Pair of BANG & OLUFSEN Speakers RL 60.2 Type 6513 Each speaker is: Height - 16Width - 21 1/4Depth - 6 1/4

Bang & Olufsen RL60.2 Redline Speakers BO Beovox 6513 RL 60.2 60w / 8 Ohm Pair. In used condition. Please refer to pictures for condition and what is included. I have other vintage items on other listings. Thank you for looking.

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps. Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey, White The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

I am selling a pair of B&O Redline speakers. 60W - Model: 6513 owned and used by me for over 15 years. great sound. only selling as I now work for a speaker company and ive upgraded. any questions please ask. Dimensions W x H x D: 54 x 40 x 18cmWeight 8.3 kg Ive posted lots of photos so you can see for yourself the condition. A few external marks, but its the sound thats important. original embossed B&O material on front. Wall mounts included. Please see other listings, of vintage/retro items. One pair available. Collection or postage. Located on the south coast, between Brighton and Worthing.

Bang & Olufsen Beovox RL 60.2 Technisch in perfektem Zustand. Optisch im Betracht des Alters in einem guten Zustand. Das Tuch hat ein paar Macken.Bitte Sehen sie Sich die Bilder an. Guter Versand in einem Versandkarton. Beovox RL 60.2 Passive Loudspeakers Product SpecificationsType: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

AVAILABLE NOW! Genuine vintage matching pair Bang Olufsen Beovox RL60.2 60W speakers Type 6513, 60W, with the dark grey case and red side strip. These not only look great but perform exactly as expected of a B&O product with a crystal clear sound and a great bass tone that is as good as any today. Minimal fret wear and slight case damage as pictured but otherwise very clean, fully tested and working perfectly. Sit them on their built-in floor stand or mounted on the taller floor stands (not supplied but sold separately, see my other listings) or wall brackets (not supplied). 2 options to connect, either spring connections for bare wires or a DIN socket.Tested and working vintage items, no returns. This listing is for a pair of Beovox RL60.2 speakers, everything else in the photos is for illustration purposes only.I aim to despatch within a day but no later than 3 working days or collect from Horsham, West SussexPlease see my other B&O listingsThanks for looking! Please note! Shipping to non-mainland Britain may attract a surcharge. Please ask for a quote From BeoWorldBeovox RL 60.2 Passive LoudspeakersManufactured: 1988 - 1992Designer: David Lewis Colours: Grey, whiteThe idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces.Music that never stands stillRed Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer.The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.Beovox RL 60.2 Passive Loudspeakers Product SpecificationsType: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

AVAILABLE NOW! Genuine vintage matching pair Bang Olufsen Beovox RL60.2 60W speakers Type 6513 WHITE EDGE Type 6513, 60W, with the gloss white case and silver side strip. These not only look great but perform exactly as expected of a B&O product with a crystal clear sound and a great bass tone that is as good as any today PLUS theyre a very rare model. Minimal fret wear and slight case damage as pictured but otherwise very clean, fully tested and working perfectly. Sit them on their built-in floor stand or mounted on the taller floor stands (not supplied but sold separately, see my other listings) or wall brackets (not supplied). 2 options to connect, either spring connections for bare wires or a DIN socket.Tested and working vintage items, no returns. This listing is for a pair of Beovox RL60.2 White speakers, everything else in the photos is for illustration purposes only. I aim to despatch within a day but no later than 3 working days or collect from Horsham, West SussexPlease see my other B&O listingsThanks for looking! Please note! Shipping to non-mainland Britain may attract a surcharge. Please ask for a quote From BeoWorldBeovox RL 60.2 Passive LoudspeakersManufactured: 1988 - 1992Designer: David Lewis Colours: Grey, whiteThe idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor.You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces.Music that never stands stillRed Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer.The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever.Beovox RL 60.2 Passive Loudspeakers Product SpecificationsType: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

FEW COSMETICS ON THE CLOTH BUT WORKS. CD_20T

Bang & Olufsen (B&O) RL 60.2 Speakers Red straps missing, one of metal tilt frames has rusted, personally I would remove this as sound much better on stands than on the floor, and otherwise in perfect working order. Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals

FULL WORKING ORDER. With original box WE SHIP WORLDWIDE CONTACT FOR PRICES. 80% OF OUR ITEMS SELL WITHIN 2 WEEKS OF BEING LISTED SO BE QUICK. WE ARE HI FI DEALERS SEE OUR OTHER ITEMS. Terms & Conditions The photos are part of the description you will get what you see in the photos - nothing more, nothing less. If an accessory is not shown assume it is NOT included. Eg, accessories such as remote control/ speaker covers/ cables etc. The condition of an item is as photographed - we take photos of items from all angles so study the photos carefully. As our items are used we are unsure if any accessories are missing from when the item was new. Returns are NOT accepted on items that are described as faulty or untested due to unauthorised repairs. If an item is to be returned the buyer will pay return shipping. A refund will be issued after the item has been inspected. We do NOT pack orders on weekends. We dispatch orders within 5 working days, we are very busy and our items are large and heavy which require a big packing job that can take up to an hour, some times longer. This is not Amazon where a small item will be slipped in to an envelope and dispatched the same day. Some items sent in more than one box such as a pair of speakers may arrive at different days, usually a few days later. We try to include power leads but not always as the metal part of the plug increases the risk of damage especially when there is less space in the box. Also when shipping outside the UK we do not include power leads as it will have the wrong plug. Kettle power leads and 2 pin leads are available on ebay very cheap if you dont already have them in your home. If you are not happy with your purchase contact us in the first instance so we can resolve or arrange a return, leaving negative feedback does not resolve any thing. Allow us up to 48 hours to respond to messages we get a lot of messages.

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps. Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey, White The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang & Olufsen Beovox RL 60.2 Technisch in perfektem Zustand. Optisch im Betracht des Alters in einem guten Zustand. Das Tuch hat een paar Macken.Bitte Sehen sie Sich die Bilder an. Guter Versand in einem Versandkarton. Die Standfüssen bieten wir in einer anderen Auktion an. Beovox RL 60.2 Passive Loudspeakers Product SpecificationsType: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

For sale is a Bang & Olufsen RL60.2 Redline Speakers BO Beovox 6513 RL 60.2 60w / 8 Ohm. This Used, but in good working condition . It showcases a few signs of wear with some marks and scratches, The covers have some small holes. Despite these cosmetic imperfections, the toaster remains fully functional and ready to use. Please view listing Photos , Read item descriptions and ask questions first before committing to buy. Whatever accessories that does not included in the listing photos does not come with this product. Please refer to listing photos as it is the part of description for further information on appearance and condition .You get exactly what you see in the images, for any possible missing parts or accessories. I do not list items with stock photos this is the actual photo of the item you will receive. If the item is listed as parts, faulty or not working ,then yo accept that the item is faulty and not work. In the unlikely event your item arrives with physical damage, we need to be notified within 24 hours of signing for the goods, whereupon we will immediately send a replacement, if one is available. We will then make a claim against the courier for damages, you will need to keep the original item with all original packaging for them to inspect it. We cannot accept any claims outside of this time frame .