The H95 Integrated Amplifier with DAC and AirPlay is the ultimate all-in-one solution for modern audio enthusiasts. Combining powerful amplification, high-quality digital-to-analog conversion, and seamless streaming capabilities, the H95 is designed to meet the demands of today’s digital streaming generation. Whether youre building a new audio system or upgrading your existing setup, the H95 delivers exceptional performance and versatility.Key Features:Powerful Amplification: Delivers 2 x 60 Watts into 8 Ohms and remains reliable even with a 2-Ohm load, ensuring robust performance for a wide range of speakers.Patented Sound Engine 2 Technology: Enhances audio clarity and detail, providing a rich, immersive listening experience.Versatile Connectivity:Analog Inputs: 2 x RCA for traditional audio sources.Digital Inputs: 1 x coaxial (RCA), 3 x optical, and 1 x USB for connecting modern devices.Streaming Options: Supports Apple AirPlay and UPnP for wireless streaming from your favorite devices.TV Remote Functionality: Easily control the amplifier using your TV remote for added convenience.Headphone Output: Features a 6.3mm headphone jack for private listening sessions.Variable RCA Line Output: Allows for easy integration with external amplifiers or subwoofers.High-Performance Specs:Damping Factor: >2000 for tight, controlled bass.Signal-to-Noise Ratio: >100 dB for crystal-clear audio.Condition: This H95 Integrated Amplifier has been slightly used and is in excellent working condition. It is being sold as-is, without the original box, but fully functional and ready to elevate your audio experience.Why Choose the H95? The H95 is more than just an amplifier—it’s a complete streaming solution that bridges the gap between traditional and modern audio systems. Its combination of high-quality amplification, advanced DAC technology, and seamless streaming capabilities makes it the perfect choice for anyone looking to enjoy their music in the best possible way.Included Accessories:RC10 Remote Control: For easy operation and control of your audio system. Note: This is a pre-owned unit, and the sale includes only the device as shown in the photos. Perfect for the small room set-up. Don’t miss the opportunity to own this intelligent and versatile amplifier at a great value!Upgrade your audio setup today with the H95 Integrated Amplifier with DAC and AirPlay!

You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

For sale a used Hegel H120 integrated amplifier with DAC/ LAN, Airplay, UPnP...Good used condition, comes with remote, manual, cable. 2 x 75 W/8 ?SoundEngine 2Roon ReadyApple AirPlaySpotify ConnectUPnP StreamingHeadphone OutputControl4 Ready More info can found - Hegel Music Systems - H120 Post to all Worldwide

The worlds largest online retailer of pre-owned audio Product DescriptionWho we areWhat we doOur ProcessOur Policies Hegel HD12 DAC; D/A Converter Product SKU: 63812 Input Voltage: 120V # of Owners: 1 Service History: None Serial Number: HD12-62B273 Age: Unknown Tobacco Exposure: No MSRP: $1400 Cosmetic Description: Excellent condition with no notable blemishes. What is Included: DAC, Remote, Manual, Power cable, Factory packaging Other Notes: Introducing the next generation of Hegel D/A-Converters - The HD12, introduces a combination of great new functionality as well as greatly improved sound quality. First of all, a brand new USB interface allows you to use all common sampling frequencies up to 24 bit / 192 kHz. Also, this new interface allows playback of native DSD-files (PC only), without conversion to PCM. Furthermore, the HD12 has equal quality on the 2 optical and 1 coaxial input. Functional Notes: Operational condition of this item is excellent, fully tested and no issues found. Shipping: Cost to ship this item within the contiguous United States is a flat rate of $27- including packaging and insurance. For all other locations including Hawaii, Puerto Rico and Alaska, please request a quote prior to purchase. Items with factory packaging will be double boxed. When factory packaging not available re-usable shipping box with custom injected-foam mold will be used. (for all items over 10 lbs). Note that all items valued over $750 will require a signature upon delivery. Your online source for the best value in new and used audio gear. Visit us online to Buy / Sell / Trade / Consign The Music Room is the largest online retailer of pre-owned HiFi equipment in the world. Headquartered in beautiful Boulder Colorado, The Music Room is a team of 17 strong (and growing) music lovers - all dedicated to one singular mission: delivering the very best online shopping experience in the audio industry - period. We specialize in well-cared for, previously used gear because that is what we are passionate about. We feel that there is nothing more fulfilling than creating a high-performance system on a budget with carefully selected used components, speakers and cables. Our program is safe, secure, fast, fair, hassle-free and highly effective. Visit us online to Buy / Sell / Trade / Consign Buy: Are you looking to get a fair price for your used home audio equipment without all the hassles, headaches, risks and fees? We will appraise your equipment and make you a quick, easy, fair cash offer. Just fill out our “get a quote” form on our homepage to start the process. Sell: We sell in multiple online venues with many (but not all) of our products available in our eBay store. Everything is quality-assured and backed by our best-in-class, satisfaction-guaranteed return policy. Trade: Make your budget go further with a generous trade-in allowance. Let us know what you have available, and we’ll get you the best possible trade-in allowance. We can even assist with shipping & logistics from anywhere in the USA. Just fill out our “get a quote” form on our homepage to start the process. Consign: We offer a hassle-free way for individuals and businesses to liquidate used gear. We’ll handle every step of the process from shipping to appraisals, customer service, fulfillment, and returns: Industry-low rates with no hidden fees Leverage our world-class reputation and get exposure in multiple sales venues - putting your product in front of over 570k monthly shoppers. Our program is Safe, Secure, Fast, Fair, Hassle-Free and Highly Effective. With 100% feedback ratings in every venue in which we sell, you can rest assured that we’ve got your back. Visit us online to Buy / Sell / Trade / Consign Quality Assurance: We offer 15-20 new product listings for sale daily. Each product undergoes an extremely rigorous quality-assurance and listening session by one of our qualified technicians. We understand that buying used audio equipment can be rife with uncertainty and unexpected headaches. Our quality assurance program is informed by a knowledge-base built through delivering over 30,000 used audio products to satisfied customers. We promise to deliver your product in good working order - exactly as described 100% of the time. Support: We don’t just make promises. We stand behind them - your satisfaction is guaranteed. Our support team is ready to help you with any questions you might have before and after the sale. Value: In the never-ending pursuit of high performance, it’s important to stretch your limited budget as far as possible. Used equipment sells for a fraction of new prices, and with a partner like The Music Room you can upgrade any time you like and get most of your money back. There’s simply no better way to maximize a limited audio budget. Packaging: We’ve invested thousands of dollars and countless hours into mastering our state-of-the-art packaging process. Our custom foam-in-place packaging system allows us to safely package almost any item regardless of irregular shapes or sizes. Most importantly, this system provides our customers with a re-usable shipping box which increases the resale value of the product and provides a shipping method for easy, secure returns. Be seen by over 70,000 monthly visitors. Visit us online to Buy / Sell / Trade / Consign Payment: Prompt payment is expected. Paypal is preferred but all forms of payment are accepted. Unpaid item case will be opened after 3 days if no payment received. Shipping Times: Most Domestic orders ship within 1 business day of purchase. For International orders or freight shipments, please allow 2-3 business days. In all cases, tracking information will be emailed to you at the moment the shipping label is created. If you cant find it or have other questions about shipping & logistics, please contact us. Shipping Costs: Flat rate shipping costs are applicable within the contiguous 48 States (USA). These rates are clearly posted on each product page. For an International or custom quote (including Hawaii, PR, AK) please contact us. Returns: Every purchase made on eBay carries a 30-day, satisfaction-guaranteed return policy. If youre not happy with your purchase for any reason or if youve simply changed your mind... no problem. Simply ship it back for a full refund or exchange (minus S&H costs). If you have received an item that is defective in some way, we will make it right. Let us know - we will pay for return shipping and repair the item or refund 100% of your original purchase price.

