Hanss Turntable Armboard For 12” Ikeda Tonearm And Others

Hanss Turntable Armboard For 12” Ikeda Tonearm And Others

Hanss Turntable Armboard For 12” Ikeda Tonearm And Others

fidelity-research FR-7 Moving Coil Phono CartridgeTypeMC Phono CartridgeOutput Voltage0.2mV(5cm/sec.?45?)Output Power 2x10-8W(5cm/sec.45?)Tracking Force2g(2g?2.5g)Coil Impedance2?Load Impedance3?Frequency Response20Hz?45kHzChannel Balance1dB(1kHz)Channel Separation28dB(1kHz)Compliance6x10-6cm/dyne(100Hz?20?)Stylus Tip0.3x3mil Line Contact Solid Diamond StylusWeight30g Our price is 100% negotiable! The price only means ASK! Please make an offer and we will give you the best price! Payment PayPal ONLY.Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty.However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

Hanss Turntable Armboard For 12” Ikeda Tonearm And Others

Ikeda It-407 Ton Arm Phono Kabel Maßgefertigt Höhe Aktiv Gebraucht Mit HülleDas Datenblatt dieses Produkts wurde ursprünglich auf Englisch verfasst. Unten finden Sie eine automatische Übersetzung ins Deutsche. Sollten Sie irgendwelche Fragen haben, kontaktieren Sie uns.ZahlungSeien Sie versichert, dass unser Shop eine Vielzahl von Zahlungsmethoden anbietet.Bitte zahlen Sie innerhalb von 5 Tagen nach Auktionsende.Über unsWir sind in Japan ansässig. Überprüfen Sie bei elektrischen Produkten den Hersteller und das Produkt und rechnen Sie die Spannung in das jeweilige Land um. Wir planen den Versand per FedEx oder DHL. Bitte kontaktieren Sie uns, da sich die Versandkosten in einigen Fällen ändern können. Es ist uns eine Freude, Sie glücklich zu machen, indem wir Ihnen unseren empfohlenen Artikel vorschlagen.Wenn Sie Fragen oder Wünsche zu Artikeln haben, wenden Sie sich bitte an uns.Internationale Käufer – Bitte beachten Sie:-Einfuhrzölle, Steuern und Gebühren sind nicht im Artikelpreis oder den Versandkosten enthalten. Diese Gebühren liegen in der Verantwortung des Käufers.- Bitte erkundigen Sie sich vor dem Bieten/Kauf beim Zollamt Ihres Landes, wie hoch diese zusätzlichen Kosten sein werden.-Diese Gebühren werden normalerweise von der liefernden Spedition (Versandfirma) oder bei der Abholung des Artikels erhoben – verwechseln Sie sie nicht mit zusätzlichen Versandkosten.-Wir kennzeichnen Warenwerte nicht unter dem Wert und kennzeichnen Artikel nicht als Geschenke. Die Vorschriften der US-amerikanischen und internationalen Regierung verbieten ein solches Verhalten.]]>Wir sind in Japan ansässig. Überprüfen Sie bei elektrischen Produkten den Hersteller und das Produkt und rechnen Sie die Spannung in das jeweilige Land um. Wir planen den Versand per FedEx oder DHL. Bitte kontaktieren Sie uns, da sich die Versandkosten in einigen Fällen ändern können. -Einfuhrzölle, Steuern und Gebühren sind nicht im Artikelpreis oder den Versandkosten enthalten. Diese Gebühren liegen in der Verantwortung des Käufers. -Diese Gebühren werden normalerweise von der liefernden Spedition (Versandfirma) oder bei der Abholung des Artikels erhoben – verwechseln Sie sie nicht mit zusätzlichen Versandkosten. -Wir kennzeichnen Warenwerte nicht unter dem Wert und kennzeichnen Artikel nicht als Geschenke. Die Vorschriften der US-amerikanischen und internationalen Regierung verbieten e Capacity NA Item Width NA Compatible Product Line NA Country/Region of Manufacture NA Unit Quantity NA Type NA Brand No Brand Plug Regional Fitment NA California Prop 65 Warning NA Item Length NA Year Manufactured NA Unit Type NA Country Japan UPC NA Compatible Model NA Item Weight NA Manufacturer Warranty NA Item Height NA Features NA Color NA Compatible Brand NA MPN NA

Fidelity Research FR-1MK3 MC Moving Coil Stereo Phono Cartridge Our price is 100% negotiable!Please make an offer and we will give you the best price! Payment PayPal ONLY. Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

Fidelity Research FR-66S Long Tonearm ?Overall Length?382.5mm?Effective Length?307mm?Overhang?12mm ?Tracking Force : 0 - 5g?Tonearm Height Adjustment?29.5?60mm?Cartridge Weight : 9?38.5g ?Tonearm Attaching Hole Diameter : 41mm Our price is 100% negotiable! The price just means ASK! Please make an offer and we will give you the best price! Payment PayPal ONLY.Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty.However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

Ikeda 9R TonabnehmerWarmklingendes SystemÄhnelt KoetsusRelativ Simpele MontageBei Fragen bitte melden

Der Ikeda SCIII Tonabnehmer ist die perfekte Wahl für jeden Plattenspieler-Liebhaber. Kompatibel mit allen Marken, bietet er eine klare und präzise Klangqualität. Der Zustand ist ausgezeichnet und das Produkt ist von höchster Qualität. Dieser Tonabnehmer ist ein unverzichtbares Zubehörteil für jeden Plattenspieler. Es handelt sich um eine hochwertige Marke, die für ihr Engagement für Klangqualität und hervorragende Verarbeitung bekannt ist. Wenn Sie nach einem Tonabnehmer suchen, der Ihren Plattenspieler auf ein neues Niveau bringt, ist der Ikeda SCIII die perfekte Wahl.

