Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

You are buying... Bang & Olufsen Beovision Avant 55 (Black) Shipping International! (Taxes, Duties & Customs Fees May Apply) This is being picked apart for parts. IR sensor is sold. Shipping price too high? We can provide you the part you need without shipping the whole TV freight. Type: 8643 Item No: 1860168Serial No: 26916704 100-240v Made 8/ 2016 PAYMENT INFO: Payment is due immediately after the auction end. If you cannot pay immediately after the auction but want to bid please contact me and let me know when you will be able to send payment and I will let you know if you can bid. If your feedback is less than 10, please contact me before bidding just to let me know that you are a real person and not someone that is going to bid and not pay. If you do not contact me before bidding, I will try to contact you and if you do not respond then I will cancel your bids and block your user id. I will only ship to confirmed addresses. SHIPPING INFOThis will ship freight, please allow up to 7 business days to dispatch. This will be fully insured. INTERNATIONAL BUYERS This will be fully insured. Please allow up to 24 Hours for me to give you a quote. Recent Feedback... Excellent seller! ThanksBuyer: Member id westlake5056 (private) Oct-13-12 16:19 Bang & Olufsen Beovision 9 50 MK3 ACM 1080p HD Plasma Television (#180963442393)US $11,789.95Best Offer Price was AcceptedView Item Smooth transaction! ThanksBuyer: Member id westlake5056 (private) Oct-13-12 16:19 Bang & Olufsen Beosound 3200 CD/ HDD Player LNIB B&O (#190717469898)US $1,850.00View Item item as described, great communication and packaging, fast shippingBuyer: Member id mkhmeh ( Feedback Score Of 331) Oct-12-12 15:02 Vintage Bang & Olufsen Cabinet 80 For Beoamaster/ Beogram/ Beocord 8000 Series (#190734293581)US $999.99View Item Great communication. FAST-SHIP! Arrived as described-Professional Packing Job!Buyer: Member id superdad525 ( Feedback Score Of 129) Sep-14-12 06:02 Bang & Olufsen BeoLab 6000 Speakers (Black) Near MINT B&O (#170896699514)US $1,400.00View Item Very pleased with transaction! Fantastic speakers. Professional service.Buyer: Member id orysia ( Feedback Score Of 657) Sep-03-12 12:57 Bang & Olufsen BeoLab 8000 Speakers Near MINT B&O (#180949300552)US $2,499.99View Item LOVE it! Many thanks from Canada.Buyer: Member id booker_moose ( Feedback Score Of 735) Jun-16-12 01:25 Bang & Olufsen Beolab 7-1 Ice Powered Center Speaker B&O (#180873574440)US $2,777.00Best Offer Price was Accepted Arrived intact. Phew! Gorgeous B&O plasma tv. Reliable & friendly vendor.Buyer: Member id booker_moose ( Feedback Score Of 735) May-22-12 12:57 Bang & Olufsen Beovision 4-50 HD Plasma System (Dark Grey) With Beosystem B&O (#170791308808)US $2,500.00 Thanks For Looking!

Bang and olufsun avant 55 plus motorised wall mount, i also have the motorised table stand for it, but that is a bit rusty. The tv needs a new video engine for it. And the retracting speaker has a spring that has come off one side, so wont retract. But is fully working. The tv can work as normal for several hours and then the screen will go blank or have some lines in it, after turning it off for 30 mins it will start to work as normal again. Collection only from east london E6. Any questions please call 07415277722

Bang & Olufsen Beovision Avant 55 with Motorized Floor Stand - No Reserve Auction The LCD was broken in a move. Please see the test image in the listing photo. Everything else (surround processor, speakers, motors, stand rotation) works. Replace the panel (Samsung LTA550FJ01) or buy and a VESA adapter from STB Brackets and use the stand for another TV. The auction includes the TV, transport stands, and Motorized Floor Stand only. Beolab 18s and Beolab 2 are not included but available separately. Local pickup only. The TV weighs about 120 lbs and the floor stand is about 115. Please dont bid unless youre able to collect the items in New York City.

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

This Beovision Avant 55 from UK. 100-240v Need power converter

Ich verkaufe einen Bang & Olufsen Beovision Avant 55 Zoll Silber ohne StandfußDas Gerät ist Defekt !Aufgrund des Bild ist auf Nachfrage bei B&O die Digital Video Engine kaputt. TV muss in Überlingen (Bodensee) abgeholt werden!Kein Versand! Verkauf von Privat, ohne Garantie.

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Wir verkaufen 3 Stück 3D-Brillen für BeoVision 11/12 Avant 55/75 TV-Geräte Bang&Olufsen B&O.

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Zum Verkauf steht unser 7 Jahre alter BeoVision Avant 55 NG mit Original B&O-Wandhalterung, den wir 2017 neu bei einem B&O Händler gekauft haben. Der Fernseher bleibt solange im Einsatz und wird weiterhin sorgfältig gepflegt, bis er verkauft ist. Er hängt im Wohnzimmer und ist in einem gutem Zustand. Siehe Bilder. Wichtiger Hinweis: Der integrierte motorisch ausfahrbare Zentrallautsprecher fährt leider nicht mehr automatisch ein und aus. Er bleibt permanent ausgefahren. Weitere Mängel sind nicht bekannt. Andere auf den Fotos zu sehenden B&O Artikel werden nicht mit verkauft. Ausschließlich der BeoVision Avant 55 NG mit Wandhalterung. Leider haben wir die Originalverpackung nicht mehr. Daher ist kein Versand möglich, sondern nur Selbstabholer. Bis zum Abholen bleibt der Fernsher an der Wand hängen. Unser Angebot: Gerne machen wir eine Online-Vorführung des Fernsehers per Video-Call. Wichtiger Hinweis zum Kauf:Dies ist ein Privatverkauf, daher erfolgt der Verkauf unter Ausschluss jeglicher Sachmängelhaftung. Das bedeutet, dass ich als Verkäufer keine Garantie und Gewährleistung für den verkauften Fernseher übernehme. Der Kauf erfolgt wie gesehen und getestet, eine Rücknahmen ist nicht möglich.

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095

Bang & Olufsen Avant 55 4k TV built in speaker +Motorized Stand After Darryl took his turn with the BeoVision Avant 55 Ultra HDTV and its wireless sound system, I spent a week assessing its picture quality. Given its cost and fancy whiz-bang design, one might be quick to dismiss it as just a lifestyle product. But you’d be wrong: The Avant 55 is soundly in the high-performance category and not without some cutting-edge technology.Make no mistake, though: B&O knows its customer, and that’s someone who wants to be wowed by a great picture without having to know where to find the video menu. So the Avant has some advanced automatic picture modes, including the most sophisticated ambient light compensation scheme I’ve seen to date. A dual-sided optical sensor juts off the top-right corner of the TV and reads ambient light behind the panel as well as in front, measuring not just levels (to adjust brightness/contrast), but also color temperature of the light behind the set to enable something called Chromatic Room Adaption. For example, if you were to switch the TV to its Movie picture mode to invoke the industry-standard D65 color temperature called for by the Rec. 709 spec, you’ll get (a targeted) D65 at your eyeballs; even if the late-afternoon sun saturates the room in orange, the set temporarily adjusts its gray scale so that you’ll still observe the neutral grays and whites you’d expect in a dark room with a well-calibrated display. And speaking of calibration, you can’t—the user controls offer neither white balance adjustments nor a color management system for tweaking color gamut. Instead, Bang & Olufsen has introduced with the Avant series a 10-point calibration that takes place at the factory. Still, I tweaked a bit, notably backing down the color control to desaturate red and bring out differences in skin tone.I watched a fair amount of broadcast TV on the Avant, plus Full HD 1080p movies from my Roku 3 and Oppo BDP-103 Blu-ray player. Full HD scaled to the Avant’s 3840 x 2160 screen looked mostly stunning and engaging from a 7-foot distance—to the point where even my otherwise oblivious teenage kids commented on the image quality. The Macy’s Thanksgiving Day Parade offered an explosion of colors, and as someone who frequently walks through Herald Square, I was struck by the lifelike accuracy of the red and green street paint used to create the performance “stage” in front of the store. I was also taken with the detail and the naturalness of faces and fleshtones in the many close-ups of Morgan Freeman and Tim Robbins in the excellent BD transfer of The Shawshank Redemption, and the way the Avant reproduced blacks and shadow details in the dark images shot inside the prison cells. A run through some go-to black-level torture tests (scenes from Prometheus, Harry Potter and the Deathly Hallows: Part 2, 2001: A Space Odyssey) revealed excellent black levels for an edge-lit LCD and very good shadow details, though the Avant was no match there against my reference 60-inch Panasonic ST60 plasma on unusually demanding material like chapter 12 of Hallows, where, not surprisingly given its edge-lit backlight, it couldn’t eke out the full dynamic range of the darkest scenes and tended to suppress the brightest highlights as a compromise to achieving satisfying blacks. I had no native 4K content to test with—the Avant accepted up to a 2160p/30 signal via HDMI from a pattern generator but has no streaming facility for 4K Netflix, and neither of the two USB ports recognized a UHD clip I have on a flash drive in both H.264 and H.265 (HEVC) compression formats. Still, Ultra HD focus and multiburst test patterns showed crisp, noise-free UHD down to a single pixel width.—Rob SabinSpecs Dimensions (WxHxD, Inches): 57.8 x 35 x 14.5 (with stand); 57.8 x 34 x 1.8 (without stand) Weight (Pounds): 130 (with stand); 90.4 (without stand) 3D Glasses (Active): 2 pair included Video Inputs: DisplayPort, HDMI 1.4 (3), HDMI 2.0 (1) component video/composite video (1), RF Audio Inputs: Stereo RCA (1) Other: Ethernet (1), USB (3), SD Card Audio Outputs: Stereo RCA (1), optical digital audio (1)Price: $8,495; motorized stand, $2,095