The worlds largest online retailer of pre-owned audio Product DescriptionWho we areWhat we doOur ProcessOur Policies Ayon Auris II Stereo Tube Preamplifier; Black Product SKU: 53320 Voltage: 120V / 240V # of Owners: 1 Service History: None Serial Number: 140516 Age: Less than 1 year Tobacco Exposure: No MSRP: $11500 Cosmetic Description: Excellent condition with no notable blemishes.  What is Included: Preamplifier, Remote, Four 6H30 tubes, Four 6Z4 tubes, Manual, Power cable Other Notes: For over 4 decades, Ayon Audio has been handcrafting world class vacuum tubes and vacuum tube audio equipment, setting the benchmark and new standards for high end audio performance. Altruistic reliability, product durability, Ayon Iconic design and superb resale value. -Ayon Audio Functional Notes: Operational condition of this item is excellent, fully tested and no issues found. Shipping: Cost to ship this item within the contiguous United States is a flat rate of $105- including packaging and insurance. For all other locations including Hawaii, Puerto Rico and Alaska, please request a quote prior to purchase. Items with factory packaging will be double boxed. When factory packaging not available re-usable shipping box with custom injected-foam mold will be used. (for all items over 10 lbs). Note that all items valued over $750 will require a signature upon delivery. Your online source for the best value in new and used audio gear. Visit us online to Buy / Sell / Trade / Consign The Music Room is the largest online retailer of pre-owned HiFi equipment in the world. Headquartered in beautiful Boulder Colorado, The Music Room is a team of 17 strong (and growing) music lovers - all dedicated to one singular mission: delivering the very best online shopping experience in the audio industry - period. We specialize in well-cared for, previously used gear because that is what we are passionate about. We feel that there is nothing more fulfilling than creating a high-performance system on a budget with carefully selected used components, speakers and cables. Our program is safe, secure, fast, fair, hassle-free and highly effective. Visit us online to Buy / Sell / Trade / Consign Buy: Are you looking to get a fair price for your used home audio equipment without all the hassles, headaches, risks and fees? We will appraise your equipment and make you a quick, easy, fair cash offer. Just fill out our “get a quote” form on our homepage to start the process. Sell: We sell in multiple online venues with many (but not all) of our products available in our eBay store. Everything is quality-assured and backed by our best-in-class, satisfaction-guaranteed return policy. Trade: Make your budget go further with a generous trade-in allowance. Let us know what you have available, and we’ll get you the best possible trade-in allowance. We can even assist with shipping & logistics from anywhere in the USA. Just fill out our “get a quote” form on our homepage to start the process. Consign: We offer a hassle-free way for individuals and businesses to liquidate used gear. We’ll handle every step of the process from shipping to appraisals, customer service, fulfillment, and returns: Industry-low rates with no hidden fees Leverage our world-class reputation and get exposure in multiple sales venues - putting your product in front of over 570k monthly shoppers. Our program is Safe, Secure, Fast, Fair, Hassle-Free and Highly Effective. With 100% feedback ratings in every venue in which we sell, you can rest assured that we’ve got your back. Visit us online to Buy / Sell / Trade / Consign Quality Assurance: We offer 15-20 new product listings for sale daily. Each product undergoes an extremely rigorous quality-assurance and listening session by one of our qualified technicians. We understand that buying used audio equipment can be rife with uncertainty and unexpected headaches. Our quality assurance program is informed by a knowledge-base built through delivering over 30,000 used audio products to satisfied customers. We promise to deliver your product in good working order - exactly as described 100% of the time. Support: We don’t just make promises. We stand behind them - your satisfaction is guaranteed. Our support team is ready to help you with any questions you might have before and after the sale. Value: In the never-ending pursuit of high performance, it’s important to stretch your limited budget as far as possible. Used equipment sells for a fraction of new prices, and with a partner like The Music Room you can upgrade any time you like and get most of your money back. There’s simply no better way to maximize a limited audio budget. Packaging: We’ve invested thousands of dollars and countless hours into mastering our state-of-the-art packaging process. Our custom foam-in-place packaging system allows us to safely package almost any item regardless of irregular shapes or sizes. Most importantly, this system provides our customers with a re-usable shipping box which increases the resale value of the product and provides a shipping method for easy, secure returns. Be seen by over 70,000 monthly visitors. Visit us online to Buy / Sell / Trade / Consign Payment: Prompt payment is expected. Paypal is preferred but all forms of payment are accepted. Unpaid item case will be opened after 3 days if no payment received. Shipping Times: Most Domestic orders ship within 1 business day of purchase. For International orders or freight shipments, please allow 2-3 business days. In all cases, tracking information will be emailed to you at the moment the shipping label is created. If you cant find it or have other questions about shipping & logistics, please contact us. Shipping Costs: Flat rate shipping costs are applicable within the contiguous 48 States (USA). These rates are clearly posted on each product page. For an International or custom quote (including Hawaii, PR, AK) please contact us. Returns: Every purchase made on eBay carries a 30-day, satisfaction-guaranteed return policy. If youre not happy with your purchase for any reason or if youve simply changed your mind... no problem. Simply ship it back for a full refund or exchange (minus S&H costs). If you have received an item that is defective in some way, we will make it right. Let us know - we will pay for return shipping and repair the item or refund 100% of your original purchase price.

Ayon Stratos Digital Analog Converter in excellent condition. Google the Ayon website for more detailed information. Comes with the dac, remote, manual and factory box. Will ship to the lower 48 with insurance provided.

