Description
Vienna Acoustics Haydn Grand Symphony Bookshelf Speakers! 100% working and functioning. Amazing and beautiful sound from such a small footprint. Huge bass! Warm mids and amazing highs! MSRP $1800.00!! They sound amazing, with very tight bass response from a bookshelf speaker. PLEASE look at ALL pictures for a clear idea of the condition. There are several scratches in the paint on both, and some gouges in the wood.I have a video of BOTH speakers working perfectly. Please ask if you want to see it. These speakers are a bit banged up, as they were found in a storage locker.They both play perfectly, and sound amazing. Does not affect the sound of either speaker.If you don’t mind a couple of dings and scratches that can’t really be seen from a distance…these are perfect for you! Do to the condition of both, these are being sold as-is with NO RETURNS! High Tech, Easy SetupThese elegant $1,800 mini-monitors have a small footprint. They are only 6.85 inches wide, 10.4 inches deep, and just over 14 inches tall. With the appropriate stands, perfect for a small-to-medium-size room. My review pair arrived in an optional piano white finish that was simply beautiful. No part of these understated speakers is done by chance. Featuring a 6-inch woofer made from the company’s clear X3P material and latest-generation 1-inch soft dome tweeter, the Hayden also takes advantage of enhanced technology gleaned from Vienna’s top-of-the-line speakers.The Haydn’s unique wedge bass port places the tweeter directly in the front of the angled port. Successfully eliminating port noise, which can be a problem with small monitors featuring a high excursion woofer, the Haydn delivers the goods when called upon to reproduce lower bass frequencies. Kraftwerk’s “Boing Boom Tschak” is an excellent test for such a task. Many small, ported speakers make a muffled groan when asked to handle the deep bass on this record, but the Haydens sailed through without issue. The MC1.2kws were reading about 600 watts on the power output meters before the woofers hit their stops—indicating an end to the madness.Bass fun aside, paying careful attention to speaker rake is key to extracting the maximum performance from the Haydns. Tilting them back slightly, about a degree at a time, reveals a spot where they just disappear from the listening position. As a result, the soundstage dramatically increases. If you have DualLevelPro on your iPhone, you can quickly get the speakers within a half-degree of one another. You’ll know when you have it right: the stereo image will extend well beyond the speaker boundaries. If it’s not perfect, the image just hovers between the speakers. Take 30 minutes, and grab a friend to help, and you will be in heaven.After getting read on the speakers, I replaced the MC1.2kws with the Conrad Johnson MV-50C1. This EL-34 powered amplifier produces 45 watts per channel, more than enough for all but the most ambitious listening. It proved an excellent match for the Haydns’ 89dB sensitivity. Similarly, the Rega Brio-R (also reviewed in this issue) made for an excellent solid-state choice and logged a fair amount of listening time as well.Fatigue FreeWhile I preferred the scrumptious match of the CJ amp with the Haydns—I really enjoy the hyperrealism of listening nearfield with a pair of high-performance monitors driven by a great vacuum tube amplifier—the Haydns’ smooth albeit resolving soft dome tweeter was never harsh. So those with solid-state amplification need not fear. Audiophiles that love solo vocalists will be very pleased with these speakers. To wit, play Keren Ann’s recent 101. The breathy, expansive vocals will melt even the most diehard Patricia Barber fan and really show off the midrange clarity offered up by the Haydens.When moving to electronica from Deadmaus, Kruder & Dorfmeister, and Tosca, the music underscored the small speakers’ ability to produce a substantial amount of bass, even in my main listening room (16 x 24 feet). “Bug Powder Dust” from The K&D Sessions goes very deep. Yet the Haydns captured most of the fundamental tone, with a bit of sub-harmonics as well. The single 6-inch driver performed impressively, yielding solid bass reproduction and quite a bit of texture. Of all the speakers we auditioned for this issue, the Haydns were the only pair that went toe to toe with my Magenpan 1.6s in terms of upper bass detail—no small feat. I was consistently surprised at the amount of low-frequency oomph they mustered.Great small monitor speakers also excel at pinpoint imaging, and the Haydns didn’t shirk in this