You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

This is the best integrated amp Ive ever owned. 250 watts per channel and crisp clear sound. Ive driven Magnapans, Altec Lansing and Seeburg speakers with great results. This was purchased at StereoTown in Bloomington, MN. Retail price was $6k and recently reduced the retail price a bit.https://stereoland.com/product/hegel-h390/Im moving out of the country and my new (retired) lifestyle will involve a lot of traveling. This jewel will be sitting in a closet somewhere without being enjoyed. Id say my loss is your gain, but Ive had time to enjoy this piece of equipment and its been worth every cent.https://www.hegel.com/en/products/integrated/h390

This is the best integrated amp Ive ever owned. 250 watts per channel and crisp clear sound. Ive driven Magnapans, Altec Lansing and Seeburg speakers with great results. This was purchased at StereoTown in Bloomington, MN. Retail price was $6k and recently reduced the retail price a bit.https://stereoland.com/product/hegel-h390/Im moving out of the country and my new (retired) lifestyle will involve a lot of traveling. This jewel will be sitting in a closet somewhere without being enjoyed. Id say my loss is your gain, but Ive had time to enjoy this piece of equipment and its been worth every cent.https://www.hegel.com/en/products/integrated/h390

HEGEL MUSIC SYSTEMS H300 REFERENCE INTEGRATED AMPLIFIER USED, BUT 100% FUNCTIONAL. THIS WAS PREVIOUSLY HEGELS FLAGSHIP INTEGRATED AMPLIFIER. IT HAS TONS OF POWER, INCREDIBLE CONTROL, AND A VERY NICE BUILT IN DAC. 250 x 2 @ 8 ohms 430 x 2 @ 4 ohms THERE IS A VERY SMALL MARK AT THE TOP OF THE FRONT PANEL. OTHERWISE, THE AMPLIFIER IS IN BEAUTIFUL COSMETIC CONDITION. INCLUDES ORIGINAL PACKAGING, REMOTE, AND POWER CABLE. ACTUAL PRODUCT PICTURED. FREE SHIPPING WITHIN THE CONTIGUOUS UNITED STATES ONLY. SHIPPING TO HAWAII AND ALASKA IS NOT FREE.

Experience the pinnacle of audio fidelity with the Hegel H160 Integrated Amplifier, a pinnacle of sound quality and versatility. This sleek black unit serves as a central hub for your audio setup, boasting a robust 150 watts per channel at 8 ohms, which means crisp, powerful sound that brings your favorite tracks to life. The H160 is equipped with a variety of inputs including Coaxial Digital, Digital Optical TOSLINK, and Ethernet, catering to a diverse array of digital and analog sources. With two channels and eight inputs, it offers both depth and versatility for connecting multiple devices. The amplifiers AB class design ensures efficiency without compromising on performance, while banana speaker jacks provide a secure and high-quality connection to your audio system.

Type: Integrated Amplifier Model: Hegel H190. Color White. Power: 150 W Voltage: 230V Hegel H190 is an integrated amplifier with DLNA support, capable of playing streaming music content from any platform, including AirPlay. Integrated amplifier with network functionality. Output power 2 x 150 W, minimum load resistance 2 Ohm, damping factor 4000. Unbalanced and balanced, optical, coaxial and USB input. Network connection UPnP, Spotify, Ron, AirPlay support. Power 2 x 150W into 8 Ohms, 2 x 250W into 4 OhmsMinimum load 2 ohmsAnalog inputs 1 x balanced (XLR), 2Unbalanced digital inputs (RCA) 1 x coaxial S/PDIF, 3 x optical S/PDIF, 1 x USB, 1 xNetwork line level Output 1 x fixed unbalanced (RCA), 1 x variable unbalanced (RCA)Frequency response 5Hz-100kHzSignal-to-noise ratio Over 100dBCrosstalk Less than -100dBDistortion Less than 0.01% @ 25W 8 Ohms 1kHzIntermodulation Less than 0.01% (19kHz + 20kHz)Damping factor Over 4000Dimensions 12cm x 43cm x 41cm (HxWxD), 19kg loading weightDimensions (US) 7.72 x 16.93 x 16.15 (HxWxD), 41.89 lb loading weight19 kg (packaged) 430x120x410 mm The integrated amplifier ??gel ?190 occupies a niche between ??gel ?390 and the more budget model ??gel ?120 in the brands line of complete amplifiers. The main difference between the ?190 and its predecessor ??gel ?160 was a clear OLED display, which replaced the vacuum fluorescent indicator and an increased damping factor. The power supply has a toroidal transformer and 6 high-capacity capacitors. The power of the ?190 reaches 150 W (8 Ohm) per channel, and the damping factor exceeds 4000 units. This means that the amplifier will subdue even the most capricious acoustic systems. The output stage of ??gel ?190 has fast transistors of Japanese manufacture. ??gel H190 has received the Ron Ready certificate. To start using the service from Ron Labs, owners of ??gel devices simply need to update the firmware.

