eBay Shop Bewertungsprofil Weitere Auktionen MichSeite REL S/3SHO weiß - 10 Zoll High End Subwoofer für Musik | Aussteller, sehr gut Artikelnummer: 16658-N3 EAN: nicht zutreffend Hersteller: REL Herstellernummer: S3SHO Marke: REL Modell: S/3SHO Konnektivität: Verkabelt Produktart: Subwoofer Beschreibung Ausstellungsstück im sehr guten Zustand mit komplettem Zubehör und Originalverpackung. Auslaufmodell Der Woofer wurde für einen Kunden ausgepackt und anschließend nach Demonstration wieder eingepackt. Die Spieldauer betrug ca. 1 Stunde. REL S3SHO in der Farbe weiß hochglanz! Auslaufmodell! UVP war 1999 Euro Technische Daten: Type: Front-firing active woofer, down-firing passive radiator Bestückung: Aktiv-Bass (Front): 250mm long-throw, pressed Aluminium chassis Passiv-Bass (unten): 300mm Lower Frequency Response in Room: 22Hz at -6 dB Eingänge: Hi Level Neutrik Speakon, Left and Right Lo Level phono, LFE phono, SMA for wireless antenna Gain Control Range: 80 dB Power Output: 400 watts (RMS) Phase Switch: 0 or 180 degrees Amplifier Type: Next Gen II Class D REL Longbow Wireless kompatibel: Ja, Transmitter ist optional erhältlich Schutzsystem: Fully Electronic with SET-SAFE DC Fault Output Short Netzspannung: 220-240 volts (110-120 volts for certain markets) Netzsicherung (semi delay) 5Amp 220 volts operation 9 Amp 120 volts operation Kategorien AIV SONDERPOSTEN % Aktiv-Subwoofer Autoradios Autoradios Doppel DIN Autoradios mit Navigation Beamer / Projektoren Blu-Ray Player CD Player CD/MP3-Wechsler Centerlautsprecher DVB-T CarHifi DVD-Player und Recorder Einzelstücke Endstufen Kabel Kassettendecks Lautsprecher CarHifi Mini/-Micro Anlagen Mobile Navigation Moniceiver Moniceiver Doppel-DIN Monitore CarHifi Navigationsrechner PA-Beschallung Plasma & LCD TV Receiver HomeHifi Regallautsprecher Restposten SACD Player Sat Receiver Sonstige Standlautsprecher Subwoofer CarHifi Surroundanlagen Surround-Receiver Tuner (Radioteil) Verstärker CarHifi Vollverstärker Vorstufen Zubehör CarHifi Powered by MD Sound GmbH & Co. KG

<img src=https://ti2.auctiva.com/web/aswCredit.gif border=0><br><a href=https://ebaybusinessbuilder.com/listing-tools/#ebay-only-listing-tools target=_blank><img src=https://ti2.auctiva.com/images/sc1line2.gif border=0></a> Welcome to my ebay site :) .....where ALL offers are appreciated , welcomed, and NO reasonable offer refused!!..We are very motivated sellers and want to pass along great deals. When youre happy, were happy! This auction is for:..From my personal audio collection, comes an REL Acoustics (Series S) the S/5 SHO (super high output)..Its among the leaders in the wireless Sub Bass Systems world. Finished in a striking high gloss Piano Black... Im picky so Im going to call it NRMT Condition....Bought new, never really introduced into my audio set-up full time. Tested it out . Enjoyed what it is capable of. Mostly its been in my music room waiting. Near Mint condition as pics show (very hard to picture a high gloss piano black cube by the way!!)..One small ding to back edge..and some very light swirls on top, you might not even see it in pics as they are faint. and maybe a light touch here or there... A proper buffing/waxing should make them completely disappear. Even the black grill/cover was taken out of its plastic bag for the first time today for pictures...... Im being very picky for cosmetics, as I expect the same when I make a purchase.......Enough said. Will not disappoint!! Because of the size and value here, this is going to be a pick-up only in Spring Glen, NY 12483. Also, the original 10 meter audio cable and power cord is of course included....... The following below is from online..an interesting read...:. If REL Acoustics, the highly regarded subwoofer manufacturer, pulled out of the high-end marketplace tomorrow, never again to manufacture another unit, its place in the audio pantheon would forever be assured. REL has offered superb build-quality and high standards of bass reproduction since the company was founded in 1990. Thankfully for bass fans everywhere, nothing has changed in its latest venture, the S/5, which may be the best-performing midpriced sub REL has offered in its vaunted history. The S/5 goes about its tasks so matter-of-factly, effortlessly, and invisibly that it seems to become another attractive fixture in the room—until you pull it from the system. Then you understand what authentic low bass brings to the party. You also begin to understand the meaning of…addiction. The REL S/5 is the kingpin of the freshly minted S Series, a line second only to the big Gibraltar subs in the REL lineup. Tipping the scale at seventy pounds, the S/5 is not small, but it isn’t a real-estate hog, either. The S Series enclosures are visually lavish and lavishly inert. Sporting 1 1/8?