You are bidding on a Hegel Rost Integrated Amplifier DAC- 75W x 2 into 8 Ohms, 150 x 2 into 4 Ohms and catch this- 300W x 2 and STABLE @ 2 Ohms!!!!! High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches- Network Gear -Audio Video Equipment I remember my first experience of a Hegel Music Systems component. It was seven years ago, at the Rocky Mountain Audio Fest. I’d never heard of the Norwegian outfit before curiously wandering into their exhibition room, but I left mightily impressed by what I’d heard: Hegel’s entry-level H70 integrated amplifier ($2000 USD) was driving a pair of power-hungry Bowers & Wilkins 802 Diamond speakers ($15,000 pair) to uncomfortably loud SPLs and making sweet, sweet music.Impressive as that demo was, I was even more impressed by the fact that the H70 included an internal digital-to-analog converter. In those days, audiophile integrateds simply didn’t come with onboard DACs; that Hegel had seen fit to include one now seems prescient, given how common computer- and server-based music systems have become. Seven years later, Hegel still leads the charge of DAC-enabled integrated amps. But the company has departed from its practice of numerical model names by releasing a $3000 integrated called, simply, Röst.DescriptionAccording to Hegel, Röst means voice; it’s also the name of “one of the most beautiful islands in Norway.” But it’s not only the name that’s new: A smooth, bone-white finish replaces Hegel’s usual black; the blue segment display has given way to invitingly soft-white OLED characters; and networking capabilities, courtesy UPnP/DLNA or AirPlay, are included along with the internal DAC. The Röst also comes preloaded with Control4 drivers, for integration with a home automation system. As far as I’m aware, this alone makes the Röst unique among perfectionist two-channel integrated amps. Add in a good dose of familiar design touches -- a gently curved faceplate, a milled-from-solid-aluminum remote-control handset and control knobs -- and the Röst is a formidable combination of the new and tried-and-true Hegel elements.What’s not new is Hegel’s unwavering emphasis on sound quality. The Röst includes the company’s SoundEngine2 technology, a patented error-correction circuit designed to eliminate signal nonlinearities in an amplifier’s gain stages. A cursory examination of Hegel’s patent reveals several simple yet cleverly designed circuit configurations that make this technology possible. One example shows a series of cascaded gain stages in which each stage feeds only the nonlinear portion of the music signal to a threshold sensor and adder circuit loop, instead of a traditional localized feedback circuit. Thus, error correction is activated only when nonlinearities are present in the signal; otherwise, the circuit behaves like a conventionally configured, multistage gain network with only small amounts of local feedback. The circuit is therefore claimed to offer the advantages of traditional feedback circuits and none of their drawbacks, and to result in a damping factor of greater than 2000, high signal linearity, and vanishingly low distortion. Clever. Though the Röst’s power output is specified as a modest 75Wpc into 8 ohms, it’s capable of driving 2-ohm loads, and the high damping factor should result in iron-fisted control of any speaker’s bass bin.The inputs on the rear panel comprise: two pairs of single-ended (RCA) and one pair of balanced (XLR), analog; one coaxial (RCA), three optical (S/PDIF), and one network (RJ45), all able to receive digital signals of resolutions up through 24-bit/192kHz; and one 24/96 digital (USB). There are also a pair of variable line-level outputs (RCA), two high-quality speaker terminals, an IEC power inlet, and a main power rocker switch.Even with its unique blend of features, the Röst was a cinch to set up. It comes preloaded with USB drivers for Apple and Android devices -- on my MacBook Pro, I was able to select the Hegel as an audio output device straight out of the box. The Röst also picked up AirPlay signals from my iPhone 5S smartphone without requiring any setup on my part.SoundI gave the Röst sufficient run-in before spinning one of my go-to discs, Joe Henderson’s Lush Life: The Music of Billy Strayhorn (SACD/CD, Verve B000138136). The Röst quickly endeared itself to me for what it didn’t do, which was not call undue attention to itself. This is a good thing: I’ve often found that the most impressive hi-fi gear doesn’t smack you over the head with sonic fireworks, but instead slowly draws you into its sound. And so it went with the unassumingly small (16.93”W x 3.15”H x 12.20”D) but hefty (around 20 pounds) Hegel Röst: It made it easy for me to listen into the music first, and simply enjoy its communicative, nonfatiguing way with sound.Then, listening even deeper, I could hear that the Röst kept excellent time, with fine pacing and temporal precision. With Strayhorn’s “U.M.M.G. (Upper Manhattan Medical Group),” for example, the rhythm section sounded in sync and well organized, and the Hegel delivered the tune’s rhythmic complexities with poise and clarity. Ditto “Drawing Room Blues.” Through the Röst, it was easy to hear how the interplay of Stephen Scott’s piano and Christian McBride’s double bass gently swung the tune with toe-tapping verve and good note-to-note flow, even with no drummer keeping time.Though good rhythm’n’pace aren’t terribly rare qualities in audiophile solid-state amps, good tone sometimes is. Thankfully, the Röst had fine tonality, as revealed by Beck’s Sea Change (SACD/CD, Geffen 493537). Play this album through the wrong amp and Beck’s voice can sound muddy, mumbled, or indistinct. Not through the Röst -- it brought out all the texture, timbre, and nuance of Beck’s complex singing, putting it front and center in the mix with realistic presence and solidity. In “Paper Tiger,” listen to how he subtly shifts from a steady, resonant baritone to, toward the end of the song, a more delicate voice with heavy vocal fry. The Röst reproduced this with a level of musical expressiveness that kept me rapt and compelled me to listen through to the end.The Hegel’s midrange was just as good sonically as it was musically. In “Where Seagulls Fly,” from Noah Preminger’s Dry Bridge Road (CD, Nowt 002), Preminger’s tenor sax sounded distinctly clean and rounded without losing any of its bracing clarity. And the opening passage for solo bassoon in Stravinsky’s The Rite of Spring, in the recording by Esa-Pekka Salonen and the Los Angeles Philharmonic (SACD/CD, Deutsche Grammophon 002894776198), sounded smooth, fluid, and appropriately reedy. Through the Röst, horns, woodwinds, and all manner of midrange instruments sounded open, clear, and transparent, yet wholly natural and devoid of any fatiguing hardness, grain, or glare.That clean, transparent quality extended into the lower reaches as well, where the Röst could really pack a wallop when asked to. In The Rite of Spring, bombastic timpani strokes thundered throughout my listening room with explosive power, depth, and visceral impact. And with electronic bass -- as in Massive Attack’s “Man Next Door” and “Black Milk,” from Mezzanine (16-bit/44.1kHz WAV, Virgin) -- the Röst was weighty, punchy, and articulate, delivering ostinato lines on both synth and guitar bass with appropriate amounts of purr. Regardless of musical genre, partnering speaker, or volume level, the Röst produced some of the best bass I’ve experienced from a reasonably priced amplifier.So perhaps it should come as no surprise that grand, sweeping, highly dynamic music, such as Messiaen’s Turangalîla-Symphonie as performed by pianist Jean-Yves Thibaudet, Takashi Harada on Ondes Martenot, and the Royal Concertgebouw Orchestra led by Riccardo Chailly (16/44.1 WAV, Decca), sounded thrilling and highly dramatic, thanks largely to the Hegel’s seemingly limitless and virtually bottomless bass.The treble wasn’t far behind. There was a natural, unhyped rightness to the way the Röst did the highs, even if they did seem a touch emphasized. With Dry Bridge Road and “Lost Cause,” from Beck’s Sea Change, cymbals stood out from the mix more than usual but still sparkled with pellucid, crystalline extension. However, this was so well integrated with the rest of the audioband that I can’t imagine anyone quibbling about it: It was seldom noticeable, and never off-putting. Pressed, I’d say that it even added some airiness to the highs, and spaciousness to the imaging and soundstaging.Speaking of imaging and soundstaging, the Röst acquitted itself admirably in those regards with the Turangalîla-Symphonie, conveying a good dose of the Royal Concertgebouw concert hall’s scale and warmth. Musicians were well distributed across a wide soundstage, even if that stage didn’t seem quite as