Excellent sounding piece from Ayon Audio. Low hours, Original Box, Remote, Manual. Pet-free, smoke-free home. Original owner. Ayon Audio “The Bugatti of Audio”AXPONA 2019 & 2018 Show Winner – Positive Feedback Editors Choice “Audio Oasis” Award!“Best Sound” Cost No Object LA Audio Show 2017 – The Show Newport 2016Robert Harley & Neal GaderThe Absolute Sound Magazine AwardAyon CD-35 Tube CD Player – SACD Player Tube DAC – PreampSACD – PCM to DSD 128 & 256 – DSD Professional Use – DAC – Streamer – Analog Pre-amplifier – Analog RCA & XLR inputs – Volume Control 100% Analog Domain – Vacuum Tube Based.The Ayon CD-35 comes from a long lineage of world class front ends. Ayon has been manufacturing vacuum tube based front ends for over 25 years.As you will agree, the front end is the most important part of any high end audio system.The history of this reference pedigree – Ayon CD-5, Ayon CD-5s, Ayon CD-3, Ayon CD-3sx and the current CD-35. The ultra high end reference Ayon CD-35 HF.The Ayon CD-35 series of SACD, DAC, DSD with 100% analog domain volume control system, Pre-amplifier for direct connect to your amps is like nothing else on the market today, really one of a kind.The CD-35 is also designed to connect to your favorite Pre-amplifier as well, very versatile.The Ayon CD-35 operating in Single Ended Triode Pure Class A with 5 vacuum tubes on board, 2x 6H30, 2x 5687, 1x GZ30.Zero feedback design, triode tube output stage and tube rectified power supply.the sonic signature of that as Vinyl. The Triode design allows for a cool operation, for long life of the vacuum tubes, about 8k hours of use. Years of operation. The CD-35 will also playback your favorite music from your computer via the USB connection, as in professional use.As Robert Harley from the Absolute Sound said “Wall to wall three dimensional soundstage”, “Best Sound of Show” Cost No Object – The LA Audio Show 2017.

AYON S10 mk2 signature network player/ streamer Dac/pre Track Page Views WithAuctivas Counter

AYON S10 MK2 SIGNATURE. NETWORK PLAYER/DAC/PRE-AMP. Like-new and almost unused. Bought in 2020 and put into storage within a month due to a house move. Full original box including remote, antennae, 230v power cable and manual. Collection only due to value.

Ayon Seagull/C Standlautsprecher - gebraucht aber guter Zustand Ein Versand ist nicht möglich nur Abholung. Normal 0 21 false false false DE X-NONE X-NONE Die Ware wird unter Ausschluss jeglicher Garantie und/oder Gewährleistung verkauft. Der Ausschluss gilt nicht für Schadenersatzansprüche aus grob fahrlässiger bzw. vorsätzlicher Verletzung von Pflichten des Verkäufers sowie für jede Verletzung von Leben, Körper und Gesundheit. Die Sachmängelhaftung wird ausgeschlossen.

Aspirateur Tube Pre-main Avec Traduction Rayon Ra-Vt11 FulCette fiche produit est originalement écrite en anglais. Veuillez trouver ci dessous une traduction automatique en français. Si vous avez des questions veuillez nous contacter.PaiementSoyez assuré que notre magasin offre une variété de méthodes de paiement.Veuillez payer dans les 5 jours suivant la fin de lenchère.À proposNous sommes situés au Japon. Pour les produits électriques, vérifiez le fabricant et le produit et convertissez-les à la tension de chaque pays. Nous prévoyons dexpédier par FedEx ou DHL. Veuillez nous contacter car les frais dexpédition peuvent être modifiés dans certains cas. Cest avec plaisir que nous vous ferons plaisir en vous proposant notre article recommandé.Si vous avez des questions ou des demandes concernant des articles, nhésitez pas à nous les demander.Acheteurs internationaux - Veuillez noter :-Les droits dimportation, les taxes et les frais ne sont pas inclus dans le prix de larticle ou les frais dexpédition. Ces charges sont sous la responsabilité de lacheteur.-Veuillez vérifier auprès du bureau de douane de votre pays pour déterminer quels seront ces coûts supplémentaires avant denchérir/acheter.-Ces frais sont normalement perçus par la société de livraison de fret (expédition) ou lorsque vous récupérez larticle - ne les confondez pas avec des frais dexpédition supplémentaires.-Nous ne marquons pas les valeurs des marchandises en dessous de la valeur ou ne marquons pas les articles comme - des cadeaux - Les réglementations gouvernementales américaines et internationales interdisent un tel comportement.]]>Nous sommes situés au Japon. Pour les produits électriques, vérifiez le fabricant et le produit et convertissez-les à la tension de chaque pays. Nous prévoyons dexpédier par FedEx ou DHL. Veuillez nous contacter car les frais dexpédition peuvent être modifiés dans certains cas. -Les droits dimportation, les taxes et les frais ne sont pas inclus dans le prix de larticle ou les frais dexpédition. Ces charges sont sous la responsabilité de lacheteur. -Ces frais sont normalement perçus par la société de livraison de fret (expédition) ou lorsque vous récupérez larticle - ne les confondez pas avec des frais dexpédition supplémentaires. -Nous ne marquons pas les valeurs des marchandises en dessous de la valeur ou ne marquons pas les articles comme - des cadeaux - Les réglementations gouv Unit Quantity NA Unit Type NA MPN NA Country Japan Brand No Brand UPC NA Country/Region of Manufacture NA California Prop 65 Warning NA Model NA Type NA

AYON S10 mk2 signature network player/ streamer Dac/pre Track Page Views WithAuctivas Counter

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

The CD-5s is not only a high-end CD player but it is also an excellent tube preamplifier. The solution that puts both the player and the preamp in one chassis (also applied by Swiss Nagra, for example) yields shorter signal paths, definite subsystem synergy and it saves your money too. The rear panel hosts extended connectivity options therefore – additionally to what can be found at the CD-07s there are optical and AES/EBU digital outputs, another two pairs of RCA and XLR outputs and a switch that toggles the player’s phase between 0 and 180°. Far enough for the CD-5s to become a mastermind of any decent audio system. Examining the back of the unit one immediately understands that the CD5s isn’t a “regular CD player.” It has both digital and analog inputs. This means that the CD5s is designed to operate as a DAC and a preamp. Much is made of a choke-loaded power supply, good news in my experience, multiple stages of voltage regulators, and multiple transformers. The features even include “separate analog output stage for left and right channel,” which I take to mean “dual mono” or separate power supplies. According to the lengthy feature list in the following, volume control is in the analog domain. Did I avail myself of all these features? No. I did try the analog input with my phono stage, using the CD5s to direct-drive a power amp. My angle on any digital review is how it stacks up to analog system, which is my reference. Therefore, I did not mix and match computer sound cards, digital interconnects, other