ListenUp Add to favorite sellers Feedback Menu View all items Feedback About us Contact us HEGEL H390 2 Channel Integrated Amplifier - 250 Watt/Ch (Black) This is a USED, PRE-OWNED, TRADE-IN unit! ListenUp will warranty this unit against technical defects not mentioned in the description for 90 days. It has been fully tested and inspected by our team of audio/video experts. Our inspections are thorough so we can ensure you receive a product that you will love. Please see the description and photos for condition specifics. Buy with confidence from a reputable seller! Excellent condition with no signs of damage or abuse. This unit has been thoroughly tested and is sonically flawless. Comes with factory packing, remote, manual, and power cord. The H390 is a REBEL by offering much of the performance of our Reference products, albeit at a lower price. A REBEL that in one integrated product offers the same as others do in two or three. A REBEL that provides world-class sound, jaw-dropping power and comes packed with convenient services. Nicknaming the H390 Robin Hood is a bit bold, you may think. After all, it isnt pocket money and we are not giving it away to the poor. But it is a rebellion against the established. It is a rebellion because it offers extraordinary resolution and musical quality, typically found only in the most esoteric products, but at a reasonable price. It is a rebellion against the establishment of forcing consumers into a user interface defined by the amplifier/streamer manufacturer. The H390 is very much at the tip of the spear in Hegels pursuit of making mainstream sources sound their very best. Meaning the H390 is not just for the Audiophile. It is a product for the entire family to enjoy. At the heart of the H390 is Hegels patented SoundEngine 2 amplifier section. The SoundEngine 2, in many ways, works like a noise canceling headphone. A computer inside will sample what comes into the amplifier and compares it to what comes out. The computer subtracts the difference (distortion) and then add it into the music but in reverse phase. The result being that, without any time delay, the SoundEngine cancels out almost all errors made by the amplifier. Leaving you with the most musical and natural sound you ever have experienced. Then there is digital. If not using a turntable, you are probably using digital connections. Hegel designs both the analog and digital sections from, the ground up and in house. The digital section in the H390 is unique in that regardless of the signal type or input, the music signal remains unchanged and untampered with in the H390. We call it a bit perfect DA-Converter. This is digital in its purest form. For those interested in deep tech, we even design digital clocks that will follow the sampling frequency in the music and down-clock when receiving a low-resolution file. For the non-techie, the result is a far more natural and analog sound as well as an unbelievable soundstage and realism. Finally, lets talk about connectivity. The H390 has Apple Airplay and UPnP streaming. We offer free updates with services like Spotify Connect, IP Control, and Control4. It supports most audio formats like DSD and MQA. All inputs are configurable for volume bypass, so you can integrate in a home theater or with a Bluesound or Sonos. Almost whatever you want, you can do it with the H390. The H390 is a complete product. Great care has been taken in every step of the design. From carefully selecting and matching components to using the best measurement equipment in the world, in combination with our own ears. Real people gave us input on how they would want to use a stereo system. You can connect virtually anything you like. We call it Robin Hood because it takes strengths from our reference products and offers at a lower price. Technical Specifications Power output: 2 x 250 W into 8 Ω, Dual MonoMinimum load: 2 ΩAnalog Inputs: 1 x balanced (XLR), 2 x unbalanced (RCA)Digital Outputs: 1 x coaxial (BNC)Digital Inputs: 1 x coaxial (BNC), 1 x coaxial (RCA), 3 x optical, 1 x USB, 1 x NetworkLine level Output: 1 x unbalanced fixed (RCA), 1 x unbalanced variable (RCA)MQA supported inputs: USB, BNC, Optical and CoaxialFrequency response: 5 Hz - 180 kHzSignal-to-noise ratio: More than 100 dBCrosstalk: Less than -100 dBDistortion: Less than 0.005% @ 50 W/8 Ω/1 kHzIntermodulation: Less than 0.01% (19 kHz + 20 kHz)Damping factor: More than 4000 (main power output stage)Dimensions incl feet: 14,5 cm x 43 cm x 44 cm (HxWxD), 20 kg unit weightDimensions (US): 5.71 x 16.93 x 17.32 (HxWxD), 44 lbs unit weightSpecial features: Set Startup volume | Set max volume | Software upgradable | Configure all inputs as fixed level inputs | IP control About Us Turning Up The Volume Since 1972. ListenUp has been the Rocky Mountain regions most trusted resource for high-performance home entertainment systems since 1972. We have four stores in Colorado and New Mexico to serve you, as well as a dedicated Custom Division for more elaborate systems, a renowned Commercial Division and an E-Commerce Division to handle online sales. You love the music. We help bring it home. The Warehouse Deals division was added in 2017 to bring you the best deals and bargains on open box, scratch/dent or clearance items. The department is headed by Edward Spar (above) and has already earned a sterling reputation as a trusted source of open-box items. Being a champion of ListenUps business practices, ListenUpWarehouseDeals will always work to give you the best solution at the best deal for your needs. The best products from the best vendors. We are proud to represent the finest manufacturers in the world, such as Audioengine, AudioQuest, Definitive Technology, Denon, Harman Kardon, Klipsch, Marantz, NAD, PSB, Polk and more. Whether you are interested in an A/V receiver, a new set of speakers or a desktop digital music system, a single component or a customized whole-house system, we have a solution to fit your exact needs. Shipping Shipped within ONE BUSINESS DAY* We want you to have your purchase as soon as possible, so we ship all orders within one business day of when the order is placed and paid for. Due to the high value of some items, your item may be shipped with a signature required upon delivery. *While this applies to most orders, it does not apply to items that are drop-shipped from different warehouses or have to be shipped via an LTL carrier. Returns 60-day Money-back Guarantee with FREE RETURN SHIPPING We want you to be absolutely satisfied with your purchase. If youre not, you may return any product within 60 days. You can either exchange it for a different product or well refund your money - its totally up to you. Just contact us for a return authorization number via eBay connection/ask a question, make sure the product is in like-new condition, and pack everything (including remote, owners manual, power cord, etc.) securely in the original packaging. Well even pay for the return shipping.* *Items that are specially delivered, such as some larger televisions, floorstanding speakers and furniture, are not included in this offer. If a product is defective or damaged, however, there is no charge for returning it, and there is no re-stocking fee as long as all of the original equipment is complete and returned in good condition. Credit or Exchange - 60 days You may return merchandise for credit toward a future purchase or exchange for another item any time within 30 days of purchase. You may contact us via eBay connection/ask a question. We will notify you of your credit or exchange via e-mail once we have received and processed the returned item. 60-day Price Guarantee If within 30 days of your purchase you find the same product advertised for less (from an Authorized Internet Dealer), well refund the difference. Just contact us via eBay connection/ask a question. Exclusions These policies do not apply to commercial or contract sales, which are subject to the terms of the contract. Installed equipment may not be returned for refund, credit or exchange, except by agreement of the Webmaster and payment of a restocking fee. You may contact us via eBay connection/ask a question. We will notify you of your refund credit or exchange, via e-mail, once we have received and processed the returned item. Warranty ListenUps warranty/logistical support only extends within the United States. If a unit is taken out of the United States and there is any reason to activate the warranty or return process, you would be responsible for all shipping and fees involved with moving the product outside the US. FEATURED CATEGORIES Customer Service About Us Contact Us Feedback Secure Payments Newsletter Subscription Add my Shop to your Favorites and receive my email newsletters about new items and special promotions! Join Now © Copyright 2021 ListenUp | All rights reserved eBay design: MH Design Lab