deep or as cavernous as might be expected. Nevertheless, soloists and the various orchestral sections were cleanly and distinctly rendered in space, with good presence and solidity. The Hegel did, however, excel at reproducing smaller-scale images, such as Thibaudet’s piano solo in Developpement de l’Amour, in which the outlines of instruments had a convincing sharpness and three-dimensionality.Note that all music files referenced thus far were played through my MacBook Pro feeding the Röst’s internal DAC section, as I never felt compelled to switch to my own DAC. In fact, the more I listened, the more I realized that the Röst’s DAC was just as open, clear, and refined as its amp section, and endowed with the same natural musicality and temporal precision. When I focused on “Nord Perdu,” from Alexandre Côté’s Portraits d’Ici (24/96 FLAC, Effendi), snare-drum strokes snapped with clean attack and transients, while the cacophony of cymbal and hi-hat strokes shimmered with textural detail and sufficient decay. Though the Röst’s overall character might be described as ever so slightly dry in absolute terms, it never sounded cardboardy or one-dimensional. It’s often easy for a DAC that sounds this clean and clear to also sound threadbare or etched, but the Röst’s level of smoothness was counterbalanced by its incisiveness.ComparisonI was now ready to compare the Röst with my reference integrated amplifier, Audio Note’s Level 3 EL84 (est. $6000). On the surface, the comparison may seem unfair: My sample of the tubed Level 3 features a whole slew of exceptional upgrades, including silver internal wiring, a resistive stepped attenuator, C-core transformers, and more boutique parts than I can shake a stick at -- all of which brings its retail price to well over twice the Röst’s. Still, I felt I was familiar enough with the sound of both amps to make meaningful and conclusive comparisons. Since the Audio Note has no internal DAC, I compared the Röst’s DAC section with my outboard unit, Arcam’s irDAC-II ($799), which, similar to the Röst, offers multiple input options and AirPlay connectivity.Comparing the DACs was an ear opener -- it was easy to hear the differences. On its own, the Arcam sounds warm, rich, and highly listenable, even with poor-sounding or low-resolution files. When I listened to those same files through the Röst, however, it became apparent that the Arcam achieves its listenability by subduing the upper mids and lower treble. When both DACs were fed good-sounding hi-rez files, such as the Côté album, the Röst was the undisputed winner. Its sound was more fleshed out through the upper midrange and lower treble, with more realistic texture and presence to horns, pianos, strings, or anything with a strong midrange presence. Through the Arcam, Côté’s alto sax sounded muted and lacked bite, while John Roney’s piano was mildly recessed and closed in, making the music seem slightly congested and laid-back. With the Hegel, those instruments were more open and transparent. The Röst also reproduced cymbals and hi-hats with more nuanced microdynamics, sharper attacks, and clearer transients; those transients’ leading edges also shimmered with more detail, articulation, and definition.The Hegel did a better job of lining up beats and rhythmic accents in time, propelling the music with more insistence and force; the Arcam seemed less energetic, even mildly sluggish in comparison. “One Dance,” from Drake’s Views (WAV, Universal), made the Röst’s more groove-friendly rhythm’n’pace apparent, as did Majid Jordan’s A Place Like This (16/44.1 WAV, OVO Sound) -- the pulsing bass line of the dance-friendly “Forever” hit with greater tautness and control. The Hegel Röst made upbeat music sound more so, in the process uncorking more dance vibes.When I compare the Röst’s amp section against the mighty Audio Note Level 3 EL84, the differences were smaller across the board but were most notable in a few respects. With Harry Connick Jr.’s We Are In Love(SACD/CD, Columbia CS 46146), the Hegel sounded more reticent and a bit thin through the upper bass and lower midrange. In “Just a Boy,” Connick’s voice sounded smaller, with less warmth and solidity. Textural details, such as his root bass note “hum” near the end of the tune, didn’t resonate with the same power and presence as through the tubed Audio Note, which made this hum sound more tonally rich and convincing. But unless I specifically listened for it, I noticed this thinness and lack of warmth only in direct comparisons and at high volumes; in daily use, it was fairly innocuous.Comparative listening also highlighted how the Hegel Röst couldn’t match the Audio Note in fluidity and palpable presence. Through the tubed amp, harmonically rich and complex instruments, such as John Roney’s piano, or Bobby Hutcherson’s vibraphone on Eric Dolphy’s “Out to Lunch (LP, Blue Note/Music Matters MMBST-84163), sounded organically smooth, liquid, and whole, with full harmonic development and believable attack, sustain, and decay. The Hegel’s harmonic envelope seemed smaller in comparison, particularly in terms of sustain and decay, which resulted in a mildly coarser sound. But again, this was audible only in a head-to-head comparison with the twice-the-price Audio Note; the Hegel outdid many other good solid-state amps in listenability, tone, and texture.The Hegel’s dynamic range swung from pianissimo to fortissimo as quickly and effortlessly as the music required, and in this regard it bettered the Audio Note when paired with speakers of average sensitivity. The Röst’s fantastic bass also helped with macrodynamic power by making the thunderous timpani rolls in Mussorgsky’s Night on the Bare Mountain (also on the Rite of Spring disc) sound deeper, tauter, and more impactful than through the Audio Note. The Röst wasn’t quite as deft as the Level 3 in microdynamics, slightly smoothing over pianist Roney’s smaller-scale crescendos and decrescendos in his quieter passages in “Nord Perdu.”Even with the unfair comparison, the Hegel Röst’s sound was very satisfying. Its DAC section unquestionably bettered the very good irDAC-II in nearly every respect, and its amplifier more than held its own against much more expensive competition. Of course, the Audio Note Level 3 EL84 is undeniably better -- even in its own price range, few amps can match its fluid and nearly tangible sound, let alone its sheer musicality. But the Hegel Röst compared favorably with it in many respects, and even eclipsed the Level 3 in bass quality and macrodynamics. Given its seemingly limitless damping factor and low-end control, I doubt that the Röst would be anything but stellar with insensitive or current-hungry speakers. Considering the Hegel Röst as a versatile, digital-friendly, one-box integrated amplifier, it’s hard not to think of it as the winner in this comparison.ConclusionOverall, I quite enjoyed my time with the Hegel Music Systems Röst. Few reasonably priced, solid-state integrated amplifiers keep my interest for long, but the Röst delivered clear, clean, cohesive musical experiences that made it effortless to listen to it for hours on end. What’s more, its temporal precision, powerful and authoritative bass, and macrodynamic capabilities make it a class leader in these areas.Add in that fantastic DAC and you’ve got a thoroughly modern and modern-sounding amplifier that performs impressively with every genre of music, and any kind of source you’d care to play through it. Amps with built-in DACs are becoming ever more popular, and Hegel was one of the first to do it -- which shows in the level of sound quality, user-friendliness, and ergonomic refinement built into the Röst. If you think you might like to explore versatile source connectivity and networking capabilities without compromising your system’s sound, the Hegel Röst should be at the top of your audition list. Associated EquipmentLoudspeakers -- Aperion Audio Verus II Grand Towers, Bookshelf speakers, and Forte Towers; Living Voice AvatarHeadphones -- AKG K701, Bowers & Wilkins P5, Phonak Audéo PFE 122Integrated amplifier -- Audio Note Level 3 EL84 with Signature upgrades and C-core transformers, modifiedPhono preamplifier -- Audio Note Level 3 Phono Stage V2 with Signature upgrades, modifiedStep-up transformer -- custom-made Sowter Magnetics 9570 (1:10)Sources -- Arcam irDAC-II; Apple MacBook Pro ME293LL/A laptop running JRiver Media Center 20; Sony SCD-XA777ES SACD/CD player; Rega Research RP8 turntable and Lyra Delos cartridgePower cords -- Wireworld Aurora 5.2 and Electra 5.2Interconnects -- custom single-core, copper coaxial; Blue Jeans Cable LC-1; Wireworld Starlight 7 USB and coaxialSpeaker cables -- Tellurium Q Ultra Black, Wireworld Oasis 6Hegel Music Systems Röst DAC-Integrated Amplifier Price: $3000 USD.