area, either. Listening to the soundtrack to the 1981 animated classic Heavy Metal, the main vocals of “All of You” hovered out in front of my face, with the guitars far behind the imaginary line between the speakers. Moreover, the spacey electronic effects were distinctly placed from left to right, without ever losing the bass line.As much as I punished these speakers at the beginning of the review, they did an equally excellent job playing music at very low levels—a great example of their linearity. Should you happen to be an apartment dweller that lacks both space and the luxury to really wind up your system, these speakers can keep you very happy until you don’t have neighbors behind your adjoining walls.While I wouldn’t generally pair 89dB speakers with an SET, the Haydns were so easy to drive, my 9-watt-per-channel Woo Audio amplifier proved a delicious partner. Listening to Tomita’s Live at Linz, 1984–The Mind of the Universe at low-level in the nearfield made me feel like I was sitting in a gigantic pair of headphones, with synthesizer effects sounding as if they were coming right from the middle of my head.f you have a modest-sized room and won’t miss that last octave of bass, the Vienna Acoustics Haydns practically have no faults, especially at this price. There are a handful of small monitors that offer more bass and resolution, but they cost three-to-five times as much. Kept in the context of the components with which they will probably be paired, these speakers should be able to satisfy the fussiest of budget audiophiles. And, considering their small size, multiple finish options, and fact that they present a load that is easy to drive, the Haydens’ versatility seems to know no bounds.Vienna Acoustics Haydn Grand Symphony EditionMSRP: $1,850/pair (standard finish) $2,000/pair (piano white and rosewood)
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~~~Produktbeschreibung und technische Daten stammen von der offiziellen Website von Vienna Acoustics~~~ Produktbeschreibung HAYDN SE SIGNATURE verfügt über den patentierten Spider-Cone X3P-Tieftöner, der – durch die spezielle Anordnung der Rippen – für mehr Leistung, Ausdehnung und Kontrolle sorgt. Das sogenannte X3P umfasst in seiner Zusammensetzung drei zusätzliche Polymere, die es dem Fahrer ermöglichen, eine außergewöhnlich große Bandbreite bereitzustellen und gleichzeitig über ein hohes Maß an innerer Detailgenauigkeit, Ruhe und Kontrolle zu verfügen. Wie sein deutlich größerer Begleiter, der BEETHOVEN Concert Grand REFERENCE. HAYDN SE SIGNATURE verfügt über den exklusiven handbeschichteten Seidenkalotten-Hochtöner, der selbst kleinste Nuancen mit natürlicher Leichtigkeit zum Vorschein bringt und dabei bis weit in den Mitteltonbereich reicht. Ein spezielles lineares Crossover-Layout mit sorgfältig angeordneten Kupferschaltkreispfaden berücksichtigt das Potenzial für sympathische und parasitäre Wechselwirkungen zwischen Crossover-Komponenten, die unerwünschtes Rauschen und Verzerrungen verursachen können, und ermöglicht gleichzeitig eine direktere und effizientere Signalübertragung an die Treiber, was dazu führt ein höheres Maß an Detailgenauigkeit und Reinheit. Wie die meisten exklusiven Designs von Vienna Acoustics wird HAYDN SE SIGNATURE sorgfältig nach echten Möbelstandards gebaut und mit der gleichen hervorragenden Furnierumhüllungstechnik sowie mit echtem Klavierlack veredelt. Technische DatenImpedanz: 4 OhmFrequenzgang: 40 Hz – 20 kHzEmpfindlichkeit: 88,5 dBEmpfohlener Verstärker: 50 – 180 WattHochtöner: 1,1 handbeschichtete Vienna Acoustics SeidenkalotteMitteltöner: 6 Zoll Spider-Cone™ X3PBasssystem: Hinten belüfteter BassreflexBassfunktion: Impulse Optimizing QB 3 (Quasi-Butterworth)Crossover-System: Zwei-Wege-6-db/12-db-BesselCrossover-Komponenten: MKP-Kondensator 1 % Toleranz / Spulen 0,7 % Toleranz, LuftspulenMetallschichtwiderstände: 1 % induktivitätsfreiGewicht pro Paar: 20 kgAbmessungen (B x H x T) Zoll: 6,85 Zoll x 14,2 Zoll 10,4 ZollAbmessungen (B x H x T) mm: 174 mm x 361 mm x 265 mmAusführungen: Kirsche, magnetisches Gitter im Lieferumfang enthalten B-Ware Erklärung: Als B-Ware, auch Ware zweiter Wahl (und kurz zweite Ware oder Zweitware) genannt, werden im Gegensatz zur A-Ware (erste Wahl) und C-Ware (dritte Wahl) Verkaufsartikel bezeichnet, die aus dem normalen Vertrieb eines Händlers herausfallen und zum Sonderpreis angeboten werden, dabei aber neu beziehungsweise neuwertig und voll funktionsfähig sind.Unterscheidungen:Bei Waren zweiter Wahl kann es sich handeln um:Nicht mehr original verpackte, aber als neu geltende Artikel: Dabei handelt es sich um Artikel, die nur einmal ausgepackt und vorgeführt beziehungsweise vom Kunden angesehen wurden sowie um Retouren aus dem Versandhandel.Artikel, die kleine Fehler aufweisen: Hierzu gehören neuwertige Vorführgeräte, Muster- und Ausstellungsstücke sowie Kartonage Schäden, bei denen die Originalverpackung beschädigt wurde oder fehlt. Diese Artikel weisen ansonsten keine oder eher geringfügige, optische Mängel (Gebrauchspuren) auf, die keinen Einfluss auf die Funktionsfähigkeit des Gegenstandes haben.sogenannte Serviceware: Dies sind Artikel, die bereits einmal repariert und so in einen neuwertigen Stand zurückversetzt wurden. Rest- oder Sonderposten, also überzählige Rest WareSwap Stocks: Hierbei handelt es sich um Ware, die zum Zweck des Garantieumtausches im Herstellerlager vorgehalten wird. Wenn die Geräte auslaufen, gelangen diese Artikel ebenfalls in den Verkauf. Versand innerhalb Deutschlands mit DHL-Paket (Mit Haftung und Sendungsverfolgung). ____________________________________________________________________________________________________________________________________________________________________________For International buyers: ~~~Product description and technical data come from Vienna Acoustics official website~~~ Product Description HAYDN SE SIGNATURE features the patented Spider-Cone X3P woofer, providing – by special placement of the ribs – increased output, extension and control. Dubbed X3P comprises three additional polymers in its composition, which allows the driver to provide an extraordinarily wide bandwidth, while possessing a level of inner detail, quietness, and control. Like its considerably grander companion, BEETHOVEN Concert Grand REFERENCE. HAYDN SE SIGNATURE features the exclusive hand coated silk dome tweeter, which reveals even the slightest nuances with natural ease, while extending well down into the midrange regions. A dedicated linear crossover layout, with the copper circuit paths carefully arranged, takes into account the potential for sympathetic and parasitic interactions among crossover components that may inject unwanted noise and distortions while allowing for more direct and efficient transfer of signal to the drivers which leads to a greater level of detail and purity. Just as most Vienna Acoustics exclusive designs, HAYDN SE SIGNATURE is carefully built to true furniture grade standards and finished with the same outstanding veneer-wrapping technique, as well as with true piano lacquer. Technical dataImpedance: 4 OhmsFrequency response: 40Hz – 20kHzSensitivity: 88.5dBRecommended Amplifier: 50 – 180 WattsTweeter: 1.1 Hand Coated Vienna Acoustics Silk DomeMid-Woofer: 6” Spider-Cone™ X3PBass System: Rear Vented Bass ReflexBass Function: Impulse Optimizing QB 3 (quasi-Butterworth)Crossover System: Two Way 6db/12db BesselCrossover Components: MKP Capacitor 1% Tolerance / Coils 0.7% tol., Air CoilsMetal Film Resistors: 1% Inductance FreeWeight per Pair: 44lbs / 20kgDimensions (W x H x D) inches: 6.85” x 14.2” 10.4”Dimensions (W x H x D) mm: 174mm x 361mm x 265mmFinishes: Cherry, magnetic grille included B-Stock Explanation:A B-Stock, also second -rate product, in contrast to the A-commodity (first choice) and C-commodity (third choice) are products which for some reasons fall out of the normal sales and are offered at a special price, but they are new and fully functional. Distinctions: A B-Stock products may be:Articles that are no longer packed in the original box but are considered new: These are items that have only been unpacked and demonstrated once or viewed by the customer by retailers, as well as returns from the mail order business.Articles that have minor flaws: These include minor scratches or minted signs for demonstration pieces in exhibits, as well as damaged Carton where the original packaging has been damaged or missing. These articles have otherwise no or rather minor optical defects (traces of use), which have no influence on the functionality of the object.So-called Service ware: These are items that have already been repaired once and put back in a new condition.Remaining Stock or special item, so surplus goodsSwap Stocks: These are goods that are held in the manufacturers warehouse for the purpose of guarantee exchange. When the devices are discontinued, these items also go on sale. Shipping within Germany with DHL Paket (Including liability up to 500€ and shipment Tracking).Please write to us for international shipping.
Vienna Acoustics Modell Haydn 6 Ohm Serien Nr.80409 Lautsprecherpaar.
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