, a Decca brush for cleaning LPs and a Supex liquid for cleaning the stylus (pictures 9 and 10), the written instructions of Mr. Lurne himself (the conceptor of the famous Goldmund turntable) to adjust any cartridge (in French, but that I will be very pleased to translate, being fully bilingual, picture 11) and all original packages (pictures 12 and 13). The stylus of the Supex 900 super cartridge is in excellent condition as my Linn Sondek was only used to read brand new LPs (see last paragraph below). I am a stereo maniac, with a McIntosh amplifier 7270, McIntosh preamplifier C31V, McIntosh CD player MCD 7007, McIntosh FM tuner MR 7082 connected to an external antenna, Quad ESL 63 Pro electrostatic speakers, Revox B77 reel to reel tape recorder, and Nakamichi 1000 ZXL K7 deck, both tape recorders connected to a DBX 124 noise reduction unit (see pictures 14 and 15). Connectic is by Monster cables, except for the Quads, which are connected to the amplifier by Leedh cables. My listening room is almost perfect with a height of 6.5 m in inverse V (see pictures 16 and 17), and thus with a huge volume. The Quads ESL 63 Pro are perfectly placed at 1.2 m of the back and lateralwalls in stone (0.7 m thick) and distant of 4.5 m. The insulation of the walls on the back of the Quads has been rigidified to avoid any parasite vibration as the Quads function in doublet. There is a specific electric line for the stereo directly from the electric counter. You may notice 1) that the amplifier at the bottom of my rack is sufficiently far away of the other components to avoid any radiation of the monstrous output transformers of the McIntosh amplifier 7270, and 2) that the Quads are on home-made metallic stands. They are filled with sand with cork supports on both the metallic plate bottom of the Quads and on the wooden floor. In my personal opinion the Quad stands are not high enough to get a perfect stereo image for a seated listener. I have plenty of test CDs including the Chesky volumes 1 to 3, plenty of friends who are musicians, and I regularly assist to live concerts of mostly Baroque music, blues and jazz... I had two turntables: This Linn Sondek LP12 operating in my main listening room with an AGI 511 A preamplifier (much better than my present McIntosh preamp for its phono section, already sold recently on eBay). Another secondary stereo system with a turntable Thorens TD 160 (also recently sold on eBay) was in use in my office comprising a Marantz 2225 receiver connected to the external FM antenna, a basic Sony CD player CDP-690, and a pair of French 3A Apogée Monitor speakers (see pictures 18 and 19).