Hegel H190 fast Neu, mit DAC, 2 Jahre Garantie Kaufdatum 28.12.24 Absolut Neuwertig

You are bidding on a Hegel Rost H120 Integrated Amplifier DAC- 75Wx2 into 8 Ohm High End Audiophile Grade!! Its in perfect operating condition but I do not have the RC-8 remote control, luckily they are available on Remote Control World for 14 bucks. The right, back and bottom are in Perfect shape, only the face shows some minor signs of use and there is a small scratch on the Left side. This unit has light run time use, and has sitting on a shelf since 2017. I was cleaning out the closet and came across this forgotten Gem. Please check out the pictures they show exactly what youll get. I dont use stock photos here. Will be professionally pack and Guarantee it arrive safe! Snatch up this amazing $3,000 original retail price machine for thousands less, before someone else does!! Check out the Reviews https://www.soundstagehifi.com/index.php/equipment-reviews/1412-hegel-music-systems-h120-integrated-amplifier-dac#:~:text=Price%3A%20%243000%20USD. Bid with confidence as I am A Square Trader with over 1600 sales and 23 years on ebay with 100% Positive Feedback I only Ship to PayPal verified addresses Check out my other auctions!! I have other collectables & watches Hegel H120 streaming amplifier 2x75W/8? 6x digital 2x analogue, balanced XLR, Apple Airplay, Roon, network streaming, https://www.youtube.com/watch?v=ccaMDf8rIS4 https://www.hifichoice.com/content/hegel-h120 https://www.hegel.com/en/products/integrated/h120 https://support.hegel.com/product-articles/product-comparison-chart#h95 Photos are of the actual amplifier any questions or extra pics please ask. Hegel H120 integrated streaming amplifier in Good condition. Happy bidding!