Die Ikeda Headshell in Silber ist die perfekte Wahl für alle Besitzer von Tonarmen der Marke Ikeda. Die hochwertige Verarbeitung und das edle Design machen diese Headshell zu einem echten Hingucker. Der Zustand des Produkts ist mit 240 als fast Neuwertig sehr gut zu bewerten. Diese Headshell eignet sich perfekt für alle Audiophilen, die höchste Ansprüche an ihre Plattenspieler haben. Die Marke Ikeda steht für Qualität und Langlebigkeit, weshalb Sie mit dieser Headshell sicherlich lange Freude haben werden. Bestellen Sie jetzt und erleben Sie den perfekten Klang Ihrer Vinyl-Platten.

Fidelity-Research RS-10 Aluminum Diecast Headshell Payment PayPal ONLY. Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty. However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

Fidelity-Research FR-S/3 Aluminum Diecast Headshell Payment PayPal ONLY. Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty. However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

Vintage Ikeda Model 9 EMT Specifications Cartridge Record Player NeedleInternational Buyers - Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyers responsibility. Please check with your countrys customs office to determine what these additional costs will be prior to bidding or buying.International Buyers - Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyers responsibility. Please check with your countrys customs office to determine what these additional costs will be prior to bidding or buying.

DescriptionUsed ConditionPlease check the status description. PolicyPaymentPlease pay within 5 days after auction is finished.About UsAll of our goods are genuine articles. Moreover, we sell honestly. Please contact me, if you have your question.International Buyers - Please Note:Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyers responsibility. Please check with your countrys customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges.

IKEDA 9 Direct Coupling Generate System Stereo Moving Coil MC Cartridge 1985 Domo Arigato! Welcome, Thank you for your visit. Description Operation confirmed. The appearance has small scratches, dullness, dirt, etc. due to normal use. For other appearances, please refer to the photo. Specifications Type? Direct Coupling Generate System MCOutput voltage: 0.2mV (5cm/sec 1kHz 45?)Needle pressure: Optimum 2.5gPlayback frequency bandwidth: 10-45,000HzChannel separation: 27dB/1kHzChannel balance: 1dBCompliance: 6×10-6cm/dyne (dynamic 1kHz)Load resistance: 3?Needle tip: Special ellipseWeight: 33g Shipping Shipping is only available to the address registered in eBay. Shipping is by FedEx or EMS. Free Shipping Returns Unconditional Return Policy Customer service and satisfaction are very important to us.I have an unconditional return policy if notified within 30 of the receipt of the item. All returned items must be the original condition.All return requests must be made within 30 days of the receipt of the item. Please contact me first for return before you ship it back to me.The postage of the returned goods is a buyer burden. International Buyers Please Note:Import duties, taxes and charges are not included in the item price or shipping charges.These charges are the buyer’s responsibility.Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying.These charges are normally collected by the delivering freight (shipping) company or when you pick the item up -do not confuse them for additional shipping charges.We do not mark merchandise values below value or mark items as “gifts” -US and International government regulations prohibit such behavior. I am sorry but we can not arrange that because it is illegal in Japan.Thank you.

Fidelity-Research RS-121 Aluminum Diecast Headshell Payment PayPal ONLY. Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty. However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

IKEDA Sound Labs. IST-201 Stereo MC Cartridge Step-up Transformer 1? - 6? Domo Arigato! Welcome, Thank you for your visit. Description Operation confirmed. The appearance is a beautiful product without any noticeable scratches.For other appearances, please refer to the photo. Specifications Model: Step-up transformer for MC cartridgeFrequency characteristics: 10Hz to 100KHz ?0.6dB (3?/47k?)Step-up ratio: 26dBChannel balance: within 0.1dB (1kHz)Input impedance: 1? to 6?Load impedance: 47k? or moreChannel separation: 90dB or more (1kHz)Dimensions: 140mm (W) x 65mm (H) x 95mm (D) Shipping Shipping is only available to the address registered in eBay. Shipping is by FedEx or EMS. Free Shipping Returns Unconditional Return Policy Customer service and satisfaction are very important to us.I have an unconditional return policy if notified within 30 of the receipt of the item. All returned items must be the original condition.All return requests must be made within 30 days of the receipt of the item. Please contact me first for return before you ship it back to me.The postage of the returned goods is a buyer burden. International Buyers Please Note:Import duties, taxes and charges are not included in the item price or shipping charges.These charges are the buyer’s responsibility.Please check with your country’s customs office to determine what these additional costs will be prior to bidding/buying.These charges are normally collected by the delivering freight (shipping) company or when you pick the item up -do not confuse them for additional shipping charges.We do not mark merchandise values below value or mark items as “gifts” -US and International government regulations prohibit such behavior. I am sorry but we can not arrange that because it is illegal in Japan.Thank you.

Legendärer Tonarm von Entwickler-Legende Isamu Ikeda. Steht oftmals zu unrecht im Schatten des bekannten FR-64. Im Gegensatz zum großen Bruder ist der FR-24 sehr viel flexibler bezüglich der passenden Tonabnehmer. Durch die verschiedenen Gewichte ist von leichten MMs bis zu hart aufgehängten, schweren MCs (fast) alles möglich. Sehr schöner, gepflegter Zustand. Einzig um den Lift sollte man sich mal kümmern und ihm neues Silikon-Öl gönnen - ist aber kein Hexenwerk. Generell ist die Funktion aber gegeben. Generell sollte man aber beachten, daß der Arm schon einige Jahrzehnte auf dem Buckel hat und es sich nicht um Neuware handelt. Angesichts des Alters ist der Zustand aber sehr gut. Kommt sicher verpackt (Box in Box) mit dem kompletten Zubehör: Original Headshell, 3 Gegengewichte, 1 Headshell-Gewicht, Original 5Pin-Tonarmkabel, Bedienungsanleitung und Einbau-/Justageschablone. So ein Komplettset wird nur sehr, sehr selten angeboten. Alleine die Gewichte und das Kabel erzielen teilweise dreistellige Beträge, wenn sie mal angeboten werden. Ich schließe jegliche Sachmängelhaftung aus.