-thick cabinet walls, my gloss-black sample was superb in fit and finish. The solid T-304 stainless steel grab handles are first cast, then micro-machined, and finally polished in a six-stage process. The polished aluminum trim pieces—such as the footers—elegantly accent its dark good looks. Inside the S/5 is a new forward-firing 12? alloy-cone woofer. According to John Hunter, REL’s Woofer-in-Chief, this driver’s excursion has been increased to a full two inches, an improvement of a ¼”. He also points out that the cone’s moving mass has been reduced almost 60 percent by his reckoning, and that it is “self-quieting,” which is to say, it is so non-resonant that it stops as quickly as it starts. Additionally, there’s a downward-firing 12? passive driver with a unique carbon diaphragm that is similarly stiff and lightweight. REL says that the S/5 uses a simple filter-type that’s quite fast—with about eight milliseconds in group delay—to eliminate the passage of unwanted higher frequencies to the REL driver. Power is also superior to that of its predecessor, the discontinued R-528. The S/5 now uses a NextGen2 550W switching amplifier that can generate up to 873W on hard transients. Per tradition, REL subs do not use high-pass filters—the main speakers run full-range, full-time. REL’s view is that high-passing the sub/sat looks good on paper, as it allows the main speakers to perform with less stress and more dynamism. But REL also believes that high-pass filtration creates more problems than it solves. Why? Because the main speakers are designed and voiced to operate within a specific range of frequencies, and by cleaving away a portion of that output via a high-pass crossover you are essentially refashioning the speaker into a different, even unpredictable unit never contemplated by its designer. That’s why—at least under their breath—many designers don’t actively embrace third-party subs, high-pass or not. Subwoofers from the same brand are another story. They have purposefully designed drivers and low- and high-pass crossovers to pair with designated models (Revel, among others, comes immediately to mind as a specialist in these matters). In any case, no high-pass filtering for the S/5. The back panel houses a phase toggle and rotary settings for the low-frequency effects (LFE) level and for volume, plus the tiniest 39-step increments for adjusting the crossover over the range of 30–120Hz. There are dual low-level RCA inputs, plus an LFE input, but the high-level input is and has always been REL’s preferred means of installation. A lengthy Neutrik connector is provided for this purpose. It carries within its jacket four wires for connection to an amplifier’s speaker taps. REL suggests starting with corner placement, usually on a room diagonal. This not only maximizes room gain but also allows “for the most linear true low bass wavelaunch.” The set-up manual REL provides is quite comprehensive (without being intimidating) about optimizing placement. In my experience, dialing in an REL is a matter of a few easygoing minutes rather than hours of hand-wringing. My advice: Bring a friend for fine adjustments. (Because of the added expense, I hesitate to mention that if you have a “problem” room, setup is easier with two subs, as they work together to smooth and flatten overall room response, and thereby become less of a sonic presence. This was an experience that I enjoyed first-hand with a pair of S/5s, but that’s a story for another time.) Mood Elevator There are two sets of criteria that I use to evaluate subwoofers. There’s overall bass quality (extension and musicality), and then there’s integration (the subwoofer’s ability to blend with the main stereo speakers). Net: Does it remain true to the character and voice of the satellites? In the tight confines of my listening room, the S/5 wasn’t even breathing hard as it extended response into the middle twenty-cycle range. It did so without calling attention to itself—no overhang, perceived box coloration or, to use the sonic slang, “slowness” in its response. In all honesty the S/5 will go even lower, but my room struggled to support 25Hz without the doors rattling and the space over-pressurizing. The S/5 makes short work of large-scale orchestral pieces laden with timpani and bass drum. Every decaying flutter off the skin of these instruments is presented concisely and cleanly, and often in overwhelming detail. Small-scale, low-level cues don’t escape the S/5, either. Towards the end of Jackson Browne’s “Colors of the Sun” from For Everyman, there’s a repeated piano and drum motif that resolves into a deepening bass note that seems to ripple, sustain, and expand as if suspended in space. Each repetition of the motif is heavier and more resonant than the last, until the track begins a long fade. The bass notes hardly exist at all without the help of the S/5. Similarly, during Yes’ “It Can Happen” from 90125, there’s a recurring bass line where the bassist slides his finger down the string, the pitch plunging as if tossed off a cliff. Most speakers by themselves can’t reproduce the full weight of these descending notes convincingly. The S/5 can. What makes its performance special, however, is not its obvious power, extension, and dynamic headroom. These exist to degrees that can overpower most medium-sized rooms. It’s its clarity and focus that really impress. Credit is owed to the sub/sat transition, which is so seamless that it becomes anyone’s guess where the REL leaves off and the sats takeover. For me, this is where the believability factor kicks in. For example, when drummer Russ Kunkel plays some tom-tom fills during Carole King’s “Home Again” on Tapestry, the drum-skin detail and tuning, and the resonant decay, reveal themselves in full bloom, images locked into position without a hint of the S/5 in the sonic picture. This was also true of the kickdrum positioned centerstage during Holly Cole’s “Take Me Home.” The weight of the impact didn’t pull towards the corner position where the S/5 was sitting—it remained focused dead center within the soundspace. And this wasn’t just the case with the REL augmenting my compact ATC SCM20s, either. Even a speaker like the gorgeous Kharma Elegance S7 Signature floorstander, certainly no sluggard in midbass response and speed, benefitted richly from the ministrations of the S/5. Less obviously, the S/5 enhances the mood of a performance in the way it conveys sweeping and subtle landscapes of tonal color and timbre, gradients of shadow and light. The S/5 establishes the musical context for what is to come. For example, without the opening 30Hz organ pedal point that introduces Strauss’ Thus Sprach Zarathustra, or the deeply ominous synth note that kicks off Dire Straits’ epic “Telegraph Road,” listening to these pieces would be like listening to a Shakespearean sonnet with the opening quatrain lopped off. On the tight, crisp bass intro to Holly Cole’s cover of “I Can See Clearly” from Temptation, the REL captures the optimistic bounce and jauntiness of the instrument—character that’s pivotal to the upbeat emotion of the song. Similarly, from the opening bar onward, the forward placement of Ray Brown’s standup bass immediately signals listeners that the album Soular Energy is about the bass player as frontman, not backing musician. Of equal importance is the ambient information that the REL reproduces. This baby can move a lot of air. Take a familiar piece like “Lux Aeterna” from the Rutter Requiem. The hall sound becomes a more active player in the performance when the S/5 is in the system. You can hear the air filling with sound around the musicians and chorus, and then hear this ambience even more clearly when the organist hits the lowest pedal points. And when the organist abruptly stops and the instrument goes silent, there is a sense of air rapidly escaping from the venue, like a balloon suddenly deflating. A couple of tips to keep in mind: Subs do not operate in isolation. Only well-engineered main speakers with fairly neutral low-end response will excel with subwoofers. Sats with a sucked-out lower midrange and upper bass will sound a little bass-light and dynamically lean. And attempting to mask such a tonal deficit by raising the output and crossover point of the S/5 will only smear midrange detail and create a noxious midbass bump that further decreases the sense of sub/sat integration that, after all, is the desired effect. Also, with smaller compact monitors, care should be exercised in gain-matching the more dynamically limited satellite with the much higher dynamic limits of the sub. What about value? Put it this way, if you consider that you can easily spend a $2500 on a couple of power cords, then the real value of the S/5 comes into crystalline focus. From time to time I meet audiophiles who continue to insist that subwoofers are the bane of their audio existence. I don’t know what sort of deep-rooted, sub-bass trauma they were exposed to in their earliest high-end years, but I’m here to tell you that the only drama I experienced during my time with the REL S/5 was the emotion that its evenly weighted balance and full-range musicality brought to the fore. (Plus the separation anxiety I’m anticipating when REL calls for its return.) In both subtle and not so subtle ways the REL S/5 completed every speaker system it partnered with. Ultimately, it’s up to every audiophile to ask himself whether he wants the whole musical picture—the entirety of the soundscape. If your answer to that question is an unqualified yes, then consider yourself warned: Don’t even think of plugging in the S/5 if you ever expect to use that outlet again. An exceptional performer in any class. SPECS & PRICING Type: Front-firing subwoofer, with downward-firing passive radiator Drivers: 12? woofer, 12? passive Frequency response: 21Hz -6dB Power: 550W Dimensions: 17.5? x 18? x 20? Weight: 70 lbs. Price: $2500.... All my items are available for inspection and/or local pick-up in Spring Glen, NY 12483 (about 1.5 hours north of NYCs GW Bridge)……… PLEASE CHECK OUT MY FEEDBACK....weve been enjoying ebay for nearly 25 years now and we are very proud to offer exceptional items and have very happy buyers!!

<img src=https://ti2.auctiva.com/web/aswCredit.gif border=0><br><a href=https://ebaybusinessbuilder.com/listing-tools/#ebay-only-listing-tools target=_blank><img src=https://ti2.auctiva.com/images/sc1line2.gif border=0></a> Welcome to my ebay site :) .....where ALL offers are appreciated , welcomed, and NO reasonable offer refused!!..We are very motivated sellers and want to pass along great deals. When youre happy, were happy! This auction is for:..From my personal audio collection, comes an REL Acoustics (Series S) the S/5 SHO (super high output)..Its among the leaders in the wireless Sub Bass Systems world. Finished in a striking high gloss Piano Black... Im picky so Im going to call it NRMT Condition....Bought new, never really introduced into my audio set-up full time. Tested it out . Enjoyed what it is capable of. Mostly its been in my music room waiting. Near Mint condition as pics show (very hard to picture a high gloss piano black cube by the way!!)..One small ding to back edge..and some very light swirls on top, you might not even see it in pics as they are faint. and maybe a light touch here or there... A proper buffing/waxing should make them completely disappear. Even the black grill/cover was taken out of its plastic bag for the first time today for pictures...... Im being very picky for cosmetics, as I expect the same when I make a purchase.......Enough said. Will not disappoint!! Because of the size and value here, I will be bringing to my local UPS center where they will pack and ship and insure ...So shipping is an estimate but should be fairly close to what they charge. Also, the original 10 meter audio cable and power cord is of course included....... The following below is from online..an interesting read...:. If REL Acoustics, the highly regarded subwoofer manufacturer, pulled out of the high-end marketplace tomorrow, never again to manufacture another unit, its place in the audio pantheon would forever be assured. REL has offered superb build-quality and high standards of bass reproduction since the company was founded in 1990. Thankfully for bass fans everywhere, nothing has changed in its latest venture, the S/5, which may be the best-performing midpriced sub REL has offered in its vaunted history. The S/5 goes about its tasks so matter-of-factly, effortlessly, and invisibly that it seems to become another attractive fixture in the room—until you pull it from the system. Then you understand what authentic low bass brings to the party. You also begin to understand the meaning of…addiction. The REL S/5 is the kingpin of the freshly minted S Series, a line second only to the big Gibraltar subs in the REL lineup. Tipping the scale at seventy pounds, the S/5 is not small, but it isn’t a real-estate hog, either. The S Series enclosures are visually lavish and lavishly inert. Sporting 1 1/8?-thick cabinet walls, my gloss-black sample was superb in fit and finish. The solid T-304 stainless steel grab handles are first cast, then micro-machined, and finally polished in a six-stage process. The polished aluminum trim pieces—such as the footers—elegantly accent its dark good looks. Inside the S/5 is a new forward-firing 12? alloy-cone woofer. According to John Hunter, REL’s Woofer-in-Chief, this driver’s excursion has been increased to a full two inches, an improvement of a ¼”. He also points out that the cone’s moving mass has been reduced almost 60 percent by his reckoning, and that it is “self-quieting,” which is to say, it is so non-resonant that it stops as quickly as it starts. Additionally, there’s a downward-firing 12? passive driver with a unique carbon diaphragm that is similarly stiff and lightweight. REL says that the S/5 uses a simple filter-type that’s quite fast—with about eight milliseconds in group delay—to eliminate the passage of unwanted higher frequencies to the REL driver. Power is also superior to that of its predecessor, the discontinued R-528. The S/5 now uses a NextGen2 550W switching amplifier that can generate up to 873W on hard transients. Per tradition, REL subs do not use high-pass filters—the main speakers run full-range, full-time. REL’s view is that high-passing the sub/sat looks good on paper, as it allows the main speakers to perform with less stress and more dynamism. But REL also believes that high-pass filtration creates more problems than it solves. Why? Because the main speakers are designed and voiced to operate within a specific range of frequencies, and by cleaving away a portion of that output via a high-pass crossover you are essentially refashioning the speaker into a different, even unpredictable unit never contemplated by its designer. That’s why—at least under their breath—many designers don’t actively embrace third-party subs, high-pass or not. Subwoofers from the same brand are another story. They have purposefully designed drivers and low- and high-pass crossovers to pair with designated models (Revel, among others, comes immediately to mind as a specialist in these matters). In any case, no high-pass filtering for the S/5. The back panel houses a phase toggle and rotary settings for the low-frequency effects (LFE) level and for volume, plus the tiniest 39-step increments for adjusting the crossover over the range of 30–120Hz. There are dual low-level RCA inputs, plus an LFE input, but the high-level input is and has always been REL’s preferred means of installation. A lengthy Neutrik connector is provided for this purpose. It carries within its jacket four wires for connection to an amplifier’s speaker taps. REL suggests starting with corner placement, usually on a room diagonal. This not only maximizes room gain but also allows “for the most linear true low bass wavelaunch.” The set-up manual REL provides is quite comprehensive (without being intimidating) about optimizing placement. In my experience, dialing in an REL is a matter of a few easygoing minutes rather than hours of hand-wringing. My advice: Bring a friend for fine adjustments. (Because of the added expense, I hesitate to mention that if you have a “problem” room, setup is easier with two subs, as they work together to smooth and flatten overall room response, and thereby become less of a sonic presence. This was an experience that I enjoyed first-hand with a pair of S/5s, but that’s a story for another time.) Mood Elevator There are two sets of criteria that I use to evaluate subwoofers. There’s overall bass quality (extension and musicality), and then there’s integration (the subwoofer’s ability to blend with the main stereo speakers). Net: Does it remain true to the character and voice of the satellites? In the tight confines of my listening room, the S/5 wasn’t even breathing hard as it extended response into the middle twenty-cycle range. It did so without calling attention to itself—no overhang, perceived box coloration or, to use the sonic slang, “slowness” in its response. In all honesty the S/5 will go even lower, but my room struggled to support 25Hz without the doors rattling and the space over-pressurizing. The S/5 makes short work of large-scale orchestral pieces laden with timpani and bass drum. Every decaying flutter off the skin of these instruments is presented concisely and cleanly, and often in overwhelming detail. Small-scale, low-level cues don’t escape the S/5, either. Towards the end of Jackson Browne’s “Colors of the Sun” from For Everyman, there’s a repeated piano and drum motif that resolves into a deepening bass note that seems to ripple, sustain, and expand as if suspended in space. Each repetition of the motif is heavier and more resonant than the last, until the track begins a long fade. The bass notes hardly exist at all without the help of the S/5. Similarly, during Yes’ “It Can Happen” from 90125, there’s a recurring bass line where the bassist slides his finger down the string, the pitch plunging as if tossed off a cliff. Most speakers by themselves can’t reproduce the full weight of these descending notes convincingly. The S/5 can. What makes its performance special, however, is not its obvious power, extension, and dynamic headroom. These exist to degrees that can overpower most medium-sized rooms. It’s its clarity and focus that really impress. Credit is owed to the sub/sat transition, which is so seamless that it becomes anyone’s guess where the REL leaves off and the sats takeover. For me, this is where the believability factor kicks in. For example, when drummer Russ Kunkel plays some tom-tom fills during Carole King’s “Home Again” on Tapestry, the drum-skin detail and tuning, and the resonant decay, reveal themselves in full bloom, images locked into position without a hint of the S/5 in the sonic picture. This was also true of the kickdrum positioned centerstage during Holly Cole’s “Take Me Home.” The weight of the impact didn’t pull towards the corner position where the S/5 was sitting—it remained focused dead center within the soundspace. And this wasn’t just the case with the REL augmenting my compact ATC SCM20s, either. Even a speaker like the gorgeous Kharma Elegance S7 Signature floorstander, certainly no sluggard in midbass response and speed, benefitted richly from the ministrations of the S/5. Less obviously, the S/5 enhances the mood of a performance in the way it conveys sweeping and subtle landscapes of tonal color and timbre, gradients of shadow and light. The S/5 establishes the musical context for what is to come. For example, without the opening 30Hz organ pedal point that introduces Strauss’ Thus Sprach Zarathustra, or the deeply ominous synth note that kicks off Dire Straits’ epic “Telegraph Road,” listening to these pieces would be like listening to a Shakespearean sonnet with the opening quatrain lopped off. On the tight, crisp bass intro to Holly Cole’s cover of “I Can See Clearly” from Temptation, the REL captures the optimistic bounce and jauntiness of the instrument—character that’s pivotal to the upbeat emotion of the song. Similarly, from the opening bar onward, the forward placement of Ray Brown’s standup bass immediately signals listeners that the album Soular Energy is about the bass player as frontman, not backing musician. Of equal importance is the ambient information that the REL reproduces. This baby can move a lot of air. Take a familiar piece like “Lux Aeterna” from the Rutter Requiem. The hall sound becomes a more active player in the performance when the S/5 is in the system. You can hear the air filling with sound around the musicians and chorus, and then hear this ambience even more clearly when the organist hits the lowest pedal points. And when the organist abruptly stops and the instrument goes silent, there is a sense of air rapidly escaping from the venue, like a balloon suddenly deflating. A couple of tips to keep in mind: Subs do not operate in isolation. Only well-engineered main speakers with fairly neutral low-end response will excel with subwoofers. Sats with a sucked-out lower midrange and upper bass will sound a little bass-light and dynamically lean. And attempting to mask such a tonal deficit by raising the output and crossover point of the S/5 will only smear midrange detail and create a noxious midbass bump that further decreases the sense of sub/sat integration that, after all, is the desired effect. Also, with smaller compact monitors, care should be exercised in gain-matching the more dynamically limited satellite with the much higher dynamic limits of the sub. What about value? Put it this way, if you consider that you can easily spend a $2500 on a couple of power cords, then the real value of the S/5 comes into crystalline focus. From time to time I meet audiophiles who continue to insist that subwoofers are the bane of their audio existence. I don’t know what sort of deep-rooted, sub-bass trauma they were exposed to in their earliest high-end years, but I’m here to tell you that the only drama I experienced during my time with the REL S/5 was the emotion that its evenly weighted balance and full-range musicality brought to the fore. (Plus the separation anxiety I’m anticipating when REL calls for its return.) In both subtle and not so subtle ways the REL S/5 completed every speaker system it partnered with. Ultimately, it’s up to every audiophile to ask himself whether he wants the whole musical picture—the entirety of the soundscape. If your answer to that question is an unqualified yes, then consider yourself warned: Don’t even think of plugging in the S/5 if you ever expect to use that outlet again. An exceptional performer in any class. SPECS & PRICING Type: Front-firing subwoofer, with downward-firing passive radiator Drivers: 12? woofer, 12? passive Frequency response: 21Hz -6dB Power: 550W Dimensions: 17.5? x 18? x 20? Weight: 70 lbs. Price: $2500.... All my items are available for inspection and/or local pick-up in Spring Glen, NY 12483 (about 1.5 hours north of NYCs GW Bridge)……… PLEASE CHECK OUT MY FEEDBACK....weve been enjoying ebay for nearly 25 years now and we are very proud to offer exceptional items and have very happy buyers!!

Menu Home Audio & Video HiFi audioTurntables REL S5 SHO subwoofer-white Get a serious punch of stunning bass with this REL S/5 SHO subwoofer. Its 15-inch continuous-cast alloy cone driver and carbon passive radiator produce extended low frequencies down to -6dB at 20Hz for enhanced richness of audio details. This REL S/5 SHO subwoofer has 550W RMS power to handle the depth and impact of intense sound effects.12 active subwooferFeatures continuous Cast Alloy™ cone driver and 12 carbon passive radiator to help ensure thunderous bass.Integrated NextGen2 Class D amplifierSupplies 550W RMS power for high volume levels and minimal distortion.Optional wireless connectivityMakes it easy to place the subwoofer in an area that suits your sonic needs and preferences with the Longbow™ Zero Compression 24-bit wireless transmission.*Volume and crossover controlsLet you adjust the volume and crossover to seamlessly blend with your systems.Phase switchTo blend and match with your system.InputsInclude Speakon speaker input, stereo RCA line level, single LFE RCA input.20-120Hz frequency responseDelivers sumptuous lows for an immersive soundscape.* Wireless transmitter is not included, Featured products Klipsch has revoiced the Forte IV with a fresh crossover network based on the steep-slope design in their premium Klipschorn and La Scala models. And three of the finishes come with a new retro-styled salt and pepper grille cloth.$4,498With the OBERON 7, Dali has made it easy to integrate your loudspeakers into any room. Both the driver materials and geometry applied in the OBERON 7 has been selected to achieve a wide dispersion pattern in the listening area. The same principles have been applied in the design of the crossover.$1,499The Debut platter is a precision-machined, dynamically-balanced work of art. The 18-pound platter and bearing set epitomizes stamina and endurance. This is a gorgeous table. With the Whisper Vacuum, your record will couple to the platter better, creating a synergy between the them$11,495In the Paradigms Persona, tandem matched Beryllium drivers reveal the full range of high performance. Persona is the only loudspeaker in its class to utilize Beryllium material for both midrange and tweeter drivers.$7,849 paymentShippingReturns About UsContact Us Policies payment Payment via Credit card or PayPal for all purchases through our eBay store. We can only ship to the confirmed US billing address/Paypal address on your payment. Shipping We fully insure all of our shipments. We ONLY ship to confirmed PayPal addresses. Some orders are shipped SIGNATURE REQUIRED. Most items ship in their factory carton unless otherwise stated. If you have any questions regarding our shipping terms please contact us before purchasing. Returns Returns are accepted. 20 Days Returns are accepted . Buyer pays return shipping and 20% restocking fee. Item MUST be returned with ALL original packaging and accessories. Refund will only be given upon inspection of the package. Any items that are missing will be deducted from the refund amount. If the item arrives to you damaged or defective, please contact us for instructions. Damages or defective items are not subject to the 20% restocking fee. Defective Items Contact must be made within 20 days of item delivery date. If your item is in fact defective, we will replace it at no extra cost to you. Items that are sent back as defective but, upon inspection, are found to be in perfect working condition are not considered defective and will be subject to the 20% restocking fee. Damaged Items Please check shipment as soon as it arrives. Contact must be made within 24 hours of delivery date if your item is damaged. Each item ships with insurance. Payment is required in full immediately upon selecting Buy It Now on any item. Orders where payment is not received within 24 hours can be cancelled for non-payment and the items may be relisted for sale by Audio Solutions eBay accepts payment via Credit card or PayPal for all purchases through our eBay store. We can only ship to the confirmed US billing address/Paypal address on your payment. About Us Audio Solutions has the Largest Inventory in the Mid-West. Stop by our Huge 4,000sq Showroom to listen to the finest Audio + Video system gear available. 11-7 Tue- Saturday Our experienced sales staff can guide you through every part of your purchase. If you are unsure or have questions, our staff can help understand your needs and make recommendations. Even after your purchase, we are here to help with any set-up, performance, or troubleshooting questions. Our on-staff service technician can assist with repairs or warranty claims. You can feel confident buying from an established, trusted retailer. Contact Us The Audio Solutions 6340 Ferguson St. Indianapolis, IN 46220 Telephone 317-255-4434 11-7:00 PM Tuesday - Saturday Sun and Monday by Appointment Call any time ! Policies PLEASE NOTE: Products that arrive not in original packaging, missing accessories, without a Return Authorization or damaged will be REFUSED. Refunds are credited using the original payment method and are usually credited within 10-15 business days upon receipt of your return. If you have any questions regarding our return and order cancellation policy, please feel free to contact us. Newsletter Subscribe to our monthly newsletter and receive exclusive offers on products. Sign up homeFeedbackview all listings about us Contact Us Copyright © 2021 AUDIO SOLUTIONS OF INDY INC. All rights reserved. ebay Store Design byOCDesignsOnline Listing and template services provided by inkFrog

This REL S3 SHO subwoofer is the perfect addition to your home audio setup. With its sleek piano black finish, it is not only visually appealing, but also delivers exceptional sound quality. Compatible with stereo L/R RCA and Neutrik Speakon audio inputs, this wired subwoofer has an RMS power of 400W, ensuring that your music is heard loud and clear. The subwoofer is in pristine condition and comes with its original packaging, making it an ideal choice for any audiophile looking to enhance their listening experience. Includes original box and front grill. Postage by UPS Standard.

REL S3 SHO subwoofer black piano lacquer finish excellent condition, exceptional REL sound quality and musicality original packaging, mains lead and neutrik speaker connection cable owned from new 2 available if interested

REL S3 SHO subwoofer black piano lacquer finish excellent condition, exceptional REL sound quality and musicality original packaging, mains lead and neutrik speaker connection cable owned from new

REL S3 SHO subwoofer black piano lacquer finish excellent condition, exceptional REL sound quality and musicality original packaging, mains lead and neutrik speaker connection cable owned from new 2 available if wanted

REL S3 SHO subwoofer black piano lacquer finish excellent condition, exceptional REL sound quality and musicality original packaging, mains lead and neutrik speaker connection cable owned from new 2 available if wanted

REL Longbow Wireless Transmitter for S3 SHO, S5 SHO, 212/SE, and No. 25. This came with my Habitat subwoofer and hasn’t been used in a few years. Introducing LongBow™, the easy-to-use, zero compression, ultra-high quality wireless system that frees your system from placement limitations imposed by conventional cables. Compatible with No. 25, 212/SE, S/5 SHO, S/3 SHO, Carbon Limited, and included with Habitat1. Not compatible with G1 Mark II, S/812, S/510, Serie T/i or Serie HT. Freedom LongBow™ Wireless Connectivity LongBow permits very fast, uncompressed bass to be sent wirelessly within the same room approximately 45 feet (somewhat dependent upon room clutter). Conventional wireless systems operate by hugely compressing the sound, shipping the compressed digital bitstream through the air and then expanding it back to its “original” form. The results are a noticeable lag in speed (engineers refer to this delay as latency) and an un-involving quality which often suffers from thinness. LongBow upgrades the digital pipeline from 16 bit to 24 bit, then ships over un-compressed 48kHz signals. Eliminating the compression/expansion chokepoint and using audiophile grade A/D encoders results in fast (typically about 80 percent faster than traditional Bluetooth or Wi-Fi systems) rich, natural bass.

This subwoofer comes with 12” drivers and is in excellent condition. The sale includes 2 lengths of speaker cable: a 3 metre CLS high grade and a 10 metre standard grade. It comes in a gloss black finish and was manufactured in 2019. The serial number is S50412219 and it retails for £2,000. The sale includes all the original packaging but no owner’s manual. Collection in person is preferred but we will consider delivering within the UK mainland. Please Note: Overseas enquiries are welcomed but we can only offer delivery to UK addresses. If you have any questions please dont hesitate to contact us... ___________________________________ Thank you for visiting The Hifi Consultants Ltd We are specialists in selling carefully used and ex demonstration high end audio equipment. Our expert knowledge has been built from over 50 years of experience in the industry. We are dedicated to guiding our customers through the world of high fidelity and we are committed to offering a high level of customer service. All of the equipment we sell comes with a free 3 month warranty for your peace of mind. An extended 12 month warranty is also available upon request. If you have any questions about any of the equipment we have for sale, or if you have any items you’d like to sell/part exchange, please don’t hesitate to contact us. ————————————————————————————————————— The HiFi Consultants - Condition Grading Scale NEW – Unused in sealed box. Comes with full manufacturer’s warranty.10/10 – Mint. Opened but as new without any marks or scratches. As it was when it left the factory.9/10– Excellent. Perfect condition no evidence of use. Only on very close inspection will you expect to find very minor marks or scratches.8/10 – Very Good. Some signs of use after inspection but no immediately identifiable blemishes as one looks at the item from the front.7/10 – Good. Well maintained and fully functional with signs of use, visible marks and scratches purely cosmetic.6/10– Fair. Appears used with several minor scratches or one major scratch, fully functional and relatively well maintained.5/10 – Average. Visible marks and scratches, noticeable usage.4/10 – Mediocre. Visually not pretty! Substantial marks and scratches on all sides but fully functional.3/10 – Poor. Bad, physical condition, all features functional.2/10 – Very Poor. Serious signs of use as above and with some functional problems. Sold as seen. 1/10 – Deceased. For parts only. __________________________________________________________________________ _gsrx_vers_1436 (GS 9.0.5 (1436))

This subwoofer comes with 12” drivers and is in excellent condition, with no marks or scratches. The sale includes 2 lengths of speaker cable: a 3 metre CLS high grade and a 10 metre standard grade. It comes in a gloss black finish and was manufactured in 2019. The serial number is S50412619 and it retails for £2,000. It comes with the original packaging and owners manual. Collection in person is preferred but we will consider delivering within the UK mainland. Please Note: Overseas enquiries are welcomed but we can only offer delivery to UK addresses. If you have any questions please dont hesitate to contact us... ___________________________________ Thank you for visiting The Hifi Consultants Ltd We are specialists in selling carefully used and ex demonstration high end audio equipment. Our expert knowledge has been built from over 50 years of experience in the industry. We are dedicated to guiding our customers through the world of high fidelity and we are committed to offering a high level of customer service. All of the equipment we sell comes with a free 3 month warranty for your peace of mind. An extended 12 month warranty is also available upon request. If you have any questions about any of the equipment we have for sale, or if you have any items you’d like to sell/part exchange, please don’t hesitate to contact us. ————————————————————————————————————— The HiFi Consultants - Condition Grading Scale NEW – Unused in sealed box. Comes with full manufacturer’s warranty.10/10 – Mint. Opened but as new without any marks or scratches. As it was when it left the factory.9/10– Excellent. Perfect condition no evidence of use. Only on very close inspection will you expect to find very minor marks or scratches.8/10 – Very Good. Some signs of use after inspection but no immediately identifiable blemishes as one looks at the item from the front.7/10 – Good. Well maintained and fully functional with signs of use, visible marks and scratches purely cosmetic.6/10– Fair. Appears used with several minor scratches or one major scratch, fully functional and relatively well maintained.5/10 – Average. Visible marks and scratches, noticeable usage.4/10 – Mediocre. Visually not pretty! Substantial marks and scratches on all sides but fully functional.3/10 – Poor. Bad, physical condition, all features functional.2/10 – Very Poor. Serious signs of use as above and with some functional problems. Sold as seen. 1/10 – Deceased. For parts only. __________________________________________________________________________ _gsrx_vers_1436 (GS 9.0.5 (1436))