This is a great intergrated amplifier. Crisp tight bass and accurate highs. Used this for a while but preferred the sound of my tubes. Purchased from the original owner who covered the scratches with marker. Experience high-quality audio with the Hegel H90 Stereo Integrated Amplifier/DAC. This black amplifier features 2 channels and 5 inputs, including Coaxial Digital, Digital Coaxial RCA, USB, Digital Optical TOSLINK, and Ethernet. It also has Banana Speaker Jacks for audio outputs and supports Airplay/Spotify Connect for easy music streaming. With a power output of 60W, this D-ampifier provides clear and detailed sound, perfect for music enthusiasts. Its compact design makes it easy to place in any home audio setup. Get the ultimate audio experience with the Hegel H90 Integrated Amplifier/DAC.

Hegel HD12 DSD DAC w/Remote Made in Oslo Norway, we are offering the Hegel HD12 DAC and headphone amplifier. This DAC includes the original remote control and supports up to four digital inputs. 1 Coaxial, 2 Optical, and 1 USB. There are both RCA (unbalanced), and XLR (balanced), analog outputs. The unit has been fully tested, and is in perfect working order. A very nice sounding unit, and headphone amp. Physically, the unit is in very good condition, with only a few light scuffs, and blemishes. There are no dents or deep scratches. Included in the sale are the HD12, original remote, power cord, and a printed copy of the owners manual. We dont have the original box for this unit, but we take packaging and shipping seriously. We spare no expense and use heavy duty boxes, several inches of polyethylene foam on all sides of the unit, and use water activated, fiber reinforced tape on all seams. From Hegel: SpecificationsType: Solid-state stereo DACFrequency Response: 0Hz to 50kHzDigital inputs: S/PDIF coaxial, two TosLink optical and USBDAC IC / Digital Filter: 32 bitDigital Inputs: 1 coaxial, 2 optical and 1 USB-B (2.0)Analog outputs: XLR balanced, RCA single-ended, and headphoneOutput Level: 2.5V RMS (at 0dBFS)Phase Response: Linear phase analog filterNoise floor: -145dBDistortion: Typically less than 0.0005%Power Supply: Internal toroidal transformer and 20,000uF capacitorsDimensions: 2.35 x 8.3 x 10.24 (HxWxD)Weight: 6.6 lbs. Hegel HD12 DSD DAC w/Remote Made in Oslo Norway, we are offering the Hegel HD12 DAC and headphone amplifier. This DAC includes the original remote control and supports up to four digital inputs. 1 Coaxial, 2 Optical, and 1 USB. There are both RCA (unbalanced), and XLR (balanced), analog outputs. The unit has been fully tested, and is in perfect working order. A very nice sounding unit, and headphone amp. Physically, the unit is in very good condition, with only a few light scuffs, and blemishes. There are no dents or deep scratches. Included in the sale are the HD12, original remote, power cord, and a printed copy of the owners manual.  We dont have the original box for this unit, but we take packaging and shipping seriously. We spare no expense and use heavy duty boxes, several inches of polyethylene foam on all sides of the unit, and use water activated, fiber reinforced tape on all seams. From Hegel: Specifications Type: Solid-state stereo DAC Frequency Response: 0Hz to 50kHz Digital inputs: S/PDIF coaxial, two TosLink optical and USB DAC IC / Digital Filter: 32 bit Digital Inputs: 1 coaxial, 2 optical and 1 USB-B (2.0) Analog outputs: XLR balanced, RCA single-ended, and headphone Output Level: 2.5V RMS (at 0dBFS) Phase Response: Linear phase analog filter Noise floor: -145dB Distortion: Typically less than 0.0005% Power Supply: Internal toroidal transformer and 20,000uF capacitors Dimensions: 2.35 x 8.3 x 10.24 (HxWxD) Weight: 6.6 lbs. × × × × × × × × × × × × × × × × × × × × × × × × Tell a friend Visit store Watch now You might also like RHA MA390 UNIVERSAL MIC WIRED EARPHONES ACUTEX 107E MOVING MAGNET STEREO CARTRIDGE VINTAGE NEW OLD STOCK JABRA SPORT ROX WIRELESS HEADPHONES SHURE E4C SOUND ISOLATING EARPHONES eBay integration by

verkaufe hier absolut neuwertigen Hegel Streaming Vollverstärker H-120. Er ist im wunderschönen weiß und hat absolut keinen Makel, wird original verpackt mit allem Zubehör versendet. Kaufdatum 22.01.24 Fachhandel Deutschland High End Streaming Dac Vollverstärker TIDAl AirPlay Spotifiy QobuzSoundEngine USBKopfhörerbuchsekompatibel zu jedem Lautsprecher harmonischer Klang, auch im Hochtonbereichsehr schöne Stimmwiedergabepulsierende Bassperformance mit Bisssolides Anschlussangebot Technische DatenAusgangsleistung: 2 x 75 W an 8 ? @ 1kHz 1% THD, 100/120/230V ACMinimale Last: 2 ?Analoge Eingänge: 1 x symmetrisch (XLR), 2 x unsymmetrisch (RCA)Digitale Eingänge: 1 x koaxial (RCA), 3 x optisch, 1 x USB, 1 x NetzwerkLine-Pegel-Ausgang: 1 x unsymmetrisch, variabel (RCA)Frequenzgang: 5 Hz - 100 kHzSignal-Rausch-Abstand: Mehr als 100 dBDämpfungsfaktor: Mehr als 2000 (Hauptleistungsendstufe)Abmessungen inkl. Füße: 10 cm x 43 cm x 35 cm (HxBxT), 12 kg Versandgewicht Ich wünsche allen viel Freude beim bieten und frohe Weihnachten AlsPrivatmann muss ich darauf hinweisen, daß ich keine Garantie oderGewährleistung übernehmen kann. Wer hier bietet oder kauft erklärt sichdamit einverstanden.Ichversichere, dass der Verstärker tadellos funktioniert und ich alles nachbestem Wissen beschrieben habe. Wer den Verstärker abholt kann alles in Ruheprüfen.

Hegel H600  Vollverstärker/DAC/Streamer/Vorverstärker/Endstufe/ All in one Lösung  Rechnung vom Oktober 23 vorhanden vom deutschen Fachhändler. Restgarantie vorhanden. Ich bin der zweite Besitzer.  Zustand optisch und technisch makellos.  AV Receiver lässt sich mühelos einbinden über Bypass.  incl. Original Zubehör (Fernbedienung und Netzkabel,  Bedienungsanleitung). ovp vorhanden. (Doppelkarton) Versicherter Versand bis 25000 via DHL  innerhalb Deutschland möglich.  Gerne beantworte ich Fragen zum Gerät.  Keine Garantie und Rücknahme da  Privatverkauf.

HEGEL MUSIC SYSTEMS H300 REFERENCE INTEGRATED AMPLIFIER USED, BUT 100% FUNCTIONAL. THIS WAS PREVIOUSLY HEGELS FLAGSHIP INTEGRATED AMPLIFIER. IT HAS TONS OF POWER, INCREDIBLE CONTROL, AND A VERY NICE BUILT IN DAC. 250 x 2 @ 8 ohms 430 x 2 @ 4 ohms THERE IS A VERY SMALL MARK AT THE TOP OF THE FRONT PANEL. OTHERWISE, THE AMPLIFIER IS IN BEAUTIFUL COSMETIC CONDITION. INCLUDES ORIGINAL PACKAGING, REMOTE, AND POWER CABLE. ACTUAL PRODUCT PICTURED. FREE SHIPPING WITHIN THE CONTIGUOUS UNITED STATES ONLY. SHIPPING TO HAWAII AND ALASKA IS NOT FREE.

Experience the pinnacle of audio fidelity with the Hegel H160 Integrated Amplifier, a pinnacle of sound quality and versatility. This sleek black unit serves as a central hub for your audio setup, boasting a robust 150 watts per channel at 8 ohms, which means crisp, powerful sound that brings your favorite tracks to life. The H160 is equipped with a variety of inputs including Coaxial Digital, Digital Optical TOSLINK, and Ethernet, catering to a diverse array of digital and analog sources. With two channels and eight inputs, it offers both depth and versatility for connecting multiple devices. The amplifiers AB class design ensures efficiency without compromising on performance, while banana speaker jacks provide a secure and high-quality connection to your audio system.

Perfect condition Peachtree Nova 220SE factory remotebuilt in DAC Headphone amp tube buffer220 Wts at 8 ohms 350 Wts at 4 ohms please google for all the specs

Integrated amplifier Hegel H600 / with DAC and network streamer Black Streaming Integrated Amplifier Hegel H600 – High End integrated amplifier with DAC and network streamer (DAC ES9038Q2M from ESS) In perfect condition, no problems. Everything is in order. Output power: 2 x 303 W at 8 Ohm, dual mono. Damping factor: over 4,000. Broadcast: AirPlay 2, Spotify Connect, Roon Ready (coming soon), Tidal Connect, UPnPFormats: MP3, WAV, FLAC, ALAC, AIFF, DSF, DFF, AAC, PCM, MQA, Ogg // 43 x 17.1 x 44.5 cm // Weight: 22 kg Hegel is ready to present the H600 model, which will replace the Hegel H590. The Hegel H600 integrated amplifier offers many new features, has a new chassis design, a new DAC, an improved amplifier section and an excellent network streamer. The Norwegians also increased the output power of the flagship - now it produces 303 W in each channel when working on a load with a nominal impedance of 8 Ohms. The switching arsenal of the ??gel ?600 amplifier includes two pairs of balanced analog XLR inputs and two pairs of unbalanced analog RCA inputs. Any analog input can be configured as a power amplifier input for integrating ??gel ?600 into a home theater system. Digital switching is represented by Ethernet RJ45 and USB-B ports (32 bit/384 kHz with DSD256/Do? support), three optical inputs, a coaxial input and a BNC input with an impedance of 75 Ohms. There are also analog outputs from the preamplifier - linear and adjustable, as well as a digital coaxial BNC.

The worlds largest online retailer of pre-owned audio Product DescriptionWho we areWhat we doOur ProcessOur Policies Hegel H360 Stereo Integrated Amplifier / DAC; D/A Converter; H 360 Product SKU: 58271 Voltage: 120V # of Owners: 2 Service History: None Serial Number: H360-61A315 Age: Unknown Tobacco Exposure: No MSRP: $5700 Cosmetic Description: Very good condition with minimal visible cosmetic wear including a few minor scuffs near the top back edge of the amplifier. This item does show a few blemishes but is attractive overall and has been well cared for. What is Included: Amplifier, Remote, Manual, Power cable, Factory packaging Other Notes: Hegel H360 is a giant among integrated amplifiers. With 250 watts per channel into 8 ohms and a damping factor of more than 4000, it will control virtually any loudspeaker on the market. - Hegel Functional Notes: Operational condition of this item is excellent, fully tested and no issues found. Shipping: Cost to ship this item within the contiguous United States is a flat rate of $80- including packaging and insurance. For all other locations including Hawaii, Puerto Rico and Alaska, please request a quote prior to purchase. Items with factory packaging will be double boxed. When factory packaging not available re-usable shipping box with custom injected-foam mold will be used. (for all items over 10 lbs). Note that all items valued over $750 will require a signature upon delivery. Your online source for the best value in new and used audio gear. Visit us online to Buy / Sell / Trade / Consign The Music Room is the largest online retailer of pre-owned HiFi equipment in the world. Headquartered in beautiful Boulder Colorado, The Music Room is a team of 17 strong (and growing) music lovers - all dedicated to one singular mission: delivering the very best online shopping experience in the audio industry - period. We specialize in well-cared for, previously used gear because that is what we are passionate about. We feel that there is nothing more fulfilling than creating a high-performance system on a budget with carefully selected used components, speakers and cables. Our program is safe, secure, fast, fair, hassle-free and highly effective. Visit us online to Buy / Sell / Trade / Consign Buy: Are you looking to get a fair price for your used home audio equipment without all the hassles, headaches, risks and fees? We will appraise your equipment and make you a quick, easy, fair cash offer. Just fill out our “get a quote” form on our homepage to start the process. Sell: We sell in multiple online venues with many (but not all) of our products available in our eBay store. Everything is quality-assured and backed by our best-in-class, satisfaction-guaranteed return policy. Trade: Make your budget go further with a generous trade-in allowance. Let us know what you have available, and we’ll get you the best possible trade-in allowance. We can even assist with shipping & logistics from anywhere in the USA. Just fill out our “get a quote” form on our homepage to start the process. Consign: We offer a hassle-free way for individuals and businesses to liquidate used gear. We’ll handle every step of the process from shipping to appraisals, customer service, fulfillment, and returns: Industry-low rates with no hidden fees Leverage our world-class reputation and get exposure in multiple sales venues - putting your product in front of over 570k monthly shoppers. Our program is Safe, Secure, Fast, Fair, Hassle-Free and Highly Effective. With 100% feedback ratings in every venue in which we sell, you can rest assured that we’ve got your back. Visit us online to Buy / Sell / Trade / Consign Quality Assurance: We offer 15-20 new product listings for sale daily. Each product undergoes an extremely rigorous quality-assurance and listening session by one of our qualified technicians. We understand that buying used audio equipment can be rife with uncertainty and unexpected headaches. Our quality assurance program is informed by a knowledge-base built through delivering over 30,000 used audio products to satisfied customers. We promise to deliver your product in good working order - exactly as described 100% of the time. Support: We don’t just make promises. We stand behind them - your satisfaction is guaranteed. Our support team is ready to help you with any questions you might have before and after the sale. Value: In the never-ending pursuit of high performance, it’s important to stretch your limited budget as far as possible. Used equipment sells for a fraction of new prices, and with a partner like The Music Room you can upgrade any time you like and get most of your money back. There’s simply no better way to maximize a limited audio budget. Packaging: We’ve invested thousands of dollars and countless hours into mastering our state-of-the-art packaging process. Our custom foam-in-place packaging system allows us to safely package almost any item regardless of irregular shapes or sizes. Most importantly, this system provides our customers with a re-usable shipping box which increases the resale value of the product and provides a shipping method for easy, secure returns. Be seen by over 70,000 monthly visitors. Visit us online to Buy / Sell / Trade / Consign Payment: Prompt payment is expected. Paypal is preferred but all forms of payment are accepted. Unpaid item case will be opened after 3 days if no payment received. Shipping Times: Most Domestic orders ship within 1 business day of purchase. For International orders or freight shipments, please allow 2-3 business days. In all cases, tracking information will be emailed to you at the moment the shipping label is created. If you cant find it or have other questions about shipping & logistics, please contact us. Shipping Costs: Flat rate shipping costs are applicable within the contiguous 48 States (USA). These rates are clearly posted on each product page. For an International or custom quote (including Hawaii, PR, AK) please contact us. Returns: Every purchase made on eBay carries a 30-day, satisfaction-guaranteed return policy. If youre not happy with your purchase for any reason or if youve simply changed your mind... no problem. Simply ship it back for a full refund or exchange (minus S&H costs). If you have received an item that is defective in some way, we will make it right. Let us know - we will pay for return shipping and repair the item or refund 100% of your original purchase price.

