PRISTINE PAIR BANG & OLUFSEN RL 60.2 STEREO RED LINE SPEAKERS TYPE 6513 - MINT! - MADE IN DENMARK MATCHED PAIR MEASURE 21.5 AT WIDEST AND 16 TALL. RENOWNED B&O TECHNOLOGY DESIGN. ALL DRIVERS ARE EXCELLENT WITH STRONG CLEAR RICH SOUND. GRILLS SHOW NO WEAR AT ALL AND CABINETS ARE PERFECT BUT FOR ONE TINY MARK ON TOP EDGE OF ONE SPEAKER. RED LINE TRIM ALL AROUND IS PERFECT AS WELL. CONNECTS ARE DIN JACKS AND WIRED TERMINALS. SEE ALL PHOTOS. I describe accurately with my own best knowledge and research that I have access to. Please ask any questions before bidding. LOCAL PICKUP ONLY DUE TO SIZE AND WEIGHT. Check out my other ITEMS !

--> Bang & Olufsen Beocenter 9000 CD/Radio/Tape Player + Red Line60.2 6513 Speakers In a very good used condition with working radio, CD player and Cassette tape player. For full details of the BeoCenter 9000 see: https://www.beoworld.org/prod_details.asp?pid=410 With a pair of red Line 60.2 Type 6513 Speakers For full details of the speakers see: https://www.beoworld.org/prod_details.asp?pid=659 See photographs for details Thank you for your interest in this item. We are happy to combine postage. For more items please see our Willen Hospice Shop. SHIPPING We will aim to dispatch all items within 3 working days of cleared received payments. Courier or Royal Mail will deliver within 3 working days from despatch in the UK (please note over Bank Holidays this will be impacted). Courier deliveries will require a signature. If collecting items please note we are open Monday - Friday 9.00am - 3.30pm. COMBINED POSTAGE We offer combined postage for multiple purchases. Please contact us before paying for a revised invoice. PAYMENT Payments must be made within 48 hours of the auction ending unless other arrangement has been agreed. Please note we accept payment via eBay or payment by card on collection only. ABOUT US Willen Hospice is one of the most loved charities in Milton Keynes and the surrounding area. We are close to so many peoples hearts because of the compassionate, personal end of life care we provide for free, both at our hospice at beautiful Willen Lake and in peoples homes. We give constant care in a friendly, peaceful environment where patients coming to the end of their lives, and their loved ones, can really make the most of their time left together. Willen Hospice is a charity that puts patients and their families at the very heart of everything that we do. Everything we do is to ease the pain of those near the end of their lives and to really be there for the families too. CONTACT US Please contact us through the eBay messaging system. Please note we are closed over the weekend and bank holidays, however we will try to reply to your message as soon possible.

PRISTINE PAIR BANG & OLUFSEN RL 60.2 STEREO RED LINE SPEAKERS TYPE 6513 - MINT! - MADE IN DENMARK MATCHED PAIR MEASURE 21.5 AT WIDEST AND 16 TALL. RENOWNED B&O TECHNOLOGY DESIGN. ALL DRIVERS ARE EXCELLENT WITH STRONG CLEAR RICH SOUND. GRILLS SHOW NO WEAR AT ALL AND CABINETS ARE PERFECT BUT FOR ONE TINY MARK ON TOP EDGE OF ONE SPEAKER. RED LINE TRIM ALL AROUND IS PERFECT AS WELL. CONNECTS ARE DIN JACKS AND WIRED TERMINALS. SEE ALL PHOTOS. I describe accurately with my own best knowledge and research that I have access to. Please ask any questions before bidding. LOCAL PICKUP ONLY DUE TO SIZE AND WEIGHT. Check out my other ITEMS !

Bang & Olufsen RL60.2 Redline Speakers BO Beovox With Brackets.great sound

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps. Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey, White The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang & Olufsen x2 Speakers with B&O metal floorstandManufactured 1984-7 Redline Passive Loudspeakers RL60.2 Amazing sound quality. Collection Leeds or can work out postage costs

Bang & Olufsen 2 Beovox RL60.2 Redline speakers with wall brackets NO STANDS are included. Straps have been replaced, fabric in excellent condition for age, and stands in good condition. See photos for more detail. Sound brilliant - they are connected to my beocentre 9000 presently. See also my other listing for two with stands.

Bang & Olufsen 2 Beovox RL60.2 Redline speakers with stands Straps have been replaced, fabric in excellent condition for age, and stands in good condition. See photos for more detail. Sound brilliant - they are connected to my beocentre 9000 presently. See also my other listing for two with rare wall brackets.

Vintage Pair of B&O Bang & Olufsen Redline 60.2 Speakers with Stands & Cables Here we have a pair of B&O Redline 60.2 speakers in full working order, complete with their original Stands and a pair of DIN Speaker cables. The speakers are in very good condition with just a few marks to the fabric, the stands have some signs of use but could be resprayedPlease see all pictures. From Beocentral:The replacement for Beovox RL 60, and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom.The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel.A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available.Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand.Payment within 3 working days, returns only accepted if the item is not as described. Combined postage offered where applicable. For auction items please wait for an updated invoice before payment. If purchasing more than one Buy it Now item please use the basket and request the total amount and invoice at checkout. I sell vintage items and accurately describe the cosmetic condition, please use this information in conjunction with the photos to satisfy yourself of the condition of this item. If the item is required to work in any way I will give a separate description of the performance in this area to the best of my ability. Should you have any questions please contact me before bidding or buying. All items will be packaged securely. Please check out our Instagram account for highlights of up and coming additions to our eBay store. FSL

Bang & Olufsen x2 Speakers with B&O metal floorstandManufactured 1984-7 Redline Passive Loudspeakers RL60.2 Amazing sound quality. Collection Leeds or can work out postage costs

Bang & Olufsen 2 Beovox RL60.2 Redline speakers with wall brackets NO STANDS are included. Straps have been replaced, fabric in excellent condition for age, and stands in good condition. See photos for more detail. Sound brilliant - they are connected to my beocentre 9000 presently. See also my other listing for two with stands.

Bang & Olufsen 2 Beovox RL60.2 Redline speakers with stands Straps have been replaced, fabric in excellent condition for age, and stands in good condition. See photos for more detail. Sound brilliant - they are connected to my beocentre 9000 presently. See also my other listing for two with rare wall brackets.

Bang & Olufsen RL60.2 Redline Speakers BO Beovox 6513 RL 60.2 60w / 8 Ohm Pair. In used condition. Please refer to pictures for condition and what is included. I have other vintage items on other listings. Thank you for looking.

Bang Olufsen Beovox Redline speaker floor stand or wall brackets type 6034. Speakers NOT INCLUDED. Suitable for the bang and Olufsen redline range e.g. RL45 / RL 60 / RL6000. If the back of your speakers look like the last photo it should fit. Excellent condition they look like they have hardly been used. The grey feet look superb with only superficial marks on the black uprights if you look closely most of which wouldn’t be visible anyway The black bracket that the speakers hang on simply slides into the upright. As they are detachable they can also be fixed directly to a wall with 4 screws and the speakers can be hung on a wall without using the feet. Make sure you use suitable fixings (not included) and fix to a solid wall. Using the feet the speakers will hang on the black bracket without any fixings required.

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps. Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey, White The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Lautsprecher Bang & Olufsen Paar B&O RED LINE 60 80er Jahre. Funktionieren einwandfrei, haben allerdings Gebrauchsspuren und kleinere Flecken auf dem Stoffbezug!Viel Spaß beim bieten.......:-)

I am selling a pair of B&O Redline speakers. 60W - Model: 6513 owned and used by me for over 15 years. great sound. only selling as I now work for a speaker company and ive upgraded. any questions please ask. Dimensions W x H x D: 54 x 40 x 18cmWeight 8.3 kg Ive posted lots of photos so you can see for yourself the condition. A few external marks, but its the sound thats important. original embossed B&O material on front. Wall mounts included. Please see other listings, of vintage/retro items. One pair available. Collection or postage. Located on the south coast, between Brighton and Worthing.

Bang Olufsen Beovox Redline speaker floor stand or wall brackets type 6034. Speakers NOT INCLUDED. Suitable for the bang and Olufsen redline range e.g. RL45 / RL 60 / RL6000. If the back of your speakers look like the last photo it should fit. Excellent condition they look like they have hardly been used. The grey feet look superb with only superficial marks on the black uprights if you look closely most of which wouldn’t be visible anyway The black bracket that the speakers hang on simply slides into the upright. As they are detachable they can also be fixed directly to a wall with 4 screws and the speakers can be hung on a wall without using the feet. Make sure you use suitable fixings (not included) and fix to a solid wall. Using the feet the speakers will hang on the black bracket without any fixings required.

FEW COSMETICS ON THE CLOTH BUT WORKS. CD_20T

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket