These are some very nice sounding speakers and in excellent condition as well. Very spacious and wide sound-stage. There are some small nicks here and there the biggest flaw with them is a small tare in the fabric on the top edge of the grill.Local pickup only Specifications Omni 250 3-driver, quasi 3-way, magnetically shielded Omnipolar tower speaker with ported cabinet Drivers: 1 Pure Titanium Hybrid (PTH) tweeter, two 5.5 Polypropylene Titanium Deposit Hybrid (PTDH) woofers Frequency response: 40Hz–20kHz, +/-3dB Impedance: 8ohms nominal, 4ohms minimum Crossover frequencies: 700Hz, 2kHz Recommended amplifier power: up to 150W RMS/channel Room efficiency: 93dB Dimensions: 38 x 8 x 13 (HxWxD) Weight: 45 lbs Finish: black and cherry Price: $400 eachThis is from Stereo Review... Omnidirectional speakers have a reputation for producing a big, expansive soundstage, and the Omni 250s were no exception. But that big soundstage did not result in bloated voices and instruments. Solo singers were fixed firmly in the soundstage, and though the imaging was not as pinpoint as from a good pair of front-radiating speakers, it always sounded as firmly defined as it needed to be. The depth produced by a stereo pair of Omni 250s was also impressive. The soundstage on King and Moores Potato Radio (Justice JR0802-2) was slightly laid-back and nicely detached from the actual locations of the speakers, the vocals and instruments spread out in an open, airy space. And the soundtrack album from Casper (MCA MCAD-11240) left no doubt of recording engineer Shawn Murphys genius at capturing the full dimensionality and color of a symphony orchestra. (Is it just me, or have James Horners film scores become a lot less effective since 1998, when he began using a different recording engineer?) In my experience, Mirage tweeters have always been among the best, and the tweeter used in the Omni line was no exception. The top end of the Omni 250 had a silky, spacious quality, fine detail, and no spit or sizzle. Vocal sibilants sounded clear and natural. Instrumental overtones extended out as far as they needed to (theres no 40kHz extension to add more to the price than to the audible performance), and the response was as good off-axis as on-, thanks to the Omniguide.

These are some very nice sounding speakers and in excellent condition as well. Very spacious and wide sound-stage. There are some small nicks here and there the biggest flaw with them is a small tare in the fabric on the top edge of the grill.Local pickup only Specifications Omni 250 3-driver, quasi 3-way, magnetically shielded Omnipolar tower speaker with ported cabinet Drivers: 1 Pure Titanium Hybrid (PTH) tweeter, two 5.5 Polypropylene Titanium Deposit Hybrid (PTDH) woofers Frequency response: 40Hz–20kHz, +/-3dB Impedance: 8ohms nominal, 4ohms minimum Crossover frequencies: 700Hz, 2kHz Recommended amplifier power: up to 150W RMS/channel Room efficiency: 93dB Dimensions: 38 x 8 x 13 (HxWxD) Weight: 45 lbs Finish: black and cherry Price: $400 eachThis is from Stereo Review... Omnidirectional speakers have a reputation for producing a big, expansive soundstage, and the Omni 250s were no exception. But that big soundstage did not result in bloated voices and instruments. Solo singers were fixed firmly in the soundstage, and though the imaging was not as pinpoint as from a good pair of front-radiating speakers, it always sounded as firmly defined as it needed to be. The depth produced by a stereo pair of Omni 250s was also impressive. The soundstage on King and Moores Potato Radio (Justice JR0802-2) was slightly laid-back and nicely detached from the actual locations of the speakers, the vocals and instruments spread out in an open, airy space. And the soundtrack album from Casper (MCA MCAD-11240) left no doubt of recording engineer Shawn Murphys genius at capturing the full dimensionality and color of a symphony orchestra. (Is it just me, or have James Horners film scores become a lot less effective since 1998, when he began using a different recording engineer?) In my experience, Mirage tweeters have always been among the best, and the tweeter used in the Omni line was no exception. The top end of the Omni 250 had a silky, spacious quality, fine detail, and no spit or sizzle. Vocal sibilants sounded clear and natural. Instrumental overtones extended out as far as they needed to (theres no 40kHz extension to add more to the price than to the audible performance), and the response was as good off-axis as on-, thanks to the Omniguide.