transports, etc. So what if it makes my lesser DVD and CD transports sound better? It’s not relevant since you will have different transports/sources and cables available to you. What is important is how the CD5s sounds playing CDs. I may be wrong, but I bet most buyers of the CD5s are going to put a CD in and play it, almost exclusively. As I was saying about a lengthy feature list, it has one: The volume is controlled in the analogue domain Logical sequenced soft-start power up for extended tube life Warm up function 0dB negative feedback (of any kind ) Ultra short signal path Simplest direct circuit path for purest musical sound and high reliability Low output impedance for driving long runs interconnect to an amplifier, and any tube or solid state power amp No solid state devices in the analog tube output (signal path ) Minimal discrete wiring for optimum signal propagation No followers or buffers in the signal path No DC servo that degrades the signal High quality parts throughout Fully hand assembled to insure the highest level of craftsmanship Separate analog output stage for left and right channel Burr Brown D/A converter Upsampling 24bit/192kHz and on/off switchable Digital input Analog input ( RCA & XLR ) USB 24/96kHz input Digital output 3 separate R-Core / Low noise – insulated power transformer for digital & analog Bridge tube rectification Dual choke – filtered power supply and coupled with special film caps Innovative power supply provides a high speed energy delivery on transients Separate and isolated power supplies over each stage of amplification Regulated DC filament supplies with soft start for 6H30 AC power filter to avoid noise and hash from entering into the unit. 10 separate voltage regulators Selected, premium quality passive components used in all applications High speed & high quality audiophile grade coupling capacitors High quality Teflon tube sockets with gold pins Superior capacitors ( MKP 1% ) High quality – RCA & XLR jack Gold-plated industrial grade PCB Backlit function buttons Modified suspension system to isolate the CD-transport from mechanical vibrations Anti-vibration magnetic integral CD-clamp system combined with dark acrylic CD-cover Front panel descriptions are engraved AC phase polarity control indicator The aluminum feet are resonance absorbing types Metal remote commander Chassis finish: black / chrome So, you are getting a solidly built piece with very high quality parts and materials, designed to be part of a system, or the heart of the system. What you do with it depends on whether you need a separate preamp to drive your amps, how many sources you have, whether digital is your only source, whether you have high-bit-rate sources, etc. Ayon’s attempt to satisfy as many users as possible is commendable, and noted. Chocolaty, With Tannins and a Bouquet of Kick-Ass My first impression of the CD5s was 75% warmth, 25% grit. Something like rough wool. I wasn’t sure what I was hearing. I liked it on some recordings, but many seemed to be missing some info, covered by the personality of the Ayon. It went this way for a month: a kind of love it, love it not, relationship. I was lazy though. I hadn’t investigated my assumptions. I can also liken the sound, before I played with the adjustments, to classic tube sound that had a little too much 2nd order distortion, overlaid with the noise from carbon comp resistors. The sound of those classic pieces are warm, but have a slightly dirty character from the noise. The choice of the 12ax7 exacerbates the noise issue in classic gear, where the 6h30 tube is closer to the sound of an FET than to a 12ax7. My assumptions were that the various features, like high/low output switch, upsampling, phase 0/180 degrees, volume control setting, etc,,, did not affect the sound. Just the opposite happens. Various changes in these settings produced quite dramatic changes in detail retrieval and naturalness, from overly warm and a little dirty, to very near as good as a CD player can sound. Because the various options produced quite different results, tweaking the controls can fine tune the player for various tastes. However, if an analytical sound is your “thing”, you’ll find no adjustment or setting that turns the CD5s into a hyper-fi piece that can tell you if the patrons in the club were drinking single malt scotch, or a blend. I was thinking about an addendum. After I submitted the review, I put in a rebuilt transistor amp and drove it with the CD player. The results were surprising. First, the transistor amp has a tube-unfriendly input impedance. Yet, the CD5s had zero problems with the load and could drive it to full output, with full frequency extension, without difficulty. Second, eliminating the preamp or the front end of an integrated amp or a passive preamp somewhat sharpened the focus while keeping the pretty tonal balance. The CD5s is a CD player with built-in preamp. If you drive a preamp or integrated amp with the CD5s, you are driving a preamp with a preamp, which doesn’t make any sense. Therefore, the recommended use for best sound is direct-driving an amp. Eliminating any/all further switching and gain controls opens the sound up and pushes the CD5s playback closer to analog and possibly state-of-the-art for CD digital. Not only did the Ayon have upsampling, but there were added variables of the volume control and the switches on the back, most notably one that says GAIN). Thoroughness dictated that I investigate things further. The results, for this system, were that upsampling was bad, high gain was good, the preamp gain has a sweet spot at about -20, and my system was in phase (switch set to 0º, not 180º). Lucky you, I could’ve spent 500 words on that. The biggest difference was the gain switch, wherein the difference in clarity between low and high gain wasn’t subtle in my system. What does that little switch do? If it’s analog, it’s probably switching a resistor. Is it possible that the mere addition, or substitution, of a resistor can be that audible? Anyway, it is audible, and wide open (high gain) is how you should run the Ayon. The sound of the Ayon CD5s is different from that of the Ayon preamps, amps and integrated amps, which are almost perfectly balanced. The CD5s has a personality. It’s warm, which is probably the first thing you will notice. However, the sound isn’t dark. It’s just warm. The bass is slightly prominent; the midrange is gutsy and vigorous, like real life; the deep bass happens when it’s supposed to happen; and the treble is a beautiful golden hue. The tonal balance of the Ayon is very close to that of my local symphonic hall, the Meyerson in Dallas. Actually, it’s closer to Bass (like the fish) Hall in Ft Worth, but I don’t know of any commercially available recordings that present the sound of Bass Hall. On the other hand, Keith Johnson has done a spectacular job of capturing the sound of the Meyerson in recordings of the Dallas Wind Symphony and Turtle Creek Chorale. If you know those recordings, then you can imagine the sound of the Ayon. In contrast, the Ayon amps are similar to Symphony Hall in Boston. Nearly perfect, that is. Like all other CD players I have heard, depth is somewhat lacking when compared to good analog or extremely good high-bit-rate digital. That’s not a shock to me. (I’m a digital guy, imagine the stress I get editing this. And it gets more … intense. – Pub.) How it compares to other players though, is enlightening. Image depth was better than any CD playback I’ve heard. It’s more accurate than my favorite DACs, the Audio Note UK. The Audio Note DACs are also warm, but have more distortion and color than the Ayon. Playing a compact disc, the CD5s nearly fooled me into thinking it was analog, and from me, that’s praise. Taken with the warm balance, the sound of the CD5s is very analog-like. There are more accurate players available, but all they do is call attention to the shortcomings of the source. Whether the depth is engineered by Ayon isn’t important. It does a great job at depth. Image width, if you were paying attention to the architecture of the analog output, should be state-of-the-art, and it is. Having dual mono analog outputs means separation should be as good as it gets, and it is. Images weren’t etched or hyper-real, which doesn’t happen in real life anyway. The imaging was more akin to that of a concert hall, where you can sense direction, but where the diffuse soundfield of a concert hall tends to mask exact placement, the Ayon’s image placement was more certain. There remains the warmth and glow of a concert hall sound. Before you think I’m saying it makes everything sound like classical music, hold up. I saw Neil Young at the Meyerson (solo—no Crazy Horse), and it managed to sound like Neil Young, despite the beautiful decay. The same can be said for the Ayon. The sound is more forgiving than analytical, which is to be preferred if you have a large collection. It didn’t dress up ugly sounding discs to the point they sounded good. It is transparent enough to hear recording faults, but no so much that it reduces the number of playable CDs in your collection. On the contrary, it is much better than the vast majority at making pleasurable as many recordings as possible. Tangent: I wonder why none of the digital player companies put a “pretty” button on their players to make ugly recordings cozier? If there were a way of undoing the damage done by recording and mastering engineers, wouldn’t we want it? (Whoa, what a can of worms. Phillip, Phillip. – Pub.) What the CD5s does to improve CD sound, where it is superior to most digital and analog sources I know, is grid itself with a ballsy output stage. The balanced and tubed output can reproduce anything your CD collection throws at it. Because it has low output impedance, it can drive any properly designed cable, amp or preamp. All budget players, and a good many high-end models, drop the ball on the output section. The dynamic range on CDs, and the difference in overall level, can be dramatic. Analog disc cutting puts limitations on dynamic range and overall level. It’s where the CD is superior to all but the most advanced LPs, namely half speed mastered 45 rpm. (I live! – Pub.) Most CD output sections will crap out on loud passages. Others have too much noise for low-level information. I wouldn’t at all be surprised if poor analog design is as much responsible for bad sounding digital, as are the artifacts of the digital process. Better than any other digital source I’ve heard, the CD5s lets you hear dynamic contrasts. It can, and probably will, stress your amps and/or speakers. When playing some of my friend’s mixes, I was sent running to the volume control on multiple occasions. Every other digital source I’ve used has, more or less, squashed down the dynamic range and compressed tracks, lending a similarity to everything they reproduce. I imagine that the CD5s’s digital goodness (low jitter?) has something to do with it, but I’m going to say it’s mostly the result of a beefy output. When called upon, the CD5s will kick your ass, or your system’s. The textures are mostly accurate. It does warm things up, and in the process makes basses and cellos more wooden-y. Trumpets are a little more bronze-y. Horns and trombones are more guttural, with slightly more bark. What it did for John Hartman and John Coltrane makes the CD5s worth owning. It did the same favors for Dietrich Fischer-Dieskau. It seems purpose-built for tenor sax and baritones. Very good stuff! It’s enough of a bonus for me to make it a recommended component. It does just fine on female voices, but most high-end equipment does. On the other hand, many high-end pieces strip the power from Coltrane, Fischer-Dieskau, and the powerful sound of Eric Dolphy on Bass Clarinet, and the bass of Jaco Pastorius. Charismatic seems a good word to describe the presentation. I don’t listen to audiophile dreck like Patricia Barber, so I can’t say how it sounds on those kinds of recordings. On the other hand, Ella, Sarah, Billie, Dusty, etc.., sounded fabulous. Not that they needed any help sounding fabulous; they sound good on an AM radio, boundless as their voices and talents were. The Ayon seemed very even-handed on most female vocals, while slightly warming up the sound of shrill sopranos. Thank God — my personal hell is a choir with three times as many sopranos as altos, tenors and basses—yuck!!! If you are into crooners, or the best jazz songstresses, you absolutely will not be disappointed. This is as good as I’ve heard from any digital. A small miracle worked by this player, one that I thought not possible, is making the 6H30 sound good. With all the talk of super tubes and such, it seems that designers were taken in by specs on paper. Hold on. Isn’t this high-end audio, where specs don’t tell the whole story? (Heretical! – Pub.) Well, most designs with the 6H30 sound decidedly threadbare to me. It makes the warmth of the Ayon that much more impressive. The 6H30 has plucked out my eyes in other designs. With a couple exceptions, the Ayon manages to use the 6H30 and get a sound that is closer to a really good tube, like a 6SN7 or 7199, which are low distortion tubes, regardless of how much current they carry. Applying the same logic that the specs of the 6H30 are “best” to power tubes, the only “good” tube would be the 6C33C. It’s a flawed and stupid logic. However, the designers at Ayon make the 6H30 sound really good. Maybe the other designers are dumb? Hmmm. It’s possible. (My Summary Apologies to the entire industry to follow. – Pub.) How to turn a Ford into a Ferrari Well, you can’t do it. A Ford is a Ford. The inclusion of upsampling is an interesting option for some, though I’ve never heard upsampling do anything beneficial. Being able to switch between non-upsampled and upsampled, on the fly, put upsampling on the hot-seat. The effect was to add some very high frequency noise or sibilance. It’s way up there and some recordings didn’t reveal the difference. Music heavy with trumpets, cymbals and violins was most revealing of the non-benefits of upsampling. Instead of replacing or reconstructing more information, it merely added noise, or perhaps it’s a shadow, or maybe an echo. Whatever it is, it doesn’t work. This isn’t a critique of Ayon. Perhaps they feel obligated to include upsampling. If they thought it was “way better” than non-upsampled, I bet they wouldn’t have given an option to switch between the two. The bottom line is this: No amount of tricks, psychoacoustic mumbo-jumbo, harmonic distortion, smoke or mirrors can undo what 16/44 does to music. The only thing I have heard to make CD actually sound better was Keith Johnson’s HDCD, which sometimes sounds superior to SACD in my very unscientific investigations. The XRCDs are really nice, too. So, some of you might like the upsampled sound. Good for you. I don’t. I suspect most adherents of oversampling/upsampling don’t have a good analog front-end for comparison, or they don’t go to hear unamplified music. This isn’t Ayon’s fault. It’s just a bad idea that gained traction with customers. All that being said, I like Fords and Ferraris. Perhaps I should have investigated the CD5s as a DAC, but I really didn’t care to. I prefer to have the fewest number of digital boxes possible. In my system, I had the CD5s as the player of compact discs and a DVD player to play all other formats. It worked for me. My DVD player will not output undiluted SACD or DVDA, so I didn’t see the reason to down-convert and listen to the results, though I’m sure the results would be good. It seemed like a purely academic process, not a pleasurable one. I’m not a big Audio-Video guy, so I didn’t investigate how to best integrate it into a large AV system. I did try the built-in volume control with a budget phono stage and the results were very good. If you have two sources – CD and LP – then you might be able to skip a separate preamp and use the CD5s as preamp/CD player. The sound of the budget phono stage was improved when fed through the CD5s, and with the CD5s driving the amps. Eliminating extra boxes and cables can be very beneficial. Is it real? Does it interpret? The CD5s is not the most accurate CD player I’ve used. And I’m glad. The most accurate players I’ve used all sucked. Accurate players only accentuate the limitations of 16/44. On the other hand, since Redbook CD is such a disaster on purely technical grounds, why would one want an accurate portrayal of suckiness? (Everyone, stay calm. – Pub.) To a large extent, the CD5s mitigates the limitations of the CD, something which I welcome with open arms, and you should too. Along with the Audio Note DACs, this Ayon allows me to listen to, and enjoy, my compact discs. While there is a legitimate question as to whether the purpose-built CD player is a dinosaur, for many of us the answer is NO. I do not have the time to burn my discs to a computer or music server, or transfer them to a flash drive. I want to put a disc in and listen. I want it to be, ahem, analogous to playing a record, not consuming a commodity. Hard drives will crash, and there is a greater than zero chance that you won’t have your library backed up. Also, the imbeciles at Microsoft or whoever will stop supporting your operating system, which will eventually require you to move everything to a new server with new software and hardware. That is a huge pain in the ass, if you didn’t already know it. Also, there are some who still want a “player that does everything.” Well, there are players that do everything, but they do everything with mediocrity. If you have compared a good CD player to CD played back on a multi-format player, you know what I mean. It reminds me of the Space Shuttle or the F111 fighter: designed by a committee to do everything, but nothing especially well. If you are still buying SACDs or DVDAs, you should consider having multiple players; otherwise you are most likely handicapping the sound of your regular CDs in the process. My observations on multi-format players are somewhat limited, so perhaps there is a player that does everything equally well, or equally mediocre. What it does then is make the most of the format, with a little interpretation along the way. If you like sterile or uber-detailed sound, the CD5s will disappoint. On the other hand, if the gestalt is important, the CD5s will satisfy deeply. It says a lot about the Ayon CD5s, that it’s the first component my wife really wanted me to keep. All the others have been met with cool disinterest. She spent hours listening to the system and is only interested in what “sounds good.” She says the Ayon “sounds good.” Since you don’t know my wife, you don’t know how much of a compliment that is. The CD-5s is not only a high-end CD player but it is also an excellent tube preamplifier. The solution that puts both the player and the preamp in one chassis (also applied by Swiss Nagra, for example) yields shorter signal paths, definite subsystem synergy and it saves your money too. The rear panel hosts extended connectivity options therefore – additionally to what can be found at the CD-07s there are optical and AES/EBU digital outputs, another two pairs of RCA and XLR outputs and a switch that toggles the player’s phase between 0 and 180°. Far enough for the CD-5s to become a mastermind of any decent audio system. Examining the back of the unit one immediately understands that the CD5s isn’t a “regular CD player.” It has both digital and analog inputs. This means that the CD5s is designed to operate as a DAC and a preamp. Much is made of a choke-loaded power supply, good news in my experience, multiple stages of voltage regulators, and multiple transformers. The features even include “separate analog output stage for left and right channel,” which I take to mean “dual mono” or separate power supplies. According to the lengthy feature list in the following, volume control is in the analog domain. Did I avail myself of all these features? No. I did try the analog input with my phono stage, using the CD5s to direct-drive a power amp. My angle on any digital review is how it stacks up to analog system, which is my reference. Therefore, I did not mix and match computer sound cards, digital interconnects, other transports, etc. So what if it makes my lesser DVD and CD transports sound better? It’s not relevant since you will have different transports/sources and cables available to you. What is important is how the CD5s sounds playing CDs. I may be wrong, but I bet most buyers of the CD5s are going to put a CD in and play it, almost exclusively. As I was saying about a lengthy feature list, it has one: The volume is controlled in the analogue domain Logical sequenced soft-start power up for extended tube life Warm up function 0dB negative feedback (of any kind ) Ultra short signal path Simplest direct circuit path for purest musical sound and high reliability Low output impedance for driving long runs interconnect to an amplifier, and any tube or solid state power amp No solid state devices in the analog tube output (signal path ) Minimal discrete wiring for optimum signal propagation No followers or buffers in the signal path No DC servo that degrades the signal High quality parts throughout Fully hand assembled to insure the highest level of craftsmanship Separate analog output stage for left and right channel Burr Brown D/A converter Upsampling 24bit/192kHz and on/off switchable Digital input Analog input ( RCA & XLR ) USB 24/96kHz input Digital output 3 separate R-Core / Low noise – insulated power transformer for digital & analog Bridge tube rectification Dual choke – filtered power supply and coupled with special film caps Innovative power supply provides a high speed energy delivery on transients Separate and isolated power supplies over each stage of amplification Regulated DC filament supplies with soft start for 6H30 AC power filter to avoid noise and hash from entering into the unit. 10 separate voltage regulators Selected, premium quality passive components used in all applications High speed & high quality audiophile grade coupling capacitors High quality Teflon tube sockets with gold pins Superior capacitors ( MKP 1% ) High quality – RCA & XLR jack Gold-plated industrial grade PCB Backlit function buttons Modified suspension system to isolate the CD-transport from mechanical vibrations Anti-vibration magnetic integral CD-clamp system combined with dark acrylic CD-cover Front panel descriptions are engraved AC phase polarity control indicator The aluminum feet are resonance absorbing types Metal remote commander Chassis finish: black / chrome So, you are getting a solidly built piece with very high quality parts and materials, designed to be part of a system, or the heart of the system. What you do with it depends on whether you need a separate preamp to drive your amps, how many sources you have, whether digital is your only source, whether you have high-bit-rate sources, etc. Ayon’s attempt to satisfy as many users as possible is commendable, and noted. Chocolaty, With Tannins and a Bouquet of Kick-Ass My first impression of the CD5s was 75% warmth, 25% grit. Something like rough wool. I wasn’t sure what I was hearing. I liked it on some recordings, but many seemed to be missing some info, covered by the personality of the Ayon. It went this way for a month: a kind of love it, love it not, relationship. I was lazy though. I hadn’t investigated my assumptions. I can also liken the sound, before I played with the adjustments, to classic tube sound that had a little too much 2nd order distortion, overlaid with the noise from carbon comp resistors. The sound of those classic pieces are warm, but have a slightly dirty character from the noise. The choice of the 12ax7 exacerbates the noise issue in classic gear, where the 6h30 tube is closer to the sound of an FET than to a 12ax7. My assumptions were that the various features, like high/low output switch, upsampling, phase 0/180 degrees, volume control setting, etc,,, did not affect the sound. Just the opposite happens. Various changes in these settings produced quite dramatic changes in detail retrieval and naturalness, from overly warm and a little dirty, to very near as good as a CD player can sound. Because the various options produced quite different results, tweaking the controls can fine tune the player for various tastes. However, if an analytical sound is your “thing”, you’ll find no adjustment or setting that turns the CD5s into a hyper-fi piece that can tell you if the patrons in the club were drinking single malt scotch, or a blend. I was thinking about an addendum. After I submitted the review, I put in a rebuilt transistor amp and drove it with the CD player. The results were surprising. First, the transistor amp has a tube-unfriendly input impedance. Yet, the CD5s had zero problems with the load and could drive it to full output, with full frequency extension, without difficulty. Second, eliminating the preamp or the front end of an integrated amp or a passive preamp somewhat sharpened the focus while keeping the pretty tonal balance. The CD5s is a CD player with built-in preamp. If you drive a preamp or integrated amp with the CD5s, you are driving a preamp with a preamp, which doesn’t make any sense. Therefore, the recommended use for best sound is direct-driving an amp. Eliminating any/all further switching and gain controls opens the sound up and pushes the CD5s playback closer to analog and possibly state-of-the-art for CD digital. Not only did the Ayon have upsampling, but there were added variables of the volume control and the switches on the back, most notably one that says GAIN). Thoroughness dictated that I investigate things further. The results, for this system, were that upsampling was bad, high gain was good, the preamp gain has a sweet spot at about -20, and my system was in phase (switch set to 0º, not 180º). Lucky you, I could’ve spent 500 words on that. The biggest difference was the gain switch, wherein the difference in clarity between low and high gain wasn’t subtle in my system. What does that little switch do? If it’s analog, it’s probably switching a resistor. Is it possible that the mere addition, or substitution, of a resistor can be that audible? Anyway, it is audible, and wide open (high gain) is how you should run the Ayon. The sound of the Ayon CD5s is different from that of the Ayon preamps, amps and integrated amps, which are almost perfectly balanced. The CD5s has a personality. It’s warm, which is probably the first thing you will notice. However, the sound isn’t dark. It’s just warm. The bass is slightly prominent; the midrange is gutsy and vigorous, like real life; the deep bass happens when it’s supposed to happen; and the treble is a beautiful golden hue. The tonal balance of the Ayon is very close to that of my local symphonic hall, the Meyerson in Dallas. Actually, it’s closer to Bass (like the fish) Hall in Ft Worth, but I don’t know of any commercially available recordings that present the sound of Bass Hall. On the other hand, Keith Johnson has done a spectacular job of capturing the sound of the Meyerson in recordings of the Dallas Wind Symphony and Turtle Creek Chorale. If you know those recordings, then you can imagine the sound of the Ayon. In contrast, the Ayon amps are similar to Symphony Hall in Boston. Nearly perfect, that is. Like all other CD players I have heard, depth is somewhat lacking when compared to good analog or extremely good high-bit-rate digital. That’s not a shock to me. (I’m a digital guy, imagine the stress I get editing this. And it gets more … intense. – Pub.) How it compares to other players though, is enlightening. Image depth was better than any CD playback I’ve heard. It’s more accurate