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Norma Revo IPA-70B integrated amp Norma IPA-70B integrated amplifier REVIEWJason KennedyJun 2020 AAA Norma IPA-70B integrated amplifier I did wonder why this company has the name it does but a quick scan of founder Enrico Rossi’s background indicates that he’s a big fan of opera, and an Italian, so it didn’t take much of a leap to guess that the name comes from Bellini’s opera of the same name. Rossi’s company is based in Cremona, an Italian city that’s steeped in musical history thanks to the craftsmanship of Guarneri, Amati and Stradivari. Names that will be familiar to Sonus faber enthusiasts as well as those with a passing interest in violins and violas. There must be something in the water because this Norma amplifier is also extremely musical despite the absence of wood and gut. Norma makes a range of electronics that largely consists of amplifiers in one or two boxes and digital sources in the form of a CD player and a DAC… alongside a unit that does both. The IPA-70B is a rather elegant integrated amplifier that sits just above the entry level HS-DA1 and forms the starting point for the IPA range. This amp is as impressive inside as it is attractive outside, as its internals are very neatly laid out and colour coded in black and red with the heavy-lifting elements of the power supply shut away in their own case, presumably to keep transformer radiation away from the signal chain. The asymmetric nature of the heatsinking reveals that the power transistors are on the opposite side to the transformer, which must also help with keeping the signal clean. In its standard state, the IPA-70B has five line inputs and a direct or AV input alongside a record output, but it can be supplied with either an onboard USB DAC or an MM/MC phono stage which is a useful degree of flexibility. The DAC is a relatively old-school Wolfson type with a maximum 24-bit/192kHz sample rate. This choice suggests it was made for sound quality rather than specmanship reasons. The optional phono stage has multiple gain and impedance settings plus ‘spare’ options for both, so you can have a setting of choice within reason. The amp can be controlled with the single button and volume knob on the front or with an aluminium remote handset which is almost festooned with small switches. It does, however, fit easily in the hand and with practise you can find the volume buttons without looking. The only minor gripe with ergonomics is that it’s difficult to see how high the volume is in anything but bright light. Being an opera nut, Enrico Rossi is very keen on the human voice and bases his designs on the getting it right, in his own words “I have never heard a system, with correct voice reproduction sound bad with other types of music. If you reproduce the voice well, everything else will be automatically reproduced well too.” I hadn’t read that when I first started using the Norma through Bowers & Wilkins 802 loudspeakers but one of the first notes made was about how good the voice sounded, specifically how much nuance and subtlety could be heard in Ishmael Reed’s voice on Conjure’s Bad Mouth album [American Clavé], where the cymbals were clean and open and the bass line muscular. This is achieved partly because noise levels are clearly very low but more importantly because this amp’s timing is absolutely bang on, yet it is also smooth and relaxed. It’s a bit of an enigma, usually this combination of qualities can only be found with planet busting Class A amps, and only the biggest have the bass capabilities offered by this 70 Watter. The distributor Anthony Mills puts a lot of this down to Norma’s preference for very wide bandwidth; 2MHz, which is not outrageous but neither is it common. I started out using the IPA-70B with a pretty high end Moon 780D streaming DAC, which undoubtedly helped matters but the performance wasn’t that far behind with the onboard converter. Not as smooth and sweet but extremely articulate and well separated. This is a relaxed but phenomenally precise amplifier that lets you hear right into the mix with anything it plays, if the speakers are up to the job. My preferred timing test this season is ‘Cumberland Blues’ by the Grateful Dead [Europe ’72, Warner Bros]; it’s not the sweetest recording and there’s a heck of a lot going on but the clarity and coherence of the Norma made it hang together perfectly, allowing two guitars, two keyboards and a rhythm section to bang out a kickin’ groove. The following track ‘He’s Gone’ is more laid-back and an absolute beauty with this amp, full of superb bass lines and heart rending lyrics. Moving over to vinyl with an external phono stage revealed just how good it is at opening up the micro dynamics, tracking the different levels of the voices and instruments in the mix. Here it became apparent that there is a slight sense of smoothness in the amp’s character, which stops anything sounding grainy in the typical class AB fashion. It is slightly synthetic and not something I’ve previously encountered but it doesn’t get in the way of the music which is extremely compelling regardless of type. If you are looking for the grit and grain in a recording this might be an issue, but if you are looking to hear right into the soundstage and enjoy great timing then it’s a price worth paying. A Class A amp will give a bit more transparency but won’t have the power available here nor necessarily the ability to track microdynamics so well. Going over to the onboard DAC on the Norma and hooking up an AURALiC ARIES G1 network streamer to the USB input the sense of great timing continued, the onboard DAC is not as finessed as the external and admittedly very pricey one I was using but in some ways the extra bite it brings to leading edges is no bad thing. Playing Esbjorn Svensson Trio’s Live in Hamburg (ACT) it strikes me that they were the ZZ Top of the jazz world, both bands had phenomenal rhythmic precision (the difference being that E.S.T. could do this whilst improvising, I’ve not heard the little band from Texas do the same). The Norma distributor mentioned that this amp works well with Russell K speakers so I hooked up some Red 120s and found a lot to like in the surprising scale and low end extension they delivered. There was so much of the latter that I had to pull them a good half metre from the wall, which suggests a less than vice like grip on the IPA-70B’s behalf, however tricky tunes like ‘Cumberland Blues’ worked a treat. The last speaker to take the Norma test were my trusty PMC fact.8s, and almost immediately I realised that they should have gone on first. This is a superb combination thanks to the ‘no holds barred’ transparency of the speaker and the smooth but fast nature of the amp. Imaging was superb as was contrast and separation between instruments and voices, a quality that made Radiohead’s ‘Decks Dark’ [A Moon Shaped Pool, XL] a lot more interesting than usual. A lot of work has clearly gone into this production with the engineer using depth variations and placement to create a holographic soundstage that while totally unnatural is extremely effective and envelopes the listener. It inspired me to play Arvo Pärt’s ‘Tabula Rasa’ with Tasmin Little on violin [Fratres, EMI Classics], here the texture and variety of the timbre from that instrument was scintillating, but it didn’t move me as much as ZZ Top’s ‘10 Dollar Man’ [Tejas, Warner Bros], which hit the spot far harder than expected thanks to the dynamics of Billy Gibbons’ guitar playing. This Norma is an intriguing amplifier; it does so many things so well that you have to wonder how Enrico Rossi has achieved it. The ability to combine so many strengths in what is a relatively compact and attractive amp is very unusual, very few do pace this well and it’s equally rare to hear microdynamics delivered so clearly. It certainly makes you wonder about the bigger IPA-140B, which if like this it can double its output into a halving of load must be a bit of a monster. Feature wise the single input DAC might be a limit for some and at this price level some competitors offer balanced inputs, but the DAC itself is very good and personally I’ve yet to hear real benefits in balanced connections where cable lengths are sensible. If you’re in the market for a new amplifier I suggest you put this near the top of your audition list. TECHNICAL SPECIFICATIONS Type: Solid-state, two-channel integrated amplifier with remote control and optional built-in DAC or phono stage Analogue inputs: Four single-ended line-level inputs (via RCA jacks), one direct AV input (via RCA jacks) Digital inputs: One USB port with DAC option Analogue outputs: One rec out (via RCA jacks) Supported sample rates: USB: 16-bit, 24-bit, 32-bit — 32kHz–192kHz Input impedance: 10kOhms Output impedance (preamp): N/A Headphone Loads: N/A Power Output: 70Wpc @ 8 Ohms, 140 Wpc @ 4 Ohms Frequency response: 0–800kHz Distortion: Not specified Signal to Noise Ratio: Not specified Dimensions (H×W×D): 75 × 430 × 350mm Weight: 15kg Norma Revo IPA-70B integrated amp Norma IPA-70B integrated amplifier REVIEWJason KennedyJun 2020 AAA Norma IPA-70B integrated amplifier I did wonder why this company has the name it does but a quick scan of founder Enrico Rossi’s background indicates that he’s a big fan of opera, and an Italian, so it didn’t take much of a leap to guess that the name comes from Bellini’s opera of the same name. Rossi’s company is based in Cremona, an Italian city that’s steeped in musical history thanks to the craftsmanship of Guarneri, Amati and Stradivari. Names that will be familiar to Sonus faber enthusiasts as well as those with a passing interest in violins and violas. There must be something in the water because this Norma amplifier is also extremely musical despite the absence of wood and gut. Norma makes a range of electronics that largely consists of amplifiers in one or two boxes and digital sources in the form of a CD player and a DAC… alongside a unit that does both. The IPA-70B is a rather elegant integrated amplifier that sits just above the entry level HS-DA1 and forms the starting point for the IPA range. This amp is as impressive inside as it is attractive outside, as its internals are very neatly laid out and colour coded in black and red with the heavy-lifting elements of the power supply shut away in their own case, presumably to keep transformer radiation away from the signal chain. The asymmetric nature of the heatsinking reveals that the power transistors are on the opposite side to the transformer, which must also help with keeping the signal clean. In its standard state, the IPA-70B has five line inputs and a direct or AV input alongside a record output, but it can be supplied with either an onboard USB DAC or an MM/MC phono stage which is a useful degree of flexibility. The DAC is a relatively old-school Wolfson type with a maximum 24-bit/192kHz sample rate. This choice suggests it was made for sound quality rather than specmanship reasons. The optional phono stage has multiple gain and impedance settings plus ‘spare’ options for both, so you can have a setting of choice within reason. The amp can be controlled with the single button and volume knob on the front or with an aluminium remote handset which is almost festooned with small switches. It does, however, fit easily in the hand and with practise you can find the volume buttons without looking. The only minor gripe with ergonomics is that it’s difficult to see how high the volume is in anything but bright light. Being an opera nut, Enrico Rossi is very keen on the human voice and bases his designs on the getting it right, in his own words “I have never heard a system, with correct voice reproduction sound bad with other types of music. If you reproduce the voice well, everything else will be automatically reproduced well too.” I hadn’t read that when I first started using the Norma through Bowers & Wilkins 802 loudspeakers but one of the first notes made was about how good the voice sounded, specifically how much nuance and subtlety could be heard in Ishmael Reed’s voice on Conjure’s Bad Mouth album [American Clavé], where the cymbals were clean and open and the bass line muscular. This is achieved partly because noise levels are clearly very low but more importantly because this amp’s timing is absolutely bang on, yet it is also smooth and relaxed. It’s a bit of an enigma, usually this combination of qualities can only be found with planet busting Class A amps, and only the biggest have the bass capabilities offered by this 70 Watter. The distributor Anthony Mills puts a lot of this down to Norma’s preference for very wide bandwidth; 2MHz, which is not outrageous but neither is it common. I started out using the IPA-70B with a pretty high end Moon 780D streaming DAC, which undoubtedly helped matters but the performance wasn’t that far behind with the onboard converter. Not as smooth and sweet but extremely articulate and well separated. This is a relaxed but phenomenally precise amplifier that lets you hear right into the mix with anything it plays, if the speakers are up to the job. My preferred timing test this season is ‘Cumberland Blues’ by the Grateful Dead [Europe ’72, Warner Bros]; it’s not the sweetest recording and there’s a heck of a lot going on but the clarity and coherence of the Norma made it hang together perfectly, allowing two guitars, two keyboards and a rhythm section to bang out a kickin’ groove. The following track ‘He’s Gone’ is more laid-back and an absolute beauty with this amp, full of superb bass lines and heart rending lyrics. Moving over to vinyl with an external phono stage revealed just how good it is at opening up the micro dynamics, tracking the different levels of the voices and instruments in the mix. Here it became apparent that there is a slight sense of smoothness in the amp’s character, which stops anything sounding grainy in the typical class AB fashion. It is slightly synthetic and not something I’ve previously encountered but it doesn’t get in the way of the music which is extremely compelling regardless of type. If you are looking for the grit and grain in a recording this might be an issue, but if you are looking to hear right into the soundstage and enjoy great timing then it’s a price worth paying. A Class A amp will give a bit more transparency but won’t have the power available here nor necessarily the ability to track microdynamics so well. Going over to the onboard DAC on the Norma and hooking up an AURALiC ARIES G1 network streamer to the USB input the sense of great timing continued, the onboard DAC is not as finessed as the external and admittedly very pricey one I was using but in some ways the extra bite it brings to leading edges is no bad thing. Playing Esbjorn Svensson Trio’s Live in Hamburg (ACT) it strikes me that they were the ZZ Top of the jazz world, both bands had phenomenal rhythmic precision (the difference being that E.S.T. could do this whilst improvising, I’ve not heard the little band from Texas do the same). The Norma distributor mentioned that this amp works well with Russell K speakers so I hooked up some Red 120s and found a lot to like in the surprising scale and low end extension they delivered. There was so much of the latter that I had to pull them a good half metre from the wall, which suggests a less than vice like grip on the IPA-70B’s behalf, however tricky tunes like ‘Cumberland Blues’ worked a treat. The last speaker to take the Norma test were my trusty PMC fact.8s, and almost immediately I realised that they should have gone on first. This is a superb combination thanks to the ‘no holds barred’ transparency of the speaker and the smooth but fast nature of the amp. Imaging was superb as was contrast and separation between instruments and voices, a quality that made Radiohead’s ‘Decks Dark’ [A Moon Shaped Pool, XL] a lot more interesting than usual. A lot of work has clearly gone into this production with the engineer using depth variations and placement to create a holographic soundstage that while totally unnatural is extremely effective and envelopes the listener. It inspired me to play Arvo Pärt’s ‘Tabula Rasa’ with Tasmin Little on violin [Fratres, EMI Classics], here the texture and variety of the timbre from that instrument was scintillating, but it didn’t move me as much as ZZ Top’s ‘10 Dollar Man’ [Tejas, Warner Bros], which hit the spot far harder than expected thanks to the dynamics of Billy Gibbons’ guitar playing. This Norma is an intriguing amplifier; it does so many things so well that you have to wonder how Enrico Rossi has achieved it. The ability to combine so many strengths in what is a relatively compact and attractive amp is very unusual, very few do pace this well and it’s equally rare to hear microdynamics delivered so clearly. It certainly makes you wonder about the bigger IPA-140B, which if like this it can double its output into a halving of load must be a bit of a monster. Feature wise the single input DAC might be a limit for some and at this price level some competitors offer balanced inputs, but the DAC itself is very good and personally I’ve yet to hear real benefits in balanced connections where cable lengths are sensible. If you’re in the market for a new amplifier I suggest you put this near the top of your audition list. TECHNICAL SPECIFICATIONS Type: Solid-state, two-channel integrated amplifier with remote control and optional built-in DAC or phono stage Analogue inputs: Four single-ended line-level inputs (via RCA jacks), one direct AV input (via RCA jacks) Digital inputs: One USB port with DAC option Analogue outputs: One rec out (via RCA jacks) Supported sample rates: USB: 16-bit, 24-bit, 32-bit — 32kHz–192kHz Input impedance: 10kOhms Output impedance (preamp): N/A Headphone Loads: N/A Power Output: 70Wpc @ 8 Ohms, 140 Wpc @ 4 Ohms Frequency response: 0–800kHz Distortion: Not specified Signal to Noise Ratio: Not specified Dimensions (H×W×D): 75 × 430 × 350mm Weight: 15kg? Images sell! Get Supersized Images & Free Image Hosting Attention Sellers - Get Templates Image Hosting, Scheduling at Auctiva.com.
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Sie bieten auf einen Vollverstärker des Herstellers Norma Audio, es handelt sich um das Modell IPA 70B Revo in der seltenen und aufpreispflichtigen Farbe schwarz.Der Verstärker besitzt einen integrierten DAC, ein Phonoeingang ist nicht vorhanden.Das angebotene Gerät befindet sich in einem sehr guten Zustand und ist voll funktionsfähig.Die beiliegende Fernbedienung ermöglicht eine sehr feine Abstufung der Lautstärke. Technische Daten: Eingangsimpedanz: 10 kOhm Lautsprecher-Ausgang: 1 Paar Polklemmen für 4mm Bananenstecker oder Gabelkabelschuhe Frequenzgang: 0-800 KHz (Lautstärke in Stellung Max) Ausgangsleistung: 70 W RMS / 8 Ohm – 140W RMS / 4 Ohm (pro Kanal) Netzteil: 1 streufeldarmer und leiser Audio-Ringkerntrafo mit 400VA, extrem stabiles Netzteil. Leistungsstufe: Mos-Fet, 2 Paar pro Kanal Ausgangsstrom: 24 A dauernd, 100 A Spitze (pro Kanal) Verstärkungsfaktor: 34 dB, 470 mV for 70 W / 8 Ohm Stromversorgung: 230 V AC / 50 Hz Abmessungen (HxBxT): 75 x 430 x 350 mm Gewicht: 15 Kg Folgende Bestandteile gehören zu dem Angebot:Vollverstärker Norma Audio IPA70B Revo mit integriertem DAC Fernbedienung aus Vollmetall (kann auch andere Geräte des gleichen Herstellers steuern)Treiber CD für DAC Modull.Original VerpackungBedienungsanleitungNetzkabel Es finden sich weltweit hervorragende Rezensionen und Tests über das angebotene Gerät, bitte einmal googeln.NP: ca. 4600 Euro. Bei Fragen bitte eine Mail.Vielen Dank für ihr Interesse. Ich empfehle das hochwertige Gerät abzuholen. Ein Versand ist auf Wunsch des Käufers in Originalverpackung möglich.Ich versende ausschließlich mit DHL und versichert, innerhalb Deutschlands ist der Versand kostenlos.Ein Versandwunsch innerhalb der EU ist kostenpflichtig.Falls ein Versand außerhalb Deutschlands gewünscht wird die Versandkosten bitte vor Gebotsabgabe/Kauf per Mail anfragen.Vielen Dank.Bidders from outside Germany and inside EU please Kontakt me before bidding and ask for shipping costs.Thank you.No shipping outside EU. Verkauf von Privat, keine Garantie oder Gewährleistung,keine Nachverhandlungen,keine Rückgabe,keine Haftung für Versandwunsch.Der Verkauf erfolgt unter Ausschluß jedweder Sachmängelhaftung.Die Haftung auf Schadensersatz wegen Verletzung von Gesundheit,Körper oder Leben und grobfahrlässiger und/oder vorsätzlicher Verletzung meiner Pflichten als Verkäufer bleiben davon unberührt.Der Name des angebotenen Produktes wird nur genannt um auf die Qualität hinzuweisen. Bei Versandwunsch, Versand nur innerhalb EU.Kein Versand außerhalb der EU.
Sie bieten auf einen Vollverstärker des Herstellers Norma Audio, es handelt sich um das Modell IPA 70B Revo in der seltenen und aufpreispflichtigen Farbe schwarz.Der Verstärker besitzt einen integrierten DAC, ein Phonoeingang ist nicht vorhanden.Das angebotene Gerät befindet sich in einem sehr guten Zustand und ist voll funktionsfähig.Die beiliegende Fernbedienung ermöglicht eine sehr feine Abstufung der Lautstärke. Folgende Bestandteile gehören zu dem Angebot:Vollverstärker Norma Audio IPA70B Revo mit DAC Modull.Fernbedienung aus Vollmetall (kann auch andere Geräte des gleichen Herstellers steuern)Treiber CD für DAC Modull.Original VerpackungNetzkabelBedienungsanleitung Es finden sich weltweit hervorragende Rezensionen und Tests über das angebotene Gerät, bitte einmal googeln.NP: ca. 4600 Euro. Bei Fragen bitte eine Mail.Vielen Dank für ihr Interesse. Ich empfehle das hochwertige Gerät abzuholen, ein Versand ist auf Wunsch des Käufers innerhalb der EU möglich. Verkauf von Privat, keine Garantie oder Gewährleistung,keine Nachverhandlungen,keine Rückgabe,keine Haftung für Versandwunsch.Der Verkauf erfolgt unter Ausschluß jedweder Sachmängelhaftung.Die Haftung auf Schadensersatz wegen Verletzung von Gesundheit,Körper oder Leben und grobfahrlässiger und/oder vorsätzlicher Verletzung meiner Pflichten als Verkäufer bleiben davon unberührt.Der Name des angebotenen Produktes wird nur genannt um auf die Qualität hinzuweisen. Bei Versandwunsch, Versand nur innerhalb EU.Kein Versand außerhalb der EU.
Sie bieten auf einen Vollverstärker des Herstellers Norma Audio, es handelt sich um das Modell IPA 70B Revo in der seltenen und aufpreispflichtigen Farbe schwarz.Der Verstärker besitzt einen integrierten DAC, ein Phonoeingang ist nicht vorhanden.Das angebotene Gerät befindet sich in einem sehr guten Zustand und ist voll funktionsfähig.Die beiliegende Fernbedienung ermöglicht eine sehr feine Abstufung der Lautstärke. Folgende Bestandteile gehören zu dem Angebot:Vollverstärker Norma Audio IPA70B Revo mit DAC Modull.Fernbedienung aus Vollmetall (kann auch andere Geräte des gleichen Herstellers steuern)Treiber CD für DAC Modull.Original VerpackungNetzkabelBedienungsanleitung Es finden sich weltweit hervorragende Rezensionen und Tests über das angebotene Gerät, bitte einmal googeln.NP: ca. 4600 Euro. Bei Fragen bitte eine Mail.Vielen Dank für ihr Interesse. Ich empfehle das hochwertige Gerät abzuholen, ein Versand ist auf Wunsch des Käufers innerhalb der EU möglich. Verkauf von Privat, keine Garantie oder Gewährleistung,keine Nachverhandlungen,keine Rückgabe,keine Haftung für Versandwunsch.Der Verkauf erfolgt unter Ausschluß jedweder Sachmängelhaftung.Die Haftung auf Schadensersatz wegen Verletzung von Gesundheit,Körper oder Leben und grobfahrlässiger und/oder vorsätzlicher Verletzung meiner Pflichten als Verkäufer bleiben davon unberührt.Der Name des angebotenen Produktes wird nur genannt um auf die Qualität hinzuweisen. Bei Versandwunsch, Versand nur innerhalb EU.Kein Versand außerhalb der EU.
Zu verkaufen ist ein hervorragender, gut klingender Verstärker in gutem Zustand, funktioniert einwandfrei, ausgestattet mit Fernbedienung.Die NORMA IPA 100R Reference-Serie verwirklicht das ehrgeizige Projekt, die Technologie und das Know-how von NORMA im Bereich separater Chassis-Verstärkungen in einem einzigen kompakten Gerät zu vereinen. Die eingesetzten Lösungen machen die NORMA IPA Reference Vollverstärker zu etwas Einzigartigem; scheinbar ähnlich wie andere, aber grundlegend anders. Zunächst die direkt von den stereophonen Endverstärkern abgeleitete Schaltungstopologie; Es handelt sich um eine intrinsische Schaltung mit großem Durchlassbereich, hoher Anstiegsgeschwindigkeit und geringem Rauschen. Gemäß der NORMA-Tradition werden die Spannungsverstärkung und die Treiberstufen von einem stabilisierten Abschnitt gespeist, der außerdem hohe Geschwindigkeit und geringes Rauschen bietet. Darüber hinaus bestehen die Behälter vollständig aus Aluminium (nicht magnetisch). Aufgrund ihrer Klangeigenschaften liegen die NORMA IPA Reference-Vollverstärker außerhalb der üblichen Bewertungsparameter und bieten Leistungen, die mit anderen Produkten ihrer Preisklasse kaum gemein haben. Die extreme Neutralität der Abstrahlung, die Fließfähigkeit, die hervorragende Mikro- und Makrodynamik, die absolute Abwesenheit von „Körnung“, die Ausdehnung, Präzision und Stabilität der Klangszene führen zu einem Ergebnis von überzeugender Schönheit. Der einzig mögliche Vergleich ist mit den Empfindungen, die beim Zuhören des realen Ereignisses entstehen, und plötzlich werden alle Überlegungen überwunden, die normalerweise die Reproduktion von „SOLID STATE“ und „VALVES“ trennen. For sale is an excellent, good sounding amplifier in good condition, works perfectly, equipped with remote control.The NORMA IPA 100R Reference series realizes the ambitious project of enclosing NORMAs technology and know-how in the sector of separate chassis amplifications in a single compact device. The solutions used make the NORMA IPA Reference integrated amplifiers something unique; apparently similar to others but profoundly different. First of all, the circuit topology derived directly from the stereophonic final amplifiers; it is an intrinsic wide passband circuitry, high Slew Rate and low noise. As per NORMA tradition, the voltage gain and driver stages are powered by a stabilized section which is also high speed and low noise. Furthermore, the containers are made entirely of aluminum (non-magnetic). The sound characteristics place the NORMA IPA Reference integrated amplifiers outside the usual evaluation parameters, offering performances that have little in common with other products in their cost category. The extreme neutrality of emission, the fluidity, the excellent micro and macro dynamics, the absolute absence of grain, the extension, precision and stability of the sound scene lead to a result of persuasive beauty. The only possible comparison is with the sensations of listening to the real event and suddenly all the considerations that usually divide SOLID STATE and VALVES reproduction are overcome. Riquadri laterali
Norma Revo IPA 70b mit DAC schwarz. Mit Garantie (Ausland inkl. Rechnung)Voll funktionsfähig. Versand mit Versicherung (DHL).
Norma Revo IPA 70b schwarz mit USB DAC. Voll funktionsfähig mit Garantie. OVP. Versand inkl. Transportversicherung. + KEF Q350 Paar Lautpsrecher - leichte Gebrauchsspuren (passt voll zum Verstärker bis zu 25 M2) + Inakustik Referenz LS 603 2x3m Kabel (cca 600 EURO original)
Norma Revo IPA 70b schwarz mit USB DAC. Voll funktionsfähig mit Garantie. OVP. Versand inkl. Transportversicherung.
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