Im charged with selling off my best friends audio and cycling estate. Here is his beloved original-owner H300 that he bought for $4k+ years ago, and was in use until his passing this summer.I believe its 250w/ch/8 (probably 400+/ch 4) and is REALLY heavy (44lbs), although standard 17 rack width. But depth is closer to 18, at 5 tall. Superceded by the H360 and H390, I think.As with all Hegel amps, theres enormous bass grip due to unique circuitry with huge damping factor. Includes nice aluminum Hegel remote.I dont have original box, but will double-box to ship carefully.Please see other listings for new MoFi SP8, as well his vintage Spendor S3/5, along with an 8ft pair Kimber 8TC, 0.5M pair Nordost Blue Heaven RCA, and my 8 ArgentPur Silver 12 Speaker Cables. Thanks. ErnieM ArgentPur.audio

This Hegel H90 Integrated Amplifier/DAC is a high-quality device that offers a range of audio inputs including Coaxial Digital, AUX, USB, and Ethernet. With two channels and two outputs, it provides a powerful audio experience for your home. The amplifier is packaged in its original box and comes with a remote, making it easy to control your audio experience. Whether you're a music enthusiast or a movie buff, this amplifier is the perfect addition to your home audio system. Its sleek design and powerful performance make it a must-have for anyone who wants to enhance their audio experience. Get your hands on this amazing device today and enjoy high-quality audio like never before! Best price on the Bay! Returns only accepted for damage in shipping. You must provide pictures of damaged packaging and unit. See my feedback and bid with confidence. If you BIN I will refund the shipping. Good Luck

Hegel H190 amplifier streamer DAC and DH Labs cable Power - 230V The best amplifier from Hegel in terms of sound/functionality price ratio - the golden mean. Amplifier, DAC, streamer. Power and damping factor allow you to play with any acoustics, I liked the combinations with B&W Dynaudi? KEF ELAC the most. All the information and millions of reviews are easy to find on the Internet, as well as reviews, including from comrade Borzenkov. Bought new in October 2022 (there are documents of purchase), I was the only one who used it. DH Labs Power Plus 2 meter cable is also included. The white color, in my opinion, looks much more interesting than the black version. The ??gel ?190 integrated amplifier occupies a niche between the ?390 and the more budget model ??gel ?120 in the brands line of complete amplifiers. The main difference between the ?190 and its predecessor ?160 was the clear OLED display, which replaced the vacuum fluorescent indicator and the increased damping coefficient. Well, plus to this, the amplifier is now available not only in conservative black, but also in extravagant white. The design uses the legendary Sound Engine 2 technology, developed by ??gel founder Bent Holter for Telenor 20 years ago, which allows you to adjust the signal received by the amplifier in real time. At the same time, instead of traditional feedback, direct communication is used in the circuits. All this helps to minimize various types of distortion, make the sound cleaner and smoother, increase the damping factor and enhance the bass dynamics. ??gel H190 is perhaps one of the most versatile devices today. The model has a built-in DAC, USB port, high-quality headphone amplifier on the JRC4556AD chip and can be used as a power amplifier in a home theater. The AirPlay function is supported, but the Wi-Fi module is not provided in this integrated amplifier, so to implement it, the H190 must be connected to a local network via a LAN interface (DLNA and UPnP protocols are supported). For AirPlay to function, iOS-based devices must be connected to the same network. Thanks to the built-in DLNA streaming module, it is possible to play files from NAS servers and computers in a resolution of up to 24 bits / 192 kHz. The power supply unit has a toroidal transformer and 6 high-capacity capacitors. The power of the H190 reaches 150 W (8 Ohm) per channel, and the damping factor exceeds 4000 units. This means that the amplifier will subdue even the most capricious acoustic systems. The output stage of the Hegel H190 has fast transistors of Japanese manufacture. The device is made in a strict Hegel design. On the slightly convex front aluminum panel there is a display showing the selected input, power indicator and other symbols. On the right there is a volume control and a 6.3 mm headphone jack, and on the left - an input selector. The power button is located on the bottom of the case. There is a remote control, which can also control the playback of tracks of software media players when connected to a computer via USB. Inputs: linear RCA, balanced XLR, RCA for direct access to the final stage (relevant for home theaters), three optical, coaxial, USB and LAN ports. Outputs: linear fixed and adjustable (both on RCA connectors). There are two pairs of screw terminals for connecting to the speaker system. The ??gel ?190 amplifier has a clean, open sound with excellent resolution and dense, dynamic bass. The model also allows you to significantly improve the sound of sources such as smartphones, tablets, etc. ??gel ?190 has received the Ron Ready certificate. To start using the service from Ron Labs, owners of ??gel devices simply need to update the firmware. ??gel H190 Specifications Output power 2 x 150 W (8 Ohm), 2 x 250 W (4 Ohm)Headphone amplifier output power 2 x 270 mW (64 Ohm)Frequency range 5 Hz – 100 kHzSignal-to-noise ratio over 100 dBCross-talk less than – 100 dBHarmonic distortion coefficient 0.005% (50 W, 8 Ohm, 1 kHz)Intermodulation distortion coefficient less than 0.01% (19 kHz + 20 kHz)Damping factor over 4000AirPlay support yes (with wired connection via local network)DLNA and UPnP protocol support yesRoon ReadyDAC AKM4396 (24 bit/192 kHz)Inputs linear RCA, balanced XLR, fixed Home Theatre Max Level Input (RCA) for direct access to the final stage, 3 optical (24 bit/192 kHz), coaxial (24 bit/192 kHz), USB port (24 bit/96 kHz), LAN (Network)Outputs 6.3 mm for headphones, linear fixed (RCA) and adjustable (RCA)Output to the speaker 2 pairs of screw terminalsPower supply toroidal transformer, 6 capacitors N?ver of 10,000 ?FRemote control ??gel RC 8, universalDimensions (WxHxD) 430x120x410 mmWeight 19 kg (with packaging)

Amplifier Streamer Hegel H190 DAC + DH Labs cable / 230V The best amplifier from Hegel in terms of sound/functionality price ratio - the golden mean. Amplifier, DAC, streamer. Power and damping factor allow you to play with any acoustics, I liked the combinations with B&W Dynaudi? KEF ELAC the most.All the information and millions of reviews are easy to find on the Internet, as well as reviews, including from comrade Borzenkov. Bought new in October 2022 (there are documents of purchase), I was the only one who used it.DH Labs Power Plus 2 meter cable is also included. The white color, in my opinion, looks much more interesting than the black version.The ??gel ?190 integrated amplifier occupies a niche between the ?390 and the more budget model ??gel ?120 in the brands line of complete amplifiers. The main difference between the ?190 and its predecessor ?160 was the clear OLED display, which replaced the vacuum fluorescent indicator and the increased damping coefficient. Well, plus to this, the amplifier is now available not only in conservative black, but also in extravagant white. The design uses the legendary Sound Engine 2 technology, developed by ??gel founder Bent Holter for Telenor 20 years ago, which allows you to adjust the signal received by the amplifier in real time. At the same time, instead of traditional feedback, direct communication is used in the circuits. All this helps to minimize various types of distortion, make the sound cleaner and smoother, increase the damping factor and enhance the bass dynamics. ??gel H190 is perhaps one of the most versatile devices today. The model has a built-in DAC, USB port, high-quality headphone amplifier on the JRC4556AD chip and can be used as a power amplifier in a home theater. The AirPlay function is supported, but the Wi-Fi module is not provided in this integrated amplifier, so to implement it, the H190 must be connected to a local network via a LAN interface (DLNA and UPnP protocols are supported). For AirPlay to function, iOS-based devices must be connected to the same network. Thanks to the built-in DLNA streaming module, it is possible to play files from NAS servers and computers in a resolution of up to 24 bits / 192 kHz. The power supply unit has a toroidal transformer and 6 high-capacity capacitors. The power of the H190 reaches 150 W (8 Ohm) per channel, and the damping factor exceeds 4000 units. This means that the amplifier will subdue even the most capricious acoustic systems. The output stage of the Hegel H190 has fast transistors of Japanese manufacture. The device is made in a strict Hegel design. On the slightly convex front aluminum panel there is a display showing the selected input, power indicator and other symbols. On the right there is a volume control and a 6.3 mm headphone jack, and on the left - an input selector. The power button is located on the bottom of the case. There is a remote control, which can also control the playback of tracks of software media players when connected to a computer via USB. Inputs: linear RCA, balanced XLR, RCA for direct access to the final stage (relevant for home theaters), three optical, coaxial, USB and LAN ports. Outputs: linear fixed and adjustable (both on RCA connectors). There are two pairs of screw terminals for connecting to the speaker system. The ??gel ?190 amplifier has a clean, open sound with excellent resolution and dense, dynamic bass. The model also allows you to significantly improve the sound of sources such as smartphones, tablets, etc. ??gel ?190 has received the Ron Ready certificate. To start using the service from Ron Labs, owners of ??gel devices simply need to update the firmware. ??gel H190 Specifications Output power 2 x 150 W (8 Ohm), 2 x 250 W (4 Ohm)Headphone amplifier output power 2 x 270 mW (64 Ohm)Frequency range 5 Hz – 100 kHzSignal-to-noise ratio over 100 dBCross-talk less than – 100 dB Harmonic distortion coefficient 0.005% (50 W, 8 Ohm, 1 kHz)Intermodulation distortion coefficient less than 0.01% (19 kHz + 20 kHz)Damping factor over 4000AirPlay support yes (with wired connection via local network)DLNA and UPnP protocol support yes Roon ReadyDAC AKM4396 (24 bit/192 kHz)Inputs linear RCA, balanced XLR, fixed Home Theatre Max Level Input (RCA) for direct access to the final stage, 3 optical (24 bit/192 kHz), coaxial (24 bit/192 kHz), USB port (24 bit/96 kHz), LAN (Network)Outputs 6.3 mm for headphones, linear fixed (RCA) and adjustable (RCA) Output to the speaker 2 pairs of screw terminalsPower supply toroidal transformer, 6 capacitors N?ver of 10,000 ?FRemote control ??gel RC 8, universalDimensions (WxHxD) 430x120x410 mmWeight 19 kg (with packaging)

It powers on but not sound is coming out Selling as is for parts or repair only Not remote control or other accessories Used condition and shows some marks of used like scratches Not return or refund will be accepted Selling as is only