These are some very nice sounding speakers and in excellent condition as well. Very spacious and wide sound-stage. There are some small nicks here and there the biggest flaw with them is a small tare in the fabric on the top edge of the grill.Local pickup only Specifications Omni 250 3-driver, quasi 3-way, magnetically shielded Omnipolar tower speaker with ported cabinet Drivers: 1 Pure Titanium Hybrid (PTH) tweeter, two 5.5 Polypropylene Titanium Deposit Hybrid (PTDH) woofers Frequency response: 40Hz–20kHz, +/-3dB Impedance: 8ohms nominal, 4ohms minimum Crossover frequencies: 700Hz, 2kHz Recommended amplifier power: up to 150W RMS/channel Room efficiency: 93dB Dimensions: 38 x 8 x 13 (HxWxD) Weight: 45 lbs Finish: black and cherry Price: $400 eachThis is from Stereo Review... Omnidirectional speakers have a reputation for producing a big, expansive soundstage, and the Omni 250s were no exception. But that big soundstage did not result in bloated voices and instruments. Solo singers were fixed firmly in the soundstage, and though the imaging was not as pinpoint as from a good pair of front-radiating speakers, it always sounded as firmly defined as it needed to be. The depth produced by a stereo pair of Omni 250s was also impressive. The soundstage on King and Moores Potato Radio (Justice JR0802-2) was slightly laid-back and nicely detached from the actual locations of the speakers, the vocals and instruments spread out in an open, airy space. And the soundtrack album from Casper (MCA MCAD-11240) left no doubt of recording engineer Shawn Murphys genius at capturing the full dimensionality and color of a symphony orchestra. (Is it just me, or have James Horners film scores become a lot less effective since 1998, when he began using a different recording engineer?) In my experience, Mirage tweeters have always been among the best, and the tweeter used in the Omni line was no exception. The top end of the Omni 250 had a silky, spacious quality, fine detail, and no spit or sizzle. Vocal sibilants sounded clear and natural. Instrumental overtones extended out as far as they needed to (theres no 40kHz extension to add more to the price than to the audible performance), and the response was as good off-axis as on-, thanks to the Omniguide.

These are some very nice sounding speakers and in excellent condition as well. Very spacious and wide sound-stage. There are some small nicks here and there the biggest flaw with them is a small tare in the fabric on the top edge of the grill.Local pickup only Specifications Omni 250 3-driver, quasi 3-way, magnetically shielded Omnipolar tower speaker with ported cabinet Drivers: 1 Pure Titanium Hybrid (PTH) tweeter, two 5.5 Polypropylene Titanium Deposit Hybrid (PTDH) woofers Frequency response: 40Hz–20kHz, +/-3dB Impedance: 8ohms nominal, 4ohms minimum Crossover frequencies: 700Hz, 2kHz Recommended amplifier power: up to 150W RMS/channel Room efficiency: 93dB Dimensions: 38 x 8 x 13 (HxWxD) Weight: 45 lbs Finish: black and cherry Price: $400 eachThis is from Stereo Review... Omnidirectional speakers have a reputation for producing a big, expansive soundstage, and the Omni 250s were no exception. But that big soundstage did not result in bloated voices and instruments. Solo singers were fixed firmly in the soundstage, and though the imaging was not as pinpoint as from a good pair of front-radiating speakers, it always sounded as firmly defined as it needed to be. The depth produced by a stereo pair of Omni 250s was also impressive. The soundstage on King and Moores Potato Radio (Justice JR0802-2) was slightly laid-back and nicely detached from the actual locations of the speakers, the vocals and instruments spread out in an open, airy space. And the soundtrack album from Casper (MCA MCAD-11240) left no doubt of recording engineer Shawn Murphys genius at capturing the full dimensionality and color of a symphony orchestra. (Is it just me, or have James Horners film scores become a lot less effective since 1998, when he began using a different recording engineer?) In my experience, Mirage tweeters have always been among the best, and the tweeter used in the Omni line was no exception. The top end of the Omni 250 had a silky, spacious quality, fine detail, and no spit or sizzle. Vocal sibilants sounded clear and natural. Instrumental overtones extended out as far as they needed to (theres no 40kHz extension to add more to the price than to the audible performance), and the response was as good off-axis as on-, thanks to the Omniguide.

These are some very nice sounding speakers and in excellent condition as well. Very spacious and wide sound-stage. There are some small nicks here and there the biggest flaw with them is a small tare in the fabric on the top edge of the grill.Local pickup only Specifications Omni 250 3-driver, quasi 3-way, magnetically shielded Omnipolar tower speaker with ported cabinet Drivers: 1 Pure Titanium Hybrid (PTH) tweeter, two 5.5 Polypropylene Titanium Deposit Hybrid (PTDH) woofers Frequency response: 40Hz–20kHz, +/-3dB Impedance: 8ohms nominal, 4ohms minimum Crossover frequencies: 700Hz, 2kHz Recommended amplifier power: up to 150W RMS/channel Room efficiency: 93dB Dimensions: 38 x 8 x 13 (HxWxD) Weight: 45 lbs Finish: black and cherry Price: $400 eachThis is from Stereo Review... Omnidirectional speakers have a reputation for producing a big, expansive soundstage, and the Omni 250s were no exception. But that big soundstage did not result in bloated voices and instruments. Solo singers were fixed firmly in the soundstage, and though the imaging was not as pinpoint as from a good pair of front-radiating speakers, it always sounded as firmly defined as it needed to be. The depth produced by a stereo pair of Omni 250s was also impressive. The soundstage on King and Moores Potato Radio (Justice JR0802-2) was slightly laid-back and nicely detached from the actual locations of the speakers, the vocals and instruments spread out in an open, airy space. And the soundtrack album from Casper (MCA MCAD-11240) left no doubt of recording engineer Shawn Murphys genius at capturing the full dimensionality and color of a symphony orchestra. (Is it just me, or have James Horners film scores become a lot less effective since 1998, when he began using a different recording engineer?) In my experience, Mirage tweeters have always been among the best, and the tweeter used in the Omni line was no exception. The top end of the Omni 250 had a silky, spacious quality, fine detail, and no spit or sizzle. Vocal sibilants sounded clear and natural. Instrumental overtones extended out as far as they needed to (theres no 40kHz extension to add more to the price than to the audible performance), and the response was as good off-axis as on-, thanks to the Omniguide.