than my favorite DACs, the Audio Note UK. The Audio Note DACs are also warm, but have more distortion and color than the Ayon. Playing a compact disc, the CD5s nearly fooled me into thinking it was analog, and from me, that’s praise. Taken with the warm balance, the sound of the CD5s is very analog-like. There are more accurate players available, but all they do is call attention to the shortcomings of the source. Whether the depth is engineered by Ayon isn’t important. It does a great job at depth. Image width, if you were paying attention to the architecture of the analog output, should be state-of-the-art, and it is. Having dual mono analog outputs means separation should be as good as it gets, and it is. Images weren’t etched or hyper-real, which doesn’t happen in real life anyway. The imaging was more akin to that of a concert hall, where you can sense direction, but where the diffuse soundfield of a concert hall tends to mask exact placement, the Ayon’s image placement was more certain. There remains the warmth and glow of a concert hall sound. Before you think I’m saying it makes everything sound like classical music, hold up. I saw Neil Young at the Meyerson (solo—no Crazy Horse), and it managed to sound like Neil Young, despite the beautiful decay. The same can be said for the Ayon. The sound is more forgiving than analytical, which is to be preferred if you have a large collection. It didn’t dress up ugly sounding discs to the point they sounded good. It is transparent enough to hear recording faults, but no so much that it reduces the number of playable CDs in your collection. On the contrary, it is much better than the vast majority at making pleasurable as many recordings as possible. Tangent: I wonder why none of the digital player companies put a “pretty” button on their players to make ugly recordings cozier? If there were a way of undoing the damage done by recording and mastering engineers, wouldn’t we want it? (Whoa, what a can of worms. Phillip, Phillip. – Pub.) What the CD5s does to improve CD sound, where it is superior to most digital and analog sources I know, is grid itself with a ballsy output stage. The balanced and tubed output can reproduce anything your CD collection throws at it. Because it has low output impedance, it can drive any properly designed cable, amp or preamp. All budget players, and a good many high-end models, drop the ball on the output section. The dynamic range on CDs, and the difference in overall level, can be dramatic. Analog disc cutting puts limitations on dynamic range and overall level. It’s where the CD is superior to all but the most advanced LPs, namely half speed mastered 45 rpm. (I live! – Pub.) Most CD output sections will crap out on loud passages. Others have too much noise for low-level information. I wouldn’t at all be surprised if poor analog design is as much responsible for bad sounding digital, as are the artifacts of the digital process. Better than any other digital source I’ve heard, the CD5s lets you hear dynamic contrasts. It can, and probably will, stress your amps and/or speakers. When playing some of my friend’s mixes, I was sent running to the volume control on multiple occasions. Every other digital source I’ve used has, more or less, squashed down the dynamic range and compressed tracks, lending a similarity to everything they reproduce. I imagine that the CD5s’s digital goodness (low jitter?) has something to do with it, but I’m going to say it’s mostly the result of a beefy output. When called upon, the CD5s will kick your ass, or your system’s. The textures are mostly accurate. It does warm things up, and in the process makes basses and cellos more wooden-y. Trumpets are a little more bronze-y. Horns and trombones are more guttural, with slightly more bark. What it did for John Hartman and John Coltrane makes the CD5s worth owning. It did the same favors for Dietrich Fischer-Dieskau. It seems purpose-built for tenor sax and baritones. Very good stuff! It’s enough of a bonus for me to make it a recommended component. It does just fine on female voices, but most high-end equipment does. On the other hand, many high-end pieces strip the power from Coltrane, Fischer-Dieskau, and the powerful sound of Eric Dolphy on Bass Clarinet, and the bass of Jaco Pastorius. Charismatic seems a good word to describe the presentation. I don’t listen to audiophile dreck like Patricia Barber, so I can’t say how it sounds on those kinds of recordings. On the other hand, Ella, Sarah, Billie, Dusty, etc.., sounded fabulous. Not that they needed any help sounding fabulous; they sound good on an AM radio, boundless as their voices and talents were. The Ayon seemed very even-handed on most female vocals, while slightly warming up the sound of shrill sopranos. Thank God — my personal hell is a choir with three times as many sopranos as altos, tenors and basses—yuck!!! If you are into crooners, or the best jazz songstresses, you absolutely will not be disappointed. This is as good as I’ve heard from any digital. A small miracle worked by this player, one that I thought not possible, is making the 6H30 sound good. With all the talk of super tubes and such, it seems that designers were taken in by specs on paper. Hold on. Isn’t this high-end audio, where specs don’t tell the whole story? (Heretical! – Pub.) Well, most designs with the 6H30 sound decidedly threadbare to me. It makes the warmth of the Ayon that much more impressive. The 6H30 has plucked out my eyes in other designs. With a couple exceptions, the Ayon manages to use the 6H30 and get a sound that is closer to a really good tube, like a 6SN7 or 7199, which are low distortion tubes, regardless of how much current they carry. Applying the same logic that the specs of the 6H30 are “best” to power tubes, the only “good” tube would be the 6C33C. It’s a flawed and stupid logic. However, the designers at Ayon make the 6H30 sound really good. Maybe the other designers are dumb? Hmmm. It’s possible. (My Summary Apologies to the entire industry to follow. – Pub.) How to turn a Ford into a Ferrari Well, you can’t do it. A Ford is a Ford. The inclusion of upsampling is an interesting option for some, though I’ve never heard upsampling do anything beneficial. Being able to switch between non-upsampled and upsampled, on the fly, put upsampling on the hot-seat. The effect was to add some very high frequency noise or sibilance. It’s way up there and some recordings didn’t reveal the difference. Music heavy with trumpets, cymbals and violins was most revealing of the non-benefits of upsampling. Instead of replacing or reconstructing more information, it merely added noise, or perhaps it’s a shadow, or maybe an echo. Whatever it is, it doesn’t work. This isn’t a critique of Ayon. Perhaps they feel obligated to include upsampling. If they thought it was “way better” than non-upsampled, I bet they wouldn’t have given an option to switch between the two. The