The worlds largest online retailer of pre-owned audio Product DescriptionWho we areWhat we doOur ProcessOur Policies Ikeda Kai MC Phono Cartridge Product SKU: 49571 Age: 7 Tobacco Exposure: No MSRP: $9600 Serial Number: 48 # of Owners: 1 Service History: None Cosmetic Description: Excellent condition with no notable blemishes.  What is Included: Cartridge, Manual, Screws, Factory packaging Other Notes: The Kai produced an unmistakable deep, wide and tall soundstage - Stereophile Functional Notes: Operational condition of this item is excellent, fully tested and no issues found. Shipping: Cost to ship this item within the contiguous United States is a flat rate of $37- including packaging and insurance. For all other locations including Hawaii, Puerto Rico and Alaska, please request a quote prior to purchase. Items with factory packaging will be double boxed. When factory packaging not available re-usable shipping box with custom injected-foam mold will be used. (for all items over 10 lbs). Note that all items valued over $750 will require a signature upon delivery. Your online source for the best value in new and used audio gear. Visit us online to Buy / Sell / Trade / Consign The Music Room is the largest online retailer of pre-owned HiFi equipment in the world. Headquartered in beautiful Boulder Colorado, The Music Room is a team of 17 strong (and growing) music lovers - all dedicated to one singular mission: delivering the very best online shopping experience in the audio industry - period. We specialize in well-cared for, previously used gear because that is what we are passionate about. We feel that there is nothing more fulfilling than creating a high-performance system on a budget with carefully selected used components, speakers and cables. Our program is safe, secure, fast, fair, hassle-free and highly effective. Visit us online to Buy / Sell / Trade / Consign Buy: Are you looking to get a fair price for your used home audio equipment without all the hassles, headaches, risks and fees? We will appraise your equipment and make you a quick, easy, fair cash offer. Just fill out our “get a quote” form on our homepage to start the process. Sell: We sell in multiple online venues with many (but not all) of our products available in our eBay store. Everything is quality-assured and backed by our best-in-class, satisfaction-guaranteed return policy. Trade: Make your budget go further with a generous trade-in allowance. Let us know what you have available, and we’ll get you the best possible trade-in allowance. We can even assist with shipping & logistics from anywhere in the USA. Just fill out our “get a quote” form on our homepage to start the process. Consign: We offer a hassle-free way for individuals and businesses to liquidate used gear. We’ll handle every step of the process from shipping to appraisals, customer service, fulfillment, and returns: Industry-low rates with no hidden fees Leverage our world-class reputation and get exposure in multiple sales venues - putting your product in front of over 570k monthly shoppers. Our program is Safe, Secure, Fast, Fair, Hassle-Free and Highly Effective. With 100% feedback ratings in every venue in which we sell, you can rest assured that we’ve got your back. Visit us online to Buy / Sell / Trade / Consign Quality Assurance: We offer 15-20 new product listings for sale daily. Each product undergoes an extremely rigorous quality-assurance and listening session by one of our qualified technicians. We understand that buying used audio equipment can be rife with uncertainty and unexpected headaches. Our quality assurance program is informed by a knowledge-base built through delivering over 30,000 used audio products to satisfied customers. We promise to deliver your product in good working order - exactly as described 100% of the time. Support: We don’t just make promises. We stand behind them - your satisfaction is guaranteed. Our support team is ready to help you with any questions you might have before and after the sale. Value: In the never-ending pursuit of high performance, it’s important to stretch your limited budget as far as possible. Used equipment sells for a fraction of new prices, and with a partner like The Music Room you can upgrade any time you like and get most of your money back. There’s simply no better way to maximize a limited audio budget. Packaging: We’ve invested thousands of dollars and countless hours into mastering our state-of-the-art packaging process. Our custom foam-in-place packaging system allows us to safely package almost any item regardless of irregular shapes or sizes. Most importantly, this system provides our customers with a re-usable shipping box which increases the resale value of the product and provides a shipping method for easy, secure returns. Be seen by over 70,000 monthly visitors. Visit us online to Buy / Sell / Trade / Consign Payment: Prompt payment is expected. Paypal is preferred but all forms of payment are accepted. Unpaid item case will be opened after 3 days if no payment received. Shipping Times: Most Domestic orders ship within 1 business day of purchase. For International orders or freight shipments, please allow 2-3 business days. In all cases, tracking information will be emailed to you at the moment the shipping label is created. If you cant find it or have other questions about shipping & logistics, please contact us. Shipping Costs: Flat rate shipping costs are applicable within the contiguous 48 States (USA). These rates are clearly posted on each product page. For an International or custom quote (including Hawaii, PR, AK) please contact us. Returns: Every purchase made on eBay carries a 30-day, satisfaction-guaranteed return policy. If youre not happy with your purchase for any reason or if youve simply changed your mind... no problem. Simply ship it back for a full refund or exchange (minus S&H costs). If you have received an item that is defective in some way, we will make it right. Let us know - we will pay for return shipping and repair the item or refund 100% of your original purchase price.

Ikeda 9C III MC Cartridge in Original box and documents The cartridge has been tested in my system in perfect working condition matching for the FR-64s/FR-66s, Ikeda IT-345 / IT-407 The sound difference with the Ikeda current modelsOne of the best sounds you may have try The stylus looks in excellent sharp as show Come with a stylus guard and box as shown in the photos Please have a look at the pictures will tell you everything before you have placed a bid Do not hesitate to contact us if you are not clear or need more information before you bid Various the destination, so please take waiting for me send correctly the shipping fees to you I do professional packing and combine for all items Ill send to worldwide. The buyer pays shipping and insurance Please make payment within 3 days after listing end

Fidelity-Research FR-S/1 Aluminum Diecast HeadshellWeight : 7g Payment PayPal ONLY. Please pay within 5 days after auction is finished. Shipping We ONLY ship to buyers Paypal registered address. ReturnsItems that are faulty beyond the description given on our auction site should be returned for a full refund.Please contact us by e-mail if items delivered are faulty. However, please send the item back to us. About usOur product is 100% authentic! We dispatch items from Japan. We provide our goods and services based on our motto “Your complete satisfaction is our ultimate goal”. Therefore, please rest assured and make your bid with ease. Please Note International Buyers Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer responsibility. Please check with your country customs office to determine what these additional costs will be prior to bidding/buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. I do not mark merchandise values below value or mark items as gifts- US and International government regulations prohibit such behavior.

EAT Forte turntable with Ikeda 12 tonearm, with orig packaging Jozefína Krahulcová, CEO of Euro Audio Team (E.A.T.) is a redoubtable character. Bubbling with enthusiasm for this, her company’s first (but not last, I am assured) high end turntable, she exudes confidence despite the time not being quite right for the launch of such an esoteric, luxury product. “I am a big fan of vinyl - it’s the best way to listen to music,” she tells me, “and I’ve got a very nice classical music collection. I wasn’t happy about the turntables on the market, so I decided to do this...” Ebullient she may be, because the new E.A.T. Forte isn’t just another derivative design – another ‘me too’ premium priced product there to have a presence in the market. It shows some interesting thinking – certainly in its unique combination of clever techniques used by various other designs – and the reappearance of a seminal tonearm from a past master of the art – Ikeda. It is a fixed subchassis “mass design”, in the tradition of the great nineteen seventies direct drives. Indeed, featuring a separate motor unit, massive platter and string belt drive, it actually reminds me very much of Marantz’s fabled TT-1800, their late high end design that never was – and also certain top Micros of that period. Whilst the outward appearance may ring bells, so to speak, the inside engineering is quite different. The plinth is a metal filled, MDF box of backbreaking weight, with beautiful gloss lacquered wood veneer. Debates rage hard on online forums about the merits of this, but suffice to say that just as the sprung subchassis approach works best when the springs are as unintrusive as possible (a la Avid), so the high mass approach works better the higher the mass is – and the Forte is certainly heavy... The platter is the next most noticeable thing, largely on account of its huge 400mm diameter. It weighs 19.9kg, and is a two part affair with the inner section of the platter made from soft alloy, and the outer part made of a harder material. As you might expect, the main bearing (in the Forte’s case inverted with a ceramic ball mating to a Teflon cup) needed to handle this sort of weight and resultant pressure is vast, but it is given a helping hand by magnetism no less – with the be bottom half of the platter incorporating neodymium magnets to lower the pressure on the bearing. This ‘semi magnetically suspended design is an elegant working compromise, but tweakers won’t be delighted to learn that the bearing pressure is not easily adjusted and is best left to the factory setting. Finally, the platter comes with sorbothane damping, and the matt is made from recycled vinyl records Interestingly, the Forte is a twin motor design, the designers choosing to specify two low torque AC motors generating 2,700Kj of torque via twin pulleys and long diamond cut string belts. This is coupled with an active speed controller, and located in a separate enclosure which is made of sandwiched metal and MDF. This has two speeds, switchable by a push button, and there’s a digital display offering stepped speed increase or decrease (if you so wish). One particular fun feature is the way this speed display counts its way up to 33.333RPM (or 45RPM) when you switch on, steadily climbing to normal operating speed. As you might expect, Technics SL1200-style 0-33.333 RPM in half a second starts are not available from a turntable with a platter that weighs more than most turntables. But this is of course to miss the point; the designers of the Forte assert that the higher the torque to the motor, the more intrusive it can be. By using twin motors, only gently connected to the platter which itself is so heavy it resists the short-term, momentary dynamic wow imposed by the stylus, the idea is that the motors spin the platter up to speed in a reasonable time and momentum does the rest. The motors then don’t engage with the playback loop directly, that 20kg platter acting as a filter to speed variations. The twin motors seem to work as twin turbochargers on car engines, supplying unstressed lazy torque rather than delivering needlessly (and possibly intrusively) high amounts. Regular readers will know I personally am a big fan of direct drives, but I do find E.A.T.’s approach interesting and very thorough. They have obviously designed the Forte well aware of the vagaries of belt drives, and all the problems it imposes, and would contend – I am sure – that it ain’t what you do, it’s the way that you do it! This is reflected in remarkably fine speed stability [see MEASURED PERFORMANCE]. I find the deck itself a paragon of simplicity; it really is the sort of turntable you buy if you’re not into fiddling. Once located (which given its size and mass is easier said than done), you – ermm – just switch it on and off and that’s your lot. No suspension springs to twiddle, no fine speed to set, no intricate assembly of umpteen bits from a kit before it works. Essentially, the EAT Forte is a plug and play turntable – but for millionaires! It is, of course, immaculately finished, and whilst I may prefer functional, machine-like looks of the Avid Acutus or the arresting geometric grace of the Michell GyroDec, I can see that it is an attractive thing to have in your house – providing you’ve got one big enough, of course... Another key part of the Forte is of course the tonearm. Although notionally badged as an EAT product, Jozefína makes no bones about the fact that it is designed and manufactured by Ikeda. Indeed it is a chrome finished Ikeda IT407 12” design, mounted on a sorbothane damped heavy metal base. If you’re not a Japanese hi-fi nut, you might be shrugging and saying so what – so think of it as being a bit like Lexus getting Bristol to supply engines for their top limousine [see ARMS AND THE MAN below] . More remarkable is that Osamu Ikeda was reputed to be in semi retirement, and extremely unlikely to ever make any tonearm for anybody ever again... Originally launched in 2006, the 12” IT407 is a fairly high mass dynamically balanced design that traces its lineage all the way back to Fidelity Research days. Precision radial ball bearings are used along with a thread linked, weighted bias compensator and there’s a locking counterweight at one end of J-shaped polished arm tube, and a detachable headshell at the other. The build quality and finish of this arm is equal to the SME Series V, which really needs no more explanation – but suffice to say it is absolutely exquisite to hand cue, feeling as silky as the top SME in use. My only gripe would be the slightly fiddly arm rest lock, which isn’t the best ever devised, even if it does the job. Once again, the debates around tonearms are manifold; everyone ‘in the know’ has their favourite, and just to make life interesting, they rarely agree. The Ikeda arm brings no innovation, no fancy tonearm materials, no special damping systems or clever ‘active counterweights’; rather it’s an utterly conservative high mass design that relies on impeccable and consistent construction to achieve its sonic goals. Put a decent moving coil in (in my case a van den Hul Frog), dial in the tracking force, bias and vertical tracking angle (all very easy and elegantly done) and you’re off! Immense and cowering as the Forte may be sonically, it is not like the Avid. It is an altogether less intense experience. Don’t take this to be in any way disparaging, as actually it is more versatile. Slip on some John Coltrane and you can sip a snifter of Scotch, light up a Silk Cut and tap your toes just as the Right Honourable Ken Clarke would his Hush Puppies. You can relax into the music, think about next weekend’s visit to the in-laws or what colour you’re going to paint the front door when the weather gets better. With the Avid, you’d have the vagaries of the recording etched into your cranium, and may well be thinking, “a great piece of music, but this early sixties cross-paired mic recording isn’t ideal”. Back to the E.A.T. though, and you’d be bathing in the languid, luxuriant sounds of Johnny Hartman singing, ‘Lush Life’, sitting up straight totally transfixed with your heart up where your Adam’s Apple should be. My point is simple; the Forte takes you into the music as far as you want to go, yet demands nothing from you. On the very surface of things, it is less detailed than the Avid. It doesn’t put a magic marker under every attack transient, underlining when the note starts, and yet it is no less fast and no more unstable – indeed it seems even more speed-stable than the Acutus, which is really saying something. I found with Yes’s ‘Owner of a Lonely Heart’, my reference Sony only just nosed ahead in the leading edge of the bass guitar stakes. The TT-S8000 is utterly exceptional in this respect, and a little ahead of the Avid, whereas the E.A.T. was, figuratively speaking, just millimetres behind its back bumper. But whilst the lithe direct drive with its light platter and clever quartz lock speed control servo system could just about inch ahead on leading notes, it lacked the E.A.T.’s immense stability. It was as solid as the proverbial lump of granite sticking out of the briny. The scale, the epic expanse of its soundstage and the utter unflappability of its performance beat the Sony into a cocked hat. Peter Gabriel’s ‘Solsbury Hill’ was another case in point. Brilliant of course as the song is, it’s a slightly murky mid-seventies analogue recording and one that doesn’t flatter a turntable of any size, price or weight. I found the Forte was able to unpeel the song, rather like an onion skin, giving me great insight into every layer of the production, yet without sounding in any way forced or strained. I remember the Avid doing this too, albeit with more drama and seemingly more detail, although I still found the E.A.T’s presentation more naturally ‘right’ on an instinctive level. Its dynamics were formidable, and yet less explicit. With such innate power, it was able to deliver the contrasts in a more effortless way, like a slumbering giant waking up to brush away an irritation without bothering to raise an eyelid. Again, by contrast, the Sony seemed a tad breathless – which is not something you ever say about it in less illustrious company... Tonally, the Forte was superb. Its bass is immense, unflappable and without fault – save for being fractionally slower to switch on than the Sony. Alternatively, it may be right and the Sony is simply a little nervous with the leading edges, etching them artificially hard in a characteristically direct drive way? The E.A.T. is also sumptuous in the best tradition of vinyl; cue up The Who’s ‘Won’t Get Fooled Again’ from an original seventies pressing of ‘Who’s Next’ and you really know that’s a valve bass guitar amp being used. It’s the sort of bass that doesn’t need to make any apologies – there’s no issue with the recording, or the rest of the replay equipment, it’s just there like the elephant in the room. Yet it doesn’t overpower, or slur notes, or dominate the mix in any way; put on some nineteen sixties freakbeat from Ice (the most famous band to come out of my own Sussex University, which isn’t saying much) and yes, sure enough, you can tell it’s recorded in someone’s bathroom in Brighton. Cue up 4hero’s ‘Escape That’ however, and you’re into low frequencies the like of which you rarely hear outside of Wembley Arena. Powerful as the E.A.T is below the stairs, let’s just say it’s not gratuitous. Across the midband, you have a massively expansive sound. It makes the Sony – and to a less extent the Avid – seem rather stuck between the speakers. Yet instruments are not quite as accurately located as with the Acutus, which if it were a policeman would be a Miami-based member of CS1. The E.A.T. isn’t imprecise, it’s just big enough in its soundstaging for you not to have to ask questions; “the guitar’s over there, the lead vocal is over there, okay, fair enough!” Nor is the midband quite as icily clear as the Acutus or the Sony, but it’s actually no less detailed or informative, it’s just the way it presents the information is altogether more relaxed. Now, I have a sneaking suspicion that the Ikeda arm is at least partly behind this state of affairs. It’s so redolent of all those hours I used to spend languishing in Japanese hi-fi shops in and around Tokyo, listening to that country’s high end fare. Think massively polished, with easy information retrieval that would never even think of throwing it at you. Yes, it’s an ever so slightly ‘hi-fi’ sound, but a gorgeous one – and mates brilliantly to the E.A.T’s mellowy, moody, subtle sound. As befits a turntable of this immense speed stability, the treble is a joy. It is slick and easy, beautifully polished and wonderfully atmospheric – yet sharp and incisive in a way that never dominates. Miles Davis’s ‘Kind of Blue’ was majestic; smooth, vast in stage and deliciously, naturally musical, and with a wonderfully natural top end. If ever there was a turntable/arm combination to flatter a cartridge’s natural treble ability, this is it. Once again, my reference players both turned in a superficially slightly more detailed rendition, but it wasn’t in any way more informative. Rather, it was if the brightness control had just been turned up a bit. The Avid was brilliant, pushing you right up close to the cymbals, the Sony had wonderful ‘snap’, whereas the E.A.T. took a gentle step back from the hi-hats, giving a less ‘in your face’ rendition that was – all said and done – a tad easier and more satisfying to listen to. At this level, you’re not going to get a bad turntable, so the question then is – what kind of good one do you want? As with fine wines, great watches, top restaurants and seven star hotels, at this price you’re buying something that suits you like the best bespoke tailored suit. And so whom would the E.A.T. Forte suit? Well, the standard fitment of the Ikeda arm means this is far more like a turntable package than most decks at this price, which come sans tonearm, requiring you to make this big decision. The Forte is a case of ‘add cartridge and go’; it even requires relatively little set up as it is not a skeletal design which demands various layers be bolted on to various others. What it gives then is brilliant sound out of a (very big) box, with a superb fitted arm that sings with almost any highish mass moving coil cartridge. It presents a relaxed, easy, nonchalant sort of sound, but one that is nevertheless immensely satisfying. The best thing is that it’s very devoid of character, or obvious strengths or weaknesses for that matter. Simply put, it’s a massive machine that gets the best out of your vinyl without you – or it – having to try very hard. The EAT Forte carries an Ikeda IT407 12in (307mm) arm with detachable headshell. This is a solid affair made from various metals Ikeda say, rolled not diecast. The arm feels solid and ‘dead’ in the hand and indeed it measures like that too. For a long, tubular arm it is surprisingly free of a main arm tube mode, expected around 200Hz or lower. In this region there is no sign of vibration, although a small bump at 120Hz could possibly be due to primary flexure. Otherwise, the IT407 is a very ‘quiet’ arm all the way up to 3kHz and should give excellent bass quality and fine sound staging as a result, as well as a pure midband. Above 3kHz, as accelerations rise, the headshell becomes as active as most, so here the Ikeda is less distinguished. Also, 12in arms roughly halve the tracing distortion generated by a 9in arm and usually sound smoother and silkier as a result, although often not as ‘fast’. The EAT Forte turntable produced some amazing results. It was just 0.1% slow, a negligible amount and low speed drift below 1Hz was lower than usual too, resulting in a very low unweighted Wow and Flutter value of 0.072%. This suggests the EAT Forte will have much the same grip on pace as a Direct Drive. Weighted wow and flutter was low too, as is to be expected, measuring 0.061%. An unusual combo this may be in appearance, but it is a good deal more sophisticated under the skin than one might imagine. It’s a great pairing. NK   EAT Forte turntable with Ikeda 12 tonearm, with orig packaging   Jozefína Krahulcová, CEO of Euro Audio Team (E.A.T.) is a redoubtable character. Bubbling with enthusiasm for this, her company’s first (but not last, I am assured) high end turntable, she exudes confidence despite the time not being quite right for the launch of such an esoteric, luxury product. “I am a big fan of vinyl - it’s the best way to listen to music,” she tells me, “and I’ve got a very nice classical music collection. I wasn’t happy about the turntables on the market, so I decided to do this...”   Ebullient she may be, because the new E.A.T. Forte isn’t just another derivative design – another ‘me too’ premium priced product there to have a presence in the market. It shows some interesting thinking – certainly in its unique combination of clever techniques used by various other designs – and the reappearance of a seminal tonearm from a past master of the art – Ikeda. It is a fixed subchassis “mass design”, in the tradition of the great nineteen seventies direct drives. Indeed, featuring a separate motor unit, massive platter and string belt drive, it actually reminds me very much of Marantz’s fabled TT-1800, their late high end design that never was – and also certain top Micros of that period. Whilst the outward appearance may ring bells, so to speak, the inside engineering is quite different. The plinth is a metal filled, MDF box of backbreaking weight, with beautiful gloss lacquered wood veneer. Debates rage hard on online forums about the merits of this, but suffice to say that just as the sprung subchassis approach works best when the springs are as unintrusive as possible (a la Avid), so the high mass approach works better the higher the mass is – and the Forte is certainly heavy...   The platter is the next most noticeable thing, largely on account of its huge 400mm diameter. It weighs 19.9kg, and is a two part affair with the inner section of the platter made from soft alloy, and the outer part made of a harder material. As you might expect, the main bearing (in the Forte’s case inverted with a ceramic ball mating to a Teflon cup) needed to handle this sort of weight and resultant pressure is vast, but it is given a helping hand by magnetism no less – with the be bottom half of the platter incorporating neodymium magnets to lower the pressure on the bearing. This ‘semi magnetically suspended design is an elegant working compromise, but tweakers won’t be delighted to learn that the bearing pressure is not easily adjusted and is best left to the factory setting. Finally, the platter comes with sorbothane damping, and the matt is made from recycled vinyl records   Interestingly, the Forte is a twin motor design, the designers choosing to specify two low torque AC motors generating 2,700Kj of torque via twin pulleys and long diamond cut string belts. This is coupled with an active speed controller, and located in a separate enclosure which is made of sandwiched metal and MDF. This has two speeds, switchable by a push button, and there’s a digital display offering stepped speed increase or decrease (if you so wish). One particular fun feature is the way this speed display counts its way up to 33.333RPM (or 45RPM) when you switch on, steadily climbing to normal operating speed.   As you might expect, Technics SL1200-style 0-33.333 RPM in half a second starts are not available from a turntable with a platter that weighs more than most turntables. But this is of course to miss the point; the designers of the Forte assert that the higher the torque to the motor, the more intrusive it can be. By using twin motors, only gently connected to the platter which itself is so heavy it resists the short-term, momentary dynamic wow imposed by the stylus, the idea is that the motors spin the platter up to speed in a reasonable time and momentum does the rest. The motors then don’t engage with the playback loop directly, that 20kg platter acting as a filter to speed variations.   The twin motors seem to work as twin turbochargers on car engines, supplying unstressed lazy torque rather than delivering needlessly (and possibly intrusively) high amounts. Regular readers will know I personally am a big fan of direct drives, but I do find E.A.T.’s approach interesting and very thorough. They have obviously designed the Forte well aware of the vagaries of belt drives, and all the problems it imposes, and would contend – I am sure – that it ain’t what you do, it’s the way that you do it! This is reflected in remarkably fine speed stability [see MEASURED PERFORMANCE]. I find the deck itself a paragon of simplicity; it really is the sort of turntable you buy if you’re not into fiddling. Once located (which given its size and mass is easier said than done), you – ermm – just switch it on and off and that’s your lot. No suspension springs to twiddle, no fine speed to set, no intricate assembly of umpteen bits from a kit before it works. Essentially, the EAT Forte is a plug and play turntable – but for millionaires! It is, of course, immaculately finished, and whilst I may prefer functional, machine-like looks of the Avid Acutus or the arresting geometric grace of the Michell GyroDec, I can see that it is an attractive thing to have in your house – providing you’ve got one big enough, of course...   Another key part of the Forte is of course the tonearm. Although notionally badged as an EAT product, Jozefína makes no bones about the fact that it is designed and manufactured by Ikeda. Indeed it is a chrome finished Ikeda IT407 12” design, mounted on a sorbothane damped heavy metal base. If you’re not a Japanese hi-fi nut, you might be shrugging and saying so what – so think of it as being a bit like Lexus getting Bristol to supply engines for their top limousine [see ARMS AND THE MAN below] . More remarkable is that Osamu Ikeda was reputed to be in semi retirement, and extremely unlikely to ever make any tonearm for anybody ever again...   Originally launched in 2006, the 12” IT407 is a fairly high mass dynamically balanced design that traces its lineage all the way back to Fidelity Research days. Precision radial ball bearings are used along with a thread linked, weighted bias compensator and there’s a locking counterweight at one end of J-shaped polished arm tube, and a detachable headshell at the other. The build quality and finish of this arm is equal to the SME Series V, which really needs no more explanation – but suffice to say it is absolutely exquisite to hand cue, feeling as silky as the top SME in use. My only gripe would be the slightly fiddly arm rest lock, which isn’t the best ever devised, even if it does the job.   Once again, the debates around tonearms are manifold; everyone ‘in the know’ has their favourite, and just to make life interesting, they rarely agree. The Ikeda arm brings no innovation, no fancy tonearm materials, no special damping systems or clever ‘active counterweights’; rather it’s an utterly conservative high mass design that relies on impeccable and consistent construction to achieve its sonic goals. Put a decent moving coil in (in my case a van den Hul Frog), dial in the tracking force, bias and vertical tracking angle (all very easy and elegantly done) and you’re off! Immense and cowering as the Forte may be sonically, it is not like the Avid. It is an altogether less intense experience. Don’t take this to be in any way disparaging, as actually it is more versatile. Slip on some John Coltrane and you can sip a snifter of Scotch, light up a Silk Cut and tap your toes just as the Right Honourable Ken Clarke would his Hush Puppies. You can relax into the music, think about next weekend’s visit to the in-laws or what colour you’re going to paint the front door when the weather gets better. With the Avid, you’d have the vagaries of the recording etched into your cranium, and may well be thinking, “a great piece of music, but this early sixties cross-paired mic recording isn’t ideal”. Back to the E.A.T. though, and you’d be bathing in the languid, luxuriant sounds of Johnny Hartman singing, ‘Lush Life’, sitting up straight totally transfixed with your heart up where your Adam’s Apple should be. My point is simple; the Forte takes you into the music as far as you want to go, yet demands nothing from you.   On the very surface of things, it is less detailed than the Avid. It doesn’t put a magic marker under every attack transient, underlining when the note starts, and yet it is no less fast and no more unstable – indeed it seems even more speed-stable than the Acutus, which is really saying something. I found with Yes’s ‘Owner of a Lonely Heart’, my reference Sony only just nosed ahead in the leading edge of the bass guitar stakes. The TT-S8000 is utterly exceptional in this respect, and a little ahead of the Avid, whereas the E.A.T. was, figuratively speaking, just millimetres behind its back bumper. But whilst the lithe direct drive with its light platter and clever quartz lock speed control servo system could just about inch ahead on leading notes, it lacked the E.A.T.’s immense stability. It was as solid as the proverbial lump of granite sticking out of the briny. The scale, the epic expanse of its soundstage and the utter unflappability of its performance beat the Sony into a cocked hat.   Peter Gabriel’s ‘Solsbury Hill’ was another case in point. Brilliant of course as the song is, it’s a slightly murky mid-seventies analogue recording and one that doesn’t flatter a turntable of any size, price or weight. I found the Forte was able to unpeel the song, rather like an onion skin, giving me great insight into every layer of the production, yet without sounding in any way forced or strained. I remember the Avid doing this too, albeit with more drama and seemingly more detail, although I still found the E.A.T’s presentation more naturally ‘right’ on an instinctive level. Its dynamics were formidable, and yet less explicit. With such innate power, it was able to deliver the contrasts in a more effortless way, like a slumbering giant waking up to brush away an irritation without bothering to raise an eyelid. Again, by contrast, the Sony seemed a tad breathless – which is not something you ever say about it in less illustrious company...   Tonally, the Forte was superb. Its bass is immense, unflappable and without fault – save for being fractionally slower to switch on than the Sony. Alternatively, it may be right and the Sony is simply a little nervous with the leading edges, etching them artificially hard in a characteristically direct drive way? The E.A.T. is also sumptuous in the best tradition of vinyl; cue up The Who’s ‘Won’t Get Fooled Again’ from an original seventies pressing of ‘Who’s Next’ and you really know that’s a valve bass guitar amp being used. It’s the sort of bass that doesn’t need to make any apologies – there’s no issue with the recording, or the rest of the replay equipment, it’s just there like the elephant in the room.   Yet it doesn’t overpower, or slur notes, or dominate the mix in any way; put on some nineteen sixties freakbeat from Ice (the most famous band to come out of my own Sussex University, which isn’t saying much) and yes, sure enough, you can tell it’s recorded in someone’s bathroom in Brighton. Cue up 4hero’s ‘Escape That’ however, and you’re into low frequencies the like of which you rarely hear outside of Wembley Arena. Powerful as the E.A.T is below the stairs, let’s just say it’s not gratuitous.   Across the midband, you have a massively expansive sound. It makes the Sony – and to a less extent the Avid – seem rather stuck between the speakers. Yet instruments are not quite as accurately located as with the Acutus, which if it were a policeman would be a Miami-based member of CS1. The E.A.T. isn’t imprecise, it’s just big enough in its soundstaging for you not to have to ask questions; “the guitar’s over there, the lead vocal is over there, okay, fair enough!” Nor is the midband quite as icily clear as the Acutus or the Sony, but it’s actually no less detailed or informative, it’s just the way it presents the information is altogether more relaxed. Now, I have a sneaking suspicion that the Ikeda arm is at least partly behind this state of affairs. It’s so redolent of all those hours I used to spend languishing in Japanese hi-fi shops in and around Tokyo, listening to that country’s high end fare. Think massively polished, with easy information retrieval that would never even think of throwing it at you. Yes, it’s an ever so slightly ‘hi-fi’ sound, but a gorgeous one – and mates brilliantly to the E.A.T’s mellowy, moody, subtle sound.   As befits a turntable of this immense speed stability, the treble is a joy. It is slick and easy, beautifully polished and wonderfully atmospheric – yet sharp and incisive in a way that never dominates. Miles Davis’s ‘Kind of Blue’ was majestic; smooth, vast in stage and deliciously, naturally musical, and with a wonderfully natural top end. If ever there was a turntable/arm combination to flatter a cartridge’s natural treble ability, this is it. Once again, my reference players both turned in a superficially slightly more detailed rendition, but it wasn’t in any way more informative. Rather, it was if the brightness control had just been turned up a bit. The Avid was brilliant, pushing you right up close to the cymbals, the Sony had wonderful ‘snap’, whereas the E.A.T. took a gentle step back from the hi-hats, giving a less ‘in your face’ rendition that was – all said and done – a tad easier and more satisfying to listen to. At this level, you’re not going to get a bad turntable, so the question then is – what kind of good one do you want? As with fine wines, great watches, top restaurants and seven star hotels, at this price you’re buying something that suits you like the best bespoke tailored suit. And so whom would the E.A.T. Forte suit? Well, the standard fitment of the Ikeda arm means this is far more like a turntable package than most decks at this price, which come sans tonearm, requiring you to make this big decision. The Forte is a case of ‘add cartridge and go’; it even requires relatively little set up as it is not a skeletal design which demands various layers be bolted on to various others.   What it gives then is brilliant sound out of a (very big) box, with a superb fitted arm that sings with almost any highish mass moving coil cartridge. It presents a relaxed, easy, nonchalant sort of sound, but one that is nevertheless immensely satisfying. The best thing is that it’s very devoid of character, or obvious strengths or weaknesses for that matter. Simply put, it’s a massive machine that gets the best out of your vinyl without you – or it – having to try very hard.  The EAT Forte carries an Ikeda IT407 12in (307mm) arm with detachable headshell. This is a solid affair made from various metals Ikeda say, rolled not diecast. The arm feels solid and ‘dead’ in the hand and indeed it measures like that too. For a long, tubular arm it is surprisingly free of a main arm tube mode, expected around 200Hz or lower. In this region there is no sign of vibration, although a small bump at 120Hz could possibly be due to primary flexure. Otherwise, the IT407 is a very ‘quiet’ arm all the way up to 3kHz and should give excellent bass quality and fine sound staging as a result, as well as a pure midband. Above 3kHz, as accelerations rise, the headshell becomes as active as most, so here the Ikeda is less distinguished. Also, 12in arms roughly halve the tracing distortion generated by a 9in arm and usually sound smoother and silkier as a result, although often not as ‘fast’.   The EAT Forte turntable produced some amazing results. It was just 0.1% slow, a negligible amount and low speed drift below 1Hz was lower than usual too, resulting in a very low unweighted Wow and Flutter value of 0.072%. This suggests the EAT Forte will have much the same grip on pace as a Direct Drive. Weighted wow and flutter was low too, as is to be expected, measuring 0.061%.   An unusual combo this may be in appearance, but it is a good deal more sophisticated under the skin than one might imagine. It’s a great pairing. NK     Get images that make Supersized seem small. THE simple solution for eBay sellers.

Ikeda 9C III Cartridge Moving Coil, Decca-London Style, Rarität, in 1A Funktion! Die noch vom Altmeister Isamu Ikeda selbst in Handarbeit gefertigten C9III Cartridge-Varianten ohne Nadelträger und nur mit Luftspulen gewickelt, sind schon eine sensationelle Besonderheit. Der Diamant sitzt hierbei direkt auf den beiden Spulen, und mit einen Faden ist das Ganze stabilisiert. Diese Konstruktion wird ebenso bei den DECCA's verwendet. Ikeda hat dieses Konstruktionsprinzip beim 9er angewendet und in Moving-Coil Bautechnik ausgeführt. Es ist eben nicht die Moving- Magnet Technik, wie bei den DECC's konstruiert angewendet.  Hieraus resultiert ein wundervoll farbenfrohes Klangbild. Es hat mir das Gefühl einer bisher nie gehörten Opulenz ausgelöst. Auch das sonst bisher Ungehörte wird zu100% aus der Tonspur herausgekitzelt. Sämtliche schon bisher gehörte LP's klingen, wie vorher noch nie gehört, feiner und detaillierter. Es wurde soeben über ein Source-Laufwerk (Original Mike Moore) an einem Syrinx SPUIII über eine Pass Labs XP 17 mit einer XP 10 Vorstufe als technisch und auch klanglich als perfekt eingestuft. Dieses System aus meiner Schatzkammer, steht jetzt zum Verkauf. Bei richtiger Anpassung an den passenden Vorverstärker und etwas gekonnter Montage, läuft dieses System zusammen mit einem massereichen Tonarm hinauf in höchste Highfidelity-Sphären. Man beachte aber auch hierzu die Ausgangsspannung von 0,17 mV!