FLASH SALE DUE TO RELOCATION. THE AD WILL BE REMOVED ON SUNDAY NIGHT IF NOT SOLD.$4,350 Hegel H190 integrated amplifier, true high-end, perfect match for virtually any speaker, highly praised for its sound and transparency.It has state of the art integrated DAC, Music Streamer capabilities (Tidal, Spotify, AirPlay, etc.), and excellent headphone amplifierColor is blackIt is in excellent condition, comes with remote, original box and manual. Find this as on usaudiomart site for the lower and tax-free pricing (search by same description)The H190 is an amplifier with DLNA streaming capabilities that can play music from any streaming platform (Tidal, Spotify, AirPlay, etc.). With configurable inputs, a high-end DAC, and a front-facing headphone output you can enjoy the ease of use with ultimate sound quality. In anodised black aluminium with an OLED display, the H190 is beautiful enough to be the centerpiece in any system and powerful enough to drive almost any loudspeaker on the market.With a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music over AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal.The H190 also features a sturdy 6.3mm Headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design.Technical SpecificationsPower output: 2 x 150 W into 8 ?Minimum load: 2 ?Analog Inputs: 1 x balanced (XLR), 2 x unbalanced (RCA)Digital Inputs: 1 x coaxial (RCA), 3 x optical, 1 x USB, 1 x NetworkLine level Output: 1 x unbalanced fixed (RCA), 1 x unbalanced variable (RCA)Frequency response: 5 Hz - 100 kHzSignal-to-noise ratio: More than 100 dBCrosstalk: Less than -100 dBDistortion: Less than 0.01% @ 25 W/8 ?/1 kHzIntermodulation: Less than 0.01% (19 kHz + 20 kHz)Damping factor: More than 4000 (main power output stage)Dimensions incl feet: 12 cm x 43 cm x 41 cm (HxWxD), 17 kgDimensions (US): 4.72 x 16.93 x 16.15 (HxWxD), 37.5 lbsFinish: BlackWith a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music over AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal.The H190 also features a sturdy 6.3mm Headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design.

Superb sounding amp from Scandinavia.> Analog and digital inputs> Apple AirPlay> Spotify Connect> Latest firmware installed> Remote included Shops in original box w/factory accessories.

Hegel H190 Integrated Amplifier 150 W Per Channel Fantastic Sound Mint Condition. High end sound one of the best amplifier on the market. Upgraded to the newest firmware. Unit is approximately 2 years old. We absolutely loved it selling since we bought Hegel H390. You are getting everything as pictured from my smoke free very clean home. Let me know if you have any questions or need more pictures. Serious and honest buyers only ! THANK YOU SO MUCH FOR VISITING MY STORE!

integrated amplifier HEGEL H360 230v is an integrated amplifier with support for AirPlay and DLNA, a real giant among integrated amplifiers. With 250 W per channel (at 8 ohms) and a damping factor of more than 4000, it is capable of driving almost any existing speakers.Featuring patented SoundEngine technology, this mighty amplifier combines power, dynamics, clarity and musicality like no other on the market today. Connectivity is another nice bonus. There are balanced and unbalanced analog inputs. Home cinema input. There are also optical and coaxial digital inputs, plus a USB input that accepts streams including DSD128.And yes, he’s also a streamer! Power: 2 x 250 W at 8 ohms, 2 x 420 W at 4 ohmsWeight: 20.5 kgDimensions (W x H x D): 430 x 150 x 430 mm

For sale a like NEW Hegel H190, amplifier with DAC and streamer in one case, latest version with two transformer, full packing with unused remote, manual, main cable. 23 Month warranty!!! The H190 is an amplifier with DLNA streaming capabilities that can play music from any streaming platform including AirPlay. With configurable inputs, a high-end DAC, and a front-facing headphone output you can enjoy the ease of use with ultimate sound quality. In anodised black aluminium with an OLED display, the H190 is beautiful enough to be the centerpiece in any system and powerful enough to drive almost any loudspeaker on the market.With a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music over AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal.The H190 also features a sturdy 6.3mm Headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design. More info: https://www.hegel.com/en/products/integrated/h190 Post to all Worldwide

For sale a used Hegel H190, amplifier with DAC and streamer in one case, full packing with remote, manual, main cable. The H190 is an amplifier with DLNA streaming capabilities that can play music from any streaming platform including AirPlay. With configurable inputs, a high-end DAC, and a front-facing headphone output you can enjoy the ease of use with ultimate sound quality. In anodized black aluminum with an OLED display, the H190 is beautiful enough to be the centerpiece in any system and powerful enough to drive almost any loudspeaker on the market.With a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music via AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal.The H190 also features a sturdy 6.3mm headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design. More info: https://www.hegel.com/en/products/integrated/h190 Post to all Worldwide

I am the original owner of this Hegel H360 Integrated Amplifier (250 watts per channel, 8ohms). I purchased it new from an authorized Hegel dealer. It has occupied only two audio rack shelves since new, and was moved carefully in my vehicle, NOT SHIPPED, from one location to the other. All functions work perfectly and all aspects of performance are outstanding. This integrated amp has always been in a smoke-free, pet-free, child-free environment, and has always been in a two-channel audio system enjoyed by an adult. There is an outstanding and detailed review in the March 11, 2016 issue of Absolute Sound. The reviewer heaped accolade after accolade on sound quality, build quality and the built-in DAC, which he compared favorably to Hegel’s standalone $1,200 DAC. The built-in DAC plays all common digital formats. The remote is metal, and has a wonderful quality feel. If you are not familiar with this model, but are considering it, I would encourage you to read the Absolute Sound review. This model is compatible with popular streaming platforms like Tidal and with Apple Air Play. The unit is cosmetically perfect with the exception of two very small scratches on the right top edge near the back of the case. There is an enlarged picture of these scratches in this ad. The coin is a quarter. I suspect a black permanent marker would make these extremely difficult to notice. I have the original carton with all factory internal packing materials. I have the original manual and original remote with its box. I will ship promptly via insured UPS Ground service, and I will pay all shipping costs that exceed $50.00. See my feedback, and bid with confidence. IMPORTANT NOTE: Please do not bid unless you have been an eBay member for at least four months with at least five purchases or sales with positive feedback. Thank you. From the Absolute Sound review:The commanding, clean 250W output and variety of analog and digital inputs would almost be enough to recommend the H360 from the start, but Hegel offers much more than mere competency. The real boon here comes from the H360’s revealing, refined, and—best of all—musically compelling character. I could hear more deeply into recordings than I had any reason to expect from a $5700 solid-state integrated amplifier.

Elevate your home audio experience with the Peachtree Audio NOVA 150 Integrated Audiophile Amp. Has phono (MM) and a built in DACThis sleek and powerful amplifier boasts 150 watts of power and supports a range of audio inputs, including digital coaxial RCA, AUX, two digital optical TOSLINK, and USB-B. With its headphone jack, preamp out, and banana speaker jacks, the NOVA 150 offers versatility in connecting to your preferred audio setup. Comes as new with all factory items inc: remote, lit, packing and boxingworks and looks perfect!!!

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For sale a less used demo Hegel H390, full packing with remote, manual, main cable. The H390 is a REBEL by offering much of the performance of our Reference products, albeit at a lower price. A REBEL that in one integrated product offers the same as others do in two or three. A REBEL that provides world-class sound, jaw-dropping power and comes packed with convenient services.More info: https://www.hegel.com/en/products/integrated/h390 Post to all Worldwide: Europe around 100Eur, other 300-400Euro.

Integrated amplifier Hegel H360 250W impedance 8 ohms. Integrated amplifier Hegel H360 Model: H360Power: 250WDimensions: 12cm (15cm w/feet) x 43cm x 43cm (HxWxD)Selling the best integrated amplifier, power 250W, impedance 8 ohms.Controls any speaker.SoundEngine2 technology.The best sound that any professional will appreciate.- Balanced and unbalanced analog inputs.- Optical and coaxial digital inputs- USB input for any signalIn use 2 years. Selling because I got X 390 as a gift

Verstärker + D/A Wandler Streaming - Modul 1550,00 EURO Analogausgänge 1. fester Pegel (RCA )1.variabler Pegel (RCA) 6.3 Klinge Kopfhörer. A.....eingänge. 1.symmetrisch (XLR). 1. unsymmetrisch(RCA) .1.Home Theatre (RCA).Digit.eingänge. 1.koaxial, 3.optisch,1. USB, 1.Ehternet (RJ45).Leistung .2x150.Watt/8 Ohm. 2x250 Watt /4OhmMaß3+Gewicht. 12x43x41cm (HxBxT) 19 kg. Das Gerät kommt aus einen Nichtraucher und Tierfreien Haushalt..Der Zustand optisch +technisch ,ist einwandfrei. OVP. vorhanden. Privatverkauf und aus diesen Grund entfallen jegliche Garantie /Gewährleistungsansprüche / Sachmängelhaftung sowie das Rückgabe und Umtauschrecht.

$4,350 Hegel H190 integrated amplifier, true high-end, perfect match for virtually any speaker, highly praised for its sound and transparency. It has state of the art integrated DAC, Music Streamer capabilities (Tidal, Spotify, AirPlay, etc.), and excellent headphone amplifier Color is black It is in mint condition, comes with remote, original box and manual. Find this ad on usaudiomart site (same description) for lower and tax-free pricing The H190 is an amplifier with DLNA streaming capabilities that can play music from any streaming platform (Tidal, Spotify, AirPlay, etc.). With configurable inputs, a high-end DAC, and a front-facing headphone output you can enjoy the ease of use with ultimate sound quality. In anodised black aluminium with an OLED display, the H190 is beautiful enough to be the centerpiece in any system and powerful enough to drive almost any loudspeaker on the market. With a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music over AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal. The H190 also features a sturdy 6.3mm Headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design. Technical SpecificationsPower output: 2 x 150 W into 8 ?Minimum load: 2 ?Analog Inputs: 1 x balanced (XLR), 2 x unbalanced (RCA)Digital Inputs: 1 x coaxial (RCA), 3 x optical, 1 x USB, 1 x NetworkLine level Output: 1 x unbalanced fixed (RCA), 1 x unbalanced variable (RCA)Frequency response: 5 Hz - 100 kHzSignal-to-noise ratio: More than 100 dBCrosstalk: Less than -100 dBDistortion: Less than 0.01% @ 25 W/8 ?/1 kHzIntermodulation: Less than 0.01% (19 kHz + 20 kHz)Damping factor: More than 4000 (main power output stage)Dimensions incl feet: 12 cm x 43 cm x 41 cm (HxWxD), 17 kg Dimensions (US): 4.72 x 16.93 x 16.15 (HxWxD), 37.5 lbs Finish: BlackWith a damping factor of over 4000, the H190 is powerful enough to drive almost any loudspeaker currently on the market, especially the big ones! Plug in your loudspeakers and start streaming music over AirPlay, or any other DLNA streamer, quickly and easily. The high-end DAC ensures precision decoding, providing the best foundation of sound for your entire set up. The 2x150 watt SoundEngine2 error canceling amplifier prevents distortion and preserves the details and dynamic range in the original music signal.The H190 also features a sturdy 6.3mm Headphone output that is front facing, so you can easily plug and unplug as your listening style changes over the course of a day. With powerful technology inside of a modern casing, the H190 is the Hegel embodiment of Powerful Design.

Zu verkaufen ist der integrierte Verstärker HEGEL H360 in perfektem ästhetischen und funktionalen Zustand. Der Verstärker ist aus dem Jahr 2018, komplett mit Fernbedienung, Dokumenten und Zubehör. Der Hegel H360 ist ein Gigant unter den Vollverstärkern. Mit 250 Watt pro Kanal an 8 Ohm und einem Dämpfungsfaktor von über 4000 kann er praktisch jeden Lautsprecher auf dem Markt antreiben. Ausgestattet mit der patentierten SoundEngine2-Technologie vereint dieses Verstärker-Biest Leistung, Dynamik, Finesse und Musikalität wie kein anderer Vollverstärker auf dem Markt. Konnektivität ist eher ein Bonus … Es gibt symmetrische und unsymmetrische Analogeingänge. Es gibt einen Heimkino-Bypass. Es gibt optische und koaxiale Digitaleingänge sowie einen USB-Eingang für jedes Signal bis DSD128 … Und ja, es ist auch ein Streamer.

Hegel H160 Vollverstärker mit integriertem Streamer Top Zustand! Mit Orginalkarton und FernbedienungAnschlüsse, siehe Foto (Optische und analoge Eingänge) Technische Daten Ausgangsleistung spk: 150 w/pc an 8 Ohm, 250 w/pc an 4 Ohm Ausgangsleistung hp: 270 mw/pc an 64 Ohm Analoge Eingänge: 1 symmetrisch (XLR), 1 unsymmetrisch (RCA), 1 Heimkino Analoge Ausgänge: 1 fester Line-Pegel (RCA), 1 variabler Line-Pegel (RCA) Digitale Eingänge: 1 koaxial, 3 optisch, 1 USB, 1 Ethernet (RJ45) Kopfhörerausgang: 6,3 mm Klinke (vorne) Frequenzgang: 5 Hz-100 kHz Signal-Rausch-Verhältnis: Mehr als 100 dB Crosstalk: Weniger als -100 dB Verzerrung: 0,005 % @ 50W 8 Ohm 1 kHz Intermodulation: Weniger als 0,01% (19 kHz + 20 kHz) Dämpfungsfaktor: Mehr als 1000 (Hauptleistungsendstufe)Sampling Rate: bis zu 24bit/192kHz Abmessungen/Gewicht: 12 cm x 43 cm x 41 cm (HxBxT)/19 kg Kein Versand außerhalb Deutschlands ! Abholung möglich Bevor Sie bieten, beachten Sie bitte, dass dies ein Privatverkauf ist und ich eine Garantie und Rücknahme ausschließe