bottom line is this: No amount of tricks, psychoacoustic mumbo-jumbo, harmonic distortion, smoke or mirrors can undo what 16/44 does to music. The only thing I have heard to make CD actually sound better was Keith Johnson’s HDCD, which sometimes sounds superior to SACD in my very unscientific investigations. The XRCDs are really nice, too. So, some of you might like the upsampled sound. Good for you. I don’t. I suspect most adherents of oversampling/upsampling don’t have a good analog front-end for comparison, or they don’t go to hear unamplified music. This isn’t Ayon’s fault. It’s just a bad idea that gained traction with customers. All that being said, I like Fords and Ferraris. Perhaps I should have investigated the CD5s as a DAC, but I really didn’t care to. I prefer to have the fewest number of digital boxes possible. In my system, I had the CD5s as the player of compact discs and a DVD player to play all other formats. It worked for me. My DVD player will not output undiluted SACD or DVDA, so I didn’t see the reason to down-convert and listen to the results, though I’m sure the results would be good. It seemed like a purely academic process, not a pleasurable one. I’m not a big Audio-Video guy, so I didn’t investigate how to best integrate it into a large AV system. I did try the built-in volume control with a budget phono stage and the results were very good. If you have two sources – CD and LP – then you might be able to skip a separate preamp and use the CD5s as preamp/CD player. The sound of the budget phono stage was improved when fed through the CD5s, and with the CD5s driving the amps. Eliminating extra boxes and cables can be very beneficial. Is it real? Does it interpret? The CD5s is not the most accurate CD player I’ve used. And I’m glad. The most accurate players I’ve used all sucked. Accurate players only accentuate the limitations of 16/44. On the other hand, since Redbook CD is such a disaster on purely technical grounds, why would one want an accurate portrayal of suckiness? (Everyone, stay calm. – Pub.) To a large extent, the CD5s mitigates the limitations of the CD, something which I welcome with open arms, and you should too. Along with the Audio Note DACs, this Ayon allows me to listen to, and enjoy, my compact discs. While there is a legitimate question as to whether the purpose-built CD player is a dinosaur, for many of us the answer is NO. I do not have the time to burn my discs to a computer or music server, or transfer them to a flash drive. I want to put a disc in and listen. I want it to be, ahem, analogous to playing a record, not consuming a commodity. Hard drives will crash, and there is a greater than zero chance that you won’t have your library backed up. Also, the imbeciles at Microsoft or whoever will stop supporting your operating system, which will eventually require you to move everything to a new server with new software and hardware. That is a huge pain in the ass, if you didn’t already know it. Also, there are some who still want a “player that does everything.” Well, there are players that do everything, but they do everything with mediocrity. If you have compared a good CD player to CD played back on a multi-format player, you know what I mean. It reminds me of the Space Shuttle or the F111 fighter: designed by a committee to do everything, but nothing especially well. If you are still buying SACDs or DVDAs, you should consider having multiple players; otherwise you are most likely handicapping the sound of your regular CDs in the process. My observations on multi-format players are somewhat limited, so perhaps there is a player that does everything equally well, or equally mediocre. What it does then is make the most of the format, with a little interpretation along the way. If you like sterile or uber-detailed sound, the CD5s will disappoint. On the other hand, if the gestalt is important, the CD5s will satisfy deeply. It says a lot about the Ayon CD5s, that it’s the first component my wife really wanted me to keep. All the others have been met with cool disinterest. She spent hours listening to the system and is only interested in what “sounds good.” She says the Ayon “sounds good.” Since you don’t know my wife, you don’t know how much of a compliment that is. Get images that make Supersized seem small. THE simple solution for eBay sellers.

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

eBay Shop Bewertungsprofil Weitere Auktionen MichSeite Ayon Sigma Tube DAC / PRE VERKAUF IM KUNDENAUFTRAG UVP war 3995 € DA Wandler Artikelnummer: 22810 EAN: nicht zutreffend Hersteller: Ayon Audio Herstellernummer: Nicht zutreffend Marke: Ayon Audio Modell: Sigma DAC Abspielbares Medienformat: AAC Produktart: Sigma DAC Beschreibung Im Auftrag unseres Kunden verkaufen wir seinen Ayon Audio Sigma DAC in Originalverpackung in von uns geprüftem Traumzustand. Das Gerät funktioniert einwandfrei und klingt fantastisch. Das Gerät weist, wie auf den Fotos zu erkennen, keine Gebrauchsspuren auf und ist absolut neuwertig. Auslaufmodel Das Gerät stammt aus einem Nichtraucherhaushalt! Zubehör: Stromkabel, Fernbedienung, Originalverpackung Das Gerät hat unser Kunde, bei uns im Dezember 2014 als Neugerät erworben. Eine Originalkaufrechnung vom Kunden ist vorhanden. Die Rechnung auf Ihren Namen bei diesem Artikel erfolgt unter Verwendung der Differenzbesteuerung gemäß § 25a UStG. (Die MwSt. Ist im Preis zwar entsprechend der Regelungen zur Differenzbesteuerung enthalten, ein Umsatzsteuerausweis auf der Rechnung jedoch nicht möglich.) Bei uns erhalten Sie ein 30 tägiges Rückgaberecht auch auf Produkte, die im Kundenauftrag verkauft werden. Somit können Sie sich in Ruhe ein Bild vom technischen und optischen Zustand verschaffen, ohne ein Risiko einzugehen. Achtung: Da wir im Auftrag eines Kunden verkaufen, bestehen jedoch keinerlei Gewährleistungsansprüche Kategorien AIV SONDERPOSTEN % Aktiv-Subwoofer Autoradios Autoradios Doppel DIN Autoradios mit Navigation Beamer / Projektoren Blu-Ray Player CD Player CD/MP3-Wechsler Centerlautsprecher DVB-T CarHifi DVD-Player und Recorder Einzelstücke Endstufen Kabel Kassettendecks Lautsprecher CarHifi Mini/-Micro Anlagen Mobile Navigation Moniceiver Moniceiver Doppel-DIN Monitore CarHifi Navigationsrechner PA-Beschallung Plasma & LCD TV Receiver HomeHifi Regallautsprecher Restposten SACD Player Sat Receiver Sonstige Standlautsprecher Subwoofer CarHifi Surroundanlagen Surround-Receiver Tuner (Radioteil) Verstärker CarHifi Vollverstärker Vorstufen Zubehör CarHifi Powered by MD Sound GmbH & Co. KG

Ayon CD 1 SX, Cd Player, Dac, Preamp, Very Good Condition. Excellent condition Perfect working order. With 6h30 output stage Original remote and clamp for cd No original box Only two tiny marks (side and back), see pictures Usb dac, coaxial, optical XLR output and RCA Direct or preamp mode with volume control Europe delivery